Roberto Succo (2001)

User Rating:

6.9/10   

Director:

Cédric Kahn

Writers:

Pascale Froment (book)
Cédric Kahn (writer)

Release Date:

16 May 2001 (France)

Genre:

Biography | Crime | Drama

Plot:

'Kurt' claims to be a sales rep. He also claims to be English in spite of his heavy Italian accent. Kurt is an habitual liar and a dangerous driver...

Plot Keywords:

Murder | Prison | Gun | Corpse | Female Nudity

Awards:

3 nominations

Cast

Stefano Cassetti	...	Roberto Succo (alias Kurt, André)
Isild Le Besco	...	Léa
Patrick Dell'Isola	...	Thomas
Viviana Aliberti	...	Swiss teacher
Estelle Perron	...	Céline
Leyla Sassi	...	Cathy
Catherine Decastel	...	Patricia
Olivia Carbonini	...	Girl at the Etna
Basile Vuillemin	...	L'enfant
Brigitte Raul	...	Child's mother
Marius Bertram	...	Cab driver
Aymeric Chauffert	...	Aelaunay
Vincent Dénériaz	...	Denis
Yelda Reynaud	...	Mylène
Philippe Bossard	...	Magistrate

Also Known As:

Je te tue (France) (working title)
Kurt (France) (working title)

Runtime:

124 min | Spain:127 min

Country:

France | Switzerland

Language:

French | Italian | German | English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

France:-12 | Hong Kong:IIB | Spain:18 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:15

Company:

Agat Films & Cie

Goofs:

Anachronisms: Many of the cars are too modern for the 1980s setting, including the Gendarmerie's Renault van and the Swiss police Volvos, and several cars have French registration plates with the European Union flag at the left-hand edge, which were not introduced until the 1990s. There is also a 1990s vintage laptop computer.

Takes film to a different place

Wow. I am still struggling to reconcile this film; a man so amoral, so interesting, unstable, cute and unpredictable. The film is a masterpiece of storytelling and a lesson in how to use subtlety to frame extreme and horrific violence. Let me give you an example. At one point, Roberto/Kurt is cutting his nails and is told by Lea that she wants to end their affair. In that moment his hand slips and he cuts his foot badly. The audience jumped and sucked in air more at that point than at any other in the film; the splash of blood was so unexpected and surprising that it made me gasp.

The director, writer and actors seem to be trying to tell a story without sensationalising or sympathising, there are no moralising "I think we have all learnt something today kids" sections. Roberto Succo is not analysed and explained, the audience is told a story and left to draw their own conclusions. It feels so good to be regarded as an intelligent individual with a degree of perception and a mind of my own.

Two things stuck me after the film. Firstly, that Succo was like a child with tantrums and utter lack of regard for consequence, easily angered and distracted. Capable of charm and unbelievable cunning, his danger came in his lack of restraint when it came to violence.

The other thing that I realised an hour or so after watching the film was that nothing is made up. Every scene features someone who can corroborate the situation, there are no scenes with Roberto on his own, or with a victim that died without a witness. From this I surmise that a conscious decision was made not to fictionalise sections of his existence that had no witness to verify the event. Yet, this is done effortlessly and without being forced. By the end of the film you know as much as anyone else alive about Succo, and no extraneous conjecture, constructed to aid the narrative. This is astounding in its audacity and spectacular in its execution.

The car chases are some of the most stomach wrenching I have ever seen; forget Bullett, Ronin (high speed through Paris...unbelievable driving) and Blues Brothers, this is some of the most tense high speed driving I have seen on film. You have to pity the Police, maybe they were slightly inept, but only because there was no motive for so much of the crime, how often do you come across a criminal so ruthless, pointless and deadly?

Any gripes then? Well, perhaps the film could have been a bit bolder with its camera moves, but then perhaps that would have detracted from the style. I didn't like the soundtrack; I thought the whole film could have done without any music apart from that in clubs and bars. But that is just because I think the film didn't need the punctuation of Marianne Faithful's (OK, very moving) voice.

I understand the outcry in France at this film, and you could take away the impression that the police were at fault. However, the Italian cops came over like fools, and the Germans made such monumental errors that Succo was obviously that thing a police force fear most; insanely dangerous - dangerously insane, but with such a honed fight or flee instinct he was like nothing they could have prepared for. Sad man, pathetic situation, tragic victims; what a film.