Herbert Biberman struggles as a Hollywood writer and director blacklisted as one of The Hollywood Ten in the 1950s.



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Cast overview, first billed only:
Herbert Biberman
Gale Sondergaard
Rosaura Revueltas
Antonio Valero ...
Juan Chacón
Paul Jarrico
Michael Wilson
Edward Dmytryk
Jorge de Juan ...
Teresa José Berganza ...
Henrietta Williams (as Teresa J. Berganza)
Jorge Bosch ...
Joe Morales
Daisy White ...
Sonya (as April Daisy White)
Luke Harrison Mendez ...
Dan (as Luke Harrison Méndez)
Trinidad Serrano ...


Herbert Biberman struggles as a Hollywood writer and director blacklisted as one of The Hollywood Ten in the 1950s.

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Release Date:

9 November 2001 (Spain)  »

Also Known As:

Hollywood Liste Rouge  »

Filming Locations:

Company Credits

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Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
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Did You Know?


The film depicts many 50-star United States flags (should be 48 in 1947). See more »


References Dodsworth (1936) See more »


Twinkle in Your Eye
Written by Richard Rodgers (as Rodgers) and Lorenz Hart (as Hart)
See more »

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User Reviews

Meet the `Jeffersonian Americans'
23 May 2003 | by (USA) – See all my reviews

Unfortunately, any film chronicling a specific period in history that most Americans are only barely knowledgeable about is going to have to be somewhat pedantic. To encompass the varied complexities of those `Reds' in Hollywood would come off as a history lesson that would last longer than `The Wings of War'. So a made-for-cable film like this must brush its canvas with wide strokes. This film focuses not so much on the agenda of the HUAC -for that I recommend "Tail Gunner Joe" and "Citizen Cohn"-, but on a select few of the victims of their persecution. For the most part, this film succeeds in showing what it was that these people, and other leftists in this country believed in (and still believe in). There's a great line in this film by the owner of the land where the director Biberman wants to film. He says, `I'm a Jeffersonian American'. It was Thomas Jefferson who wrote: "Rightful liberty is unobstructed action according to our will within limits drawn around us by the equal rights of others." That form of liberty and equality has been a fight by the Left in this country for every generation since this country's inception. There has always been and always will be tyrants (fascists) who will try to squash that, and other tyrants (communists) who will promise liberty and equality in order to get the people to embrace their brand of tyranny. No doubt, there were many communist dupes in this country. There certainly were communist spies lurking in this country, and Stalinist and Maoist communism were verifiable threats the world over. But in post-WWII America, tyranny was used against the people in order to fight the THREAT of tyranny against the people. The principles that this country claimed to be so frightened of losing were tossed out altogether. In the USSR, people who didn't name names were sent to Siberia or executed. In the USA, the penalties were much less severe, but the process of unveiling ‘dissidents' was the same. Plus, there was the very audacious fact that most of those brought up in front of the HUAC were in fact the `real' Americans; the Jeffersonian Americans who believed in democracy and the principles of liberty and equality.

`One of the Hollywood Ten' is a good introduction to those who wanted desperately to bring those principles to every American. They knew that a country that is oppressive and does not value equal rights for all is perfect bait for communism (as well as for fascism –the two are strikingly similar in practice). They also knew that if they didn't present the populace with the very real struggle that the millions of oppressed people in this country faced, those oppressed people might very well embrace the false liberty that communists promised. Everyone is aware of the fact that the silver screen (broadened today by TV) is a very powerful tool. But it cannot be manipulated to make people join another system of government if their own system government is sound. The left wing of Hollywood set to make it sound (something that people who opposed free speech, integration and decent housing and safe working environments did not want to see). Had the Hollywood Ten been able to continue their mission, perhaps the equalities and freedoms we enjoy today would have come sooner. And there would have been more great cinematic achievements like `Salt of the Earth'. I do think that `One of the Hollywood Ten' should have shown more of the conditions in this country that were so perfectly depicted in `Salt of the Earth' (such as racism, shameful poverty, and unsafe working conditions). But it does at least give us a valued glimpse of the hearts and minds of those who retained this country's greatness in its darkest hour.

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