Neo and the rebel leaders estimate that they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. During this, Neo must decide how he can save Trinity from a dark fate in his dreams.
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 19-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
Six months after the events depicted in The Matrix, Neo has proved to be a good omen for the free humans, as more and more humans are being freed from the matrix and brought to Zion, the one and only stronghold of the Resistance. Neo himself has discovered his superpowers including super speed, ability to see the codes of the things inside the matrix, and a certain degree of precognition. But a nasty piece of news hits the human resistance: 250,000 machine sentinels are digging to Zion and would reach them in 72 hours. As Zion prepares for the ultimate war, Neo, Morpheus and Trinity are advised by the Oracle to find the Keymaker who would help them reach the Source. Meanwhile Neo's recurrent dreams depicting Trinity's death have got him worried and as if it was not enough, Agent Smith has somehow escaped deletion, has become more powerful than before and has chosen Neo as his next target. Written by
Because the twins' Cadillac Escalade EXT was not in production at the time of the movie's filming, General Motors had to graft together fiberglass Cadillac parts with prototype Chevrolet Avalanche pickup trucks, to create the black truck seen in the freeway chase. The Lincoln Continental from The Matrix (1999) makes a brief cameo appearance toward the beginning of the film. The underground garage where the characters select a car is populated with all Cadillacs, including a classic 1950s El Dorado and prototype of the 2004 XLR. See more »
After Morpheus gives his speech in Zion and the music starts Neo is waiting for Trinity. When he moves off to meet her in the background two people are passing and a woman is knocked against the 'rock' wall which wobbles with the impact. See more »
Being a casual fan of the original The Matrix, I was looking forward to seeing The Matrix:Reloaded in the theaters. However, I was not quite ready to line up at the door donned in a Neo costume for a midnight showing on opening day. Having seen Reloaded, I can now say that I may be one of those people (sans the Neo costume) when The Matrix:Revolutions is released this winter. I cannot say that I think that Reloaded was as good as the original. Yes, it contained more action. Yes, the special effects were better. Yes, both the plot and the dialogue were more intricate and at times more head scratching. But Reloaded lacks what its predecessor had, the element of complete surprise. The wool has already been removed from our eyes. We know what the Matrix is. I cannot think of any plot twist that will be able to match what happens when Neo swallows the Red Pill. All that being said, after seeing Reloaded, I now appreciate the story as a whole. The Matrix and The Matrix:Reloaded when viewed as one complete story far surpasses viewing each as it's own single entity. While the original had mildly peaked my interest, I am now fully enthralled by the entire mythology of The Matrix (I highly recommend viewing the back stories available online on the Animatrix). Much like The Lord of the Rings series, I can no longer imagine The Matrix without contemplating Reloaded. As for Reloaded as a movie itself, the fight scenes are amazingly choreographed, though sometimes a little excessive. I would recommend the movie for the fight with the multiple Agent Smiths alone, as it is a phenomenally staged battle. My criticism lies mostly in the editing. This is a movie that could have definitely been shorter. Many scenes were unnecessarily long, such as the dance orgy after Morpheus' speech, or flat out unnecessary, such as Neo's fight with Seraph. But beyond the flashy fight scenes and special effects, its strength lies in the most unlikely (to me at least) of places, its story. It is a movie full of philosophical questions and religious allusions. The end scene with the Architect in and of itself warrants a second viewing, as it is quite a bit to wrap the brain around. And the way it handles its main theme is done exquisitely. What is reality? Is the "real world" just another part of the Matrix? Is Neo The One? All questions I will be asking as I stand in line for the midnight opening of The Matrix:Revolutions.
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