This Masterpiece Theatre production, set at the cusp of the Industrial Revolution, chronicles the life, loves, foibles and politics of the fictional English town of Middlemarch. Adapted ... See full summary »
When the fabulous Moonstone diamond is stolen, all the suspects appear to have alibis. Even the young girl who owns the diamond won't say whom she saw took it. Her fiancee calls in the ... See full summary »
Lillie Langtry, trapped in a loveless marriage, takes full advantage of her beauty, attracting many lovers and admirers including the Prince of Wales and Oscar Wilde. As her husband slowly ... See full summary »
Peggy Ann Wood
At the center of the story is Augustus Melmotte, a European-born city financier, whose origins are as mysterious as his business dealings. Trollope describes him as 'something in the city',... See full summary »
The daughter of a country doctor copes with an unwanted stepmother, an impetuous stepsister, burdensome secrets, the town gossips, and the tug on her own heartstrings for a man who thinks of her only as a friend.
Dombey & Son may not be one of Charles Dickens' best books but it is a very worthwhile read and it is one of his most poignant. This adaptation is very good, adaptation-wise and on its own. It is a shame though that the last episode didn't quite maintain the high-quality seen with the previous nine, it felt rushed- Dombey in his humble state needed much more time to develop, an extra episode would have been a good idea, it was too sketchily done here- and the ending was anti-climatic and abrupt. The omission of the James Carker/John Carker/Harriet Carker/Alice Brown subplot was also disappointing, Dombey's redemption was less convincing without it. The adaptation is very evocatively made though and looks very natural and beautiful, the darkness and brightness of the story reflected lovingly in the production values. The haunting and well-used music score convinces also, as does the funny, heartfelt and intelligent dialogue. The storytelling is both poignant and lively, showing fidelity to the source material also. The Victorian sentimentality is kept in control and is believable as a result. Julian Glover is convincingly firm as Dombey, and Lysette Anthony contrasts very well in a sweet and compassionate performance. Shirley Cain is funny and eccentric, and Zelah Clarke is both convincingly short-tempered and warm-hearted. To conclude, very good but the last episode was a little lacking compared to the rest. 8/10 Bethany Cox
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