Set during the current Intifada, this documentary follows four Palestinian families living in Dheisheh Refugee Camp near Bethlehem. Fadi is 13 and cares for his 4 younger brothers, the ... See full summary »
People suffer largely unnoticed while the rest of the world goes about its business. This is a documentary exploration of the mythic beauty of the Golden Gate Bridge, the most popular ... See full summary »
In 2007 Mobile, Alabama, Mardi Gras is celebrated... and complicated. Following a cast of characters, parades, and parties across an enduring color line, we see that beneath the surface of pageantry lies something else altogether.
Jessica Yu's documentary explores the relationship between human life and Euripidean dramatic structure by weaving together the stories of four men: German terrorist, a bank robber, an "ex-gay" evangelist, and a martial arts student.
Near Penn Station, next to the Amtrak tracks, squatters have been living for years. Marc Singer goes underground to live with them, and films this "family." A dozen or so men and one woman talk about their lives: horrors of childhood, jail time, losing children, being coke-heads. They scavenge, they've built themselves sturdy one-room shacks; they have pets, cook, chat, argue, give each other haircuts. A bucket is their toilet. Leaky overhead pipes are a source of water for showers. They live in virtual darkness. During the filming, Amtrak gives a 30-day eviction notice. Written by
Singer employed his friends in the tunnels as his crew. Singer claims that these people, with no prior experience in filmmaking whatsoever, were incredible in their ability to set up lighting rigs, dollies, and electrical wiring, mostly without the use of tools or real grip equipment. To make the dolly for tracking shots, Singer and his carpenter built a rig made out of wood and metal scraps. Without a power drill, they would heat a metal rod and 'singe' a hole into the wood to put a screw or dowel in for fixture. See more »
I enjoyed this film on a lot of different levels. The camera work is really beautiful, and the film has a loose narrative structure with an uplifting ending. All of the people in the film are very articulate in their own way, which shatters some of the stereotypes people have about the homeless. The movie definitely takes sides, and is sympathetic towards the homeless, but it also makes it very clear that the people made poor choices in their life which lead to their situation. Even in the midst of all their suffering, I found it surprising that they all have excellent senses of humor. The response to the question of "what item that you find in the trash is the easiest to sell?" is particularly hilarious.
It was also nice to see how many of the people in the tunnel form friendships, depend on each other in tough times, and know all of their neighbors' names, something which most people in the US can't claim. The symbolism of the white man and black woman tearing down their home is kind of over the top, but it did make me feel good. I guess I'm a sucker for cheesy stuff like that. The score by DJ Shadow is also extremely well done and appropriate. I agree that the average homeless person in the United States can afford to be much more lazy than those in other poorer countries, and they definitely have more opportunities to escape from poverty, but that doesn't mean that their situation should be taken lightly or ignored.
To the commenter who was angered at the use of the words "faggot" and "sissy" you can't possibly hold bad language and grammar against the people in the film. Have you ever listened to a conversation among children in the supposedly wholesome Midwest, or even in supposedly tolerant cities like San Francisco? I can assure you that the term "faggot" is still tossed around quite a bit. Homophobic attitudes and language are certainly reprehensible coming from educated, middle class children, but coming from an individual surrounded by poverty, chewed up and spit out by the criminal justice system, and breast fed on American popular culture, I don't find it to be much of an offense.
My only complaint would be that the film sugar coats everything a bit by ignoring some of the more unsavory aspects of homeless life and not interviewing the less appealing inhabitants. However, the overall impact of the film is powerful, and ultimately it is a film that everyone should see because it's entertaining and informative on many, many levels. Out of the hundreds of documentaries I have seen, this is definitely one of the top ten, and I'm not exaggerating when I say that I will remember it my entire life.
23 of 26 people found this review helpful.
Was this review helpful to you?