When an ostrich-rancher focuses on replacing his daughter's hearing aid, which breaks right before crucial exams, everything changes for a struggling rural family in Iran. Karim motorbikes ... See full summary »
Mohammad Amir Naji,
Mehrollah is a 14-year-old boy who is forced to find a job to support his family after his father dies. He travels to the southern parts of Iran, looking for work. Upon his return to his hometown, he notices certain changes in his family.
Baduk is the name of the child who works in smuggling, due to poverty he and his sister separated, the sister will work as a maid, he keeps trying to reach his sister in vain, finally he ... See full summary »
On the last Wednesday before the spring solstice ushers in the Persian New Year, people set off fireworks following an ancient Zoroastrian tradition. Rouhi, spending her first day at a new job, finds herself in the midst of a different kind of fireworks -- a domestic dispute between her new boss and his wife.
Young Lateef works on a construction site in Tehran with some Turks and a few illegal Afghan workers. When Lateef is given heavier tasks to compensate for new Afghan worker Rahmat, he resents his displacement and treats Rahmat cruelly. After one of his pranks, however, Lateef discovers Rahmat's secret--he is a girl named Baran. Latif's heart softens towards Baran and he shows his new affection for her by doing what he can to ease the hardships she suffers at work. When government inspectors force all Afghans to be fired from the site, Lateef discovers he cannot bear to be without her. Jeopardizing social standing and endangering his own well being, Lateef stops at nothing to save his love. Written by
I saw this film at a sneak last week. This is a film by Majidi Majidi the amazing Iranian director who's last film was "The Color of Paradise." At its center "Baran" is a love story that is about that most romantic of loves - the unrequited kind. What makes the film so timely is that in involves an Iranian who is in love with an Afghanistan illegal immigrant. The performers are non-pros and the effect this has upon the viewer is close to documentary in nature. We become involved in the Afghan culture in a very real and immediate way.
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