Set during the current Intifada, this documentary follows four Palestinian families living in Dheisheh Refugee Camp near Bethlehem. Fadi is 13 and cares for his 4 younger brothers, the ... See full summary »
People suffer largely unnoticed while the rest of the world goes about its business. This is a documentary exploration of the mythic beauty of the Golden Gate Bridge, the most popular ... See full summary »
In 2007 Mobile, Alabama, Mardi Gras is celebrated... and complicated. Following a cast of characters, parades, and parties across an enduring color line, we see that beneath the surface of pageantry lies something else altogether.
Jessica Yu's documentary explores the relationship between human life and Euripidean dramatic structure by weaving together the stories of four men: German terrorist, a bank robber, an "ex-gay" evangelist, and a martial arts student.
Near Penn Station, next to the Amtrak tracks, squatters have been living for years. Marc Singer goes underground to live with them, and films this "family." A dozen or so men and one woman talk about their lives: horrors of childhood, jail time, losing children, being coke-heads. They scavenge, they've built themselves sturdy one-room shacks; they have pets, cook, chat, argue, give each other haircuts. A bucket is their toilet. Leaky overhead pipes are a source of water for showers. They live in virtual darkness. During the filming, Amtrak gives a 30-day eviction notice. Written by
Singer was permitted to use a 16mm Bolex on loan from a camera house in New York without up-to-date payments. He was given left-over film stock on a "pay-later" basis from Kodak and other resources. The lab in New York that processed his negatives and prints also granted him this favor. He began editing on a flatbed, before he was granted the use of an avid at practically no charge from a friend of a friend. He also had complete and total creative control over the project and its final cut, also a rarity. See more »
fascinating film with a remarkable story behind it
It's nigh-impossible not to be moved by Marc Singer's remarkable first film, about a community of homeless people living in a train tunnel beneath Manhattan. What's even more inspiring is how the film got made. Then-20-year-old Singer, who'd never before run a camera, lived underground with his subjects, recruited them as crew, convinced local merchants to donate equipment and even sold his own bed to buy film. His original goal in making the film was to fund its denizens' move out of the tunnel. The result is a fascinating slice of a part of life most of us have never considered. The characters are gritty, sometimes funny, sometimes tragic and always very real. Dark Days takes homelessness out of the realm of sociological phenomenon and into an almost-visceral engagement with these people and their lives. We look in as the characters decorate their scrap-metal shacks with discarded material, earn their livings, emotionally support each other and ultimately struggle with their homes' demise. Though clearly Singer roots for his subjects, he avoids the temptation to pity them; he simply calls it as he sees it - and has lived it. There's even a happy ending.
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