Rita Vogt is a radical West German terrorist who abandons the revolution and settles in East Germany with a new identity provided by the East German secret service. She lives in constant ... See full summary »
At a boarding school in the pre-war Austro-Hungarian Empire, a pair of students torture one of their fellow classmates, Basini, who has been caught stealing money from one of the two. The ... See full summary »
Elegant and educated bachelor, Charles Swann, moves in the most powerful and fashionable circles of Paris in the 1890's. When he falls in love with Odette de Crecy, a courtesan, his friends... See full summary »
Clara and Hans are left-wing terrorists, who are chased by the police since almost fifteen years. The puberty of her increasingly rebellious daughter Jeanne imposes a threat on their ... See full summary »
Nina, an end-of-teenage orphan with mental problems, starts a new job as a garden cleaner when she meets Toni. They fell in love with each other, but soon Toni starts betraying Nina. In the... See full summary »
It's medieval times. Kohlhaas merchants with horses. When going to the local fair to sell his horses, is forced by a noble to leave him part of the merchandise as payment for traveling ... See full summary »
Rita Vogt is a radical West German terrorist who abandons the revolution and settles in East Germany with a new identity provided by the East German secret service. She lives in constant fear of having her cover blown, which unavoidably happens after the German re-unification. Written by
Marcelo R. <email@example.com>
Rita is working in a railway vehicle factory as part of her second legend, supposedly in 1989. But in one scene, when Rita is walking across the factory yard, one can clearly see car bodies of class 481 EMUs and H-Type metro vehicles, not in production until the late 1990s. See more »
Maybe it's the cultural specificity of the piece, but somehow Volker Schlondorff's "The Legends of Rita" fails to hit the right emotional chords, where essentially the film's humanism-over-politics thematics want to evoke in the audience. Don't get me wrong, "Rita" is an excellently crafted film, subtle and never forceful. The film succeeds above and beyond expectations in its depiction of the latter years of the GDR, portraying an ideologically bankrupt nation whose environments and inhabitants seem to be caught in a state of limbo. Perhaps Schlondorff's acquiring of the former DEFA (and UFA before it) Babelsburg studios is the main reason for the authenticity of his vision of the former East. As well, this is a departure from the realm of fantasy that Schlondorff had probed history within in such works as "The Ogre" and "The Tin Drum." Instead, as with Bertolucci's "Besieged," the director has returned to his roots in filmmaking and provided a once-again fresh, verité aesthetic. This could very well be a companion piece to "The Lost Honour of Katharina Blum," although, as I mentioned earlier, the emotions fall flat here, failing to deliver an ultimate, devastating "punch."
13 of 20 people found this review helpful.
Was this review helpful to you?