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The Doorway (2000)

3.8
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Ratings: 3.8/10 from 355 users  
Reviews: 25 user | 17 critic

An easy paying job turns into a fight to the death, when college students realize that the house they're cleaning is a portal to Hell.

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Cast

Complete credited cast:
...
Professor Lamont
...
Tammy
...
Rick
Suzanne Bridgham ...
Susan
...
Owen
...
Lydia / Evelyn
Brendan Murray ...
Abbott
Ricco Se ...
Hoskins
Joe Moylan ...
Charlie
Christopher Burdett ...
Mirror Demon
Daniel McNamara ...
Mirror Demon
Hoda Saoud ...
Demon #1
Dieter Auner ...
Demon #2
John Cullen ...
Demon #3
...
Walter Van Buren (as Robert G. Hall)
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Storyline

Four college students looking for a cheap place to live have found what looks to be a dream deal: in exchange for renovating a broken-down old mansion, they will not only get paid for their work, but will also get to live there rent-free. They naturally accept the offer, and quickly move in and get to work. Not so long afterwards, however, strange things start happening to all of them, and it soon becomes clear that they are not alone inside the eerie house. Written by Jean-Marc Rocher <rocher@fiberbit.net>

Plot Summary | Add Synopsis

Taglines:

...to hell

Genres:

Horror | Thriller

Motion Picture Rating (MPAA)

Rated R for strong sexuality, horror violence/gore and some language | See all certifications »
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Details

Official Sites:

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Language:

Release Date:

24 October 2000 (USA)  »

Filming Locations:

 »

Company Credits

Production Co:

 »
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Technical Specs

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

During the filming of this picture the cast, director and some of the crew members actually lived in the house that serves as the exterior of the Van Buren mansion. See more »

Quotes

Owen: Well, the bitch floats!
See more »

Soundtracks

LOVE IN THE HOUSE
Written, Produced and Arranged by Michèle Vice-Maslin
Performed by Brenda Lee Eager
Published by Sweetersongs (BMI)
Courtesy of Sweetersongs
See more »

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User Reviews

 
Knocking at hell's door.
7 May 2010 | by (the Mad Hatter's tea party.) – See all my reviews

Roger Corman's New Concorde produced this reasonable little straight-to-video low-budget demon feature that wears its b-grade quality proudly. Usually these films know what their target is and keeps to its strength, and "The Doorway" does that. Honestly the thing that caught my eye in the first place other than Corman's name; was the name of a establish actor Roy Scheider. He might not make an appearance to about 30 minutes in, but when he does it's dependably good even if it's nothing more than merely a small, but important role to the scheme of things.

Four college students looking to make some money, head out to an old abandon Georgian mansion to make some renovation repairs. However after just settling in weird things begin to happen, and one of them finds a book explaining the original occupants curiously demented past involving devil worshiping cults involving orgies and death. Soon they realise they're not alone as there's a demonic force at work.

You want blood… you got it. Cheap jumps… that's a tick. Nudity… yes plenty to go around. Sex… of course with depraved passions let out. And how about creepy dolls… oh yes it's a win-win situation. Well that's what happens when the mansion you're working in has a carnal past and a doorway to hell in its cellar, expect you soul to be corrupted by the evil. One sequence involving the group dancing away to a song while they clean… was just the start of it and nobody had been possessed yet. How to combat it in a logically sense is to get in a professor of the superstitious field and maybe a descendant (a smoking Teresa DePriest) with a physic link, who luckily enough knows the professor and is there on the spot. What are the odds? What they came up against is a ghostly succubus and hideous looking demon. For its obvious budget restrictions the make-up FX and visual effects are decently executed by Robert Hall / Almost Human. Sometimes cheesy, but not terrible. Low rent sets standout, but it's well photographed with it catering a claustrophobic remoteness to its house-bound terror.

You could probably nit-pick the creaky narrative and find a whole lot of flaws, but what's the point. It did take on some different fabricated plot roots, but the ending was unfulfilled in the way they closed it off. One aspect that I could have done without the cheeky humour that filled the fashionable script. The performances are passable enough and Lauren Woodland is likable.

If you let it, there's fun to be had.


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