12 genetically enhanced childern escape from a military base that created them. 10 years later, after The Pulse, a magnetic bomb that destroyed every computer in USA, has struck, Max ... See full summary »
12 genetically enhanced childern escape from a military base that created them. 10 years later, after The Pulse, a magnetic bomb that destroyed every computer in USA, has struck, Max Guevara, one of the 12 escapees, is a bike messenger in (what's left of) Seattle and with cyberjournalist, Logan Cale, she tries to rid the world of crime and corruption, avoid her creators and uncover her past. Written by
On the night and at the same time the pilot of "Dark Angel" aired, the UPN network was also airing a rebroadcast of "Chameleon 3: Dark Angel," and the WB network was airing a new episode of "Angel." See more »
When Max is hanging Lydia out of the window, you can clearly see the strap that is holding Lydia up by the ankle. See more »
I need a favor.
You can keep this. I really don't have anyplace to put it.
I need you to do a little leg work for me. Joel Solinski. This guy's got a wife with three kids, an ex-wife with two kids, a mistress, and two girlfriends. The wives get houses, the mistress a condo, and everybody gets a car... all on a harbormaster's salary.
I caught the tail end of your hack. The guy's on the take. He's paid to look the other way while the smugglers deep-six their cargo.
He's made a fortune... as an ...
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Like a lot of series pilots, Dark Angel's opener shows a mixture of great potential and a slight problem finding its own feet. Not that this is unusual in any way, but there is a feeling that it could have worked better if the story was tightened and focused a little more. In today's world where something has to catch on instantly or face cancellation, the series did itself a bit of a disservice by not coming out at least halfway focused, with all guns blazing.
The ninety-minute pilot really feels like two episodes glued together, and both episodes have a problem with focus. In the first half, we are introduced to Max and filled in on what drives her. We also get a few interesting routines with Max using her abilities to win bets, interacting with a PI, or sorting out co-workers' domestic problems. The problem here is that this is nothing out of the ordinary for any human being with a normal set of genes, on television or otherwise.
It's when we hit the second half that we get a story with a purpose and focus. Throughout the two halves, Max finds herself the focus of attention from a pirate journalist who feels it is mission in life to save the world by exposing one dirty dealer at a time. In the second half, the repercussions catch up with him, and Max reluctantly cleans up the resulting mess. This sets up the premise for the entire rest of the series, and it works, but it doesn't quite click if you get my meaning. It's like most of the pieces are there, but a couple that make a complete image have been left out. Perhaps they get filled in with later episodes, but that's beside the point. The fact is that the contents of this episode could easily have been told with twenty-eight less minutes.
The last of the negatives is that a lot of the support cast are totally unendearing. Original Cindy in particular is an annoyance, and I doubt that changed during the next twenty episodes. While the acting isn't as bad as daytime soap, it isn't of such quality that I'd commend it. Jessica Alba is not the worst actor in the world, but she does come up short in terms of being convincing when the story needs it least.
The good news is that the premise and the production values are all top-notch. In fact, this series was considered quite expensive to produce, and it is quite unfortunate that it was cancelled in order to be replaced by another show that didn't last a whole season. Especially when there was ample time for both shows - they could have simply cancelled one of the pieces of disingenious garbage they flog under the banner of reality TV. The fact is that we need more shows like Dark Angel, where imagination rather than overhype, are used to draw the attention.
In all, I gave the Dark Angel pilot a seven out of ten. It never rises above the level of throwaway television, and it never got a chance to live up to the potential it shows within its own running time. But the potential is there, and that's often all that matters where pilots are concerned.
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