When young Nell Trent's grandfather loses the investment money of wharf owner Daniel Quilp with cards, Quilp develops an everlasting urge to get him put in the madhouse. Nell and her grandfather flee the city.
Follows the novels of Anthony Trollope. Beginning with the forced Marriage of Susan Hampshire's character, Glencora, the lives of the friends and children of this couple are the subject of ... See full summary »
Yorkshire in the 1880's: Joe Skinner marries Lily Whitmore, the woman he has long admired, to give a name to her illegitimate child by Lionel Fillmore, the opportunistic son of an ... See full summary »
Wealthy estate owner sir Michael Audley willingly marries a gold-digger, his only daughter Alicia's governess Lucy née Gray. Sir Michael's dashing, in-living orphaned nephew Robert 'Bob' ... See full summary »
Betsan Morris Evans
Lawyer Wakem takes away the mill on the river Floss from Edward Tulliver, whose ancestors owned it for 300 years, and becomes the worst enemy of Tulliver's family. When Edward's daughter, ... See full summary »
Based on a little known 1848 novel by Anne Bronte, Tara Fitzgerald stars as an enigmatic young woman who moves to 19th Century Yorkshire with a young son. Distancing herself from everyone ... See full summary »
Dombey & Son may not be one of Charles Dickens' best books but it is a very worthwhile read and it is one of his most poignant. This adaptation is very good, adaptation-wise and on its own. It is a shame though that the last episode didn't quite maintain the high-quality seen with the previous nine, it felt rushed- Dombey in his humble state needed much more time to develop, an extra episode would have been a good idea, it was too sketchily done here- and the ending was anti-climatic and abrupt. The omission of the James Carker/John Carker/Harriet Carker/Alice Brown subplot was also disappointing, Dombey's redemption was less convincing without it. The adaptation is very evocatively made though and looks very natural and beautiful, the darkness and brightness of the story reflected lovingly in the production values. The haunting and well-used music score convinces also, as does the funny, heartfelt and intelligent dialogue. The storytelling is both poignant and lively, showing fidelity to the source material also. The Victorian sentimentality is kept in control and is believable as a result. Julian Glover is convincingly firm as Dombey, and Lysette Anthony contrasts very well in a sweet and compassionate performance. Shirley Cain is funny and eccentric, and Zelah Clarke is both convincingly short-tempered and warm-hearted. To conclude, very good but the last episode was a little lacking compared to the rest. 8/10 Bethany Cox
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