After nearly fifteen years behind bars, lefty revolutionary Bruno escapes and heads back to Grenoble, France. His plan? Settle some old scores, hook up with his foxy ex-lover, and avoid the...
See full summary »
In Liège, a group of men gathers every day in a café situated near the steel factory which once reigned supreme. They play cards in a warm atmosphere but that hardly masks their quiet ... See full summary »
In the fall of 1963, Anne is becoming a teenager. She lives in Paris with her mother and her older sister, Frédérique. They're just back from summer at the beach with their father. School ... See full summary »
A rich industrialist is brutally kidnapped. While he physically and mentally degenerates in imprisonment, the kidnappers, police and the board of the company of which he is director negotiate about the ransom of 50 million euro.
In a small town in post-World-War-II France, an unhappy sixteen-year-old (Janine Castang) tries to escape her dreary situation by any means at her disposal. Three successive friends (Michel... See full summary »
Simon de La Brosse
After nearly fifteen years behind bars, lefty revolutionary Bruno escapes and heads back to Grenoble, France. His plan? Settle some old scores, hook up with his foxy ex-lover, and avoid the cop on his tail. An unexpected event, however, brings cop and crook closer than they ever could have expected. Written by
Forms a trilogy along with Three (2002) and Trilogy: Two (2002), the main characters of this one being the supporting actors in the other ones, and vice versa. The three movies have some scenes in common which are shown from a different point of view according to the storyline we're following. See more »
I generally don't consider myself the biggest fan of thrillers, but it seems that it may be due to my American upbringing. This makes me real bitter that intelligent, thorough, and stylistically unique films are being made elsewhere, but the American market doesn't seem interested because... why? The subtitles? The acting and writing are still better even if you do have to read the translated subtitles. You know what, I should boycott American movies for a while because I really haven't had much experience with foreign films, but of the last three films I saw, two of them were French, and one was from Hollywood. Guess which two were wonderful, and which one was God-Awful...
Cavale was one of the best thrillers I've ever seen. It was dark and shadowy and very well shot. It was full of humanity, which is another thing that American films seem to be lacking. One of the things I liked best about it was the underlying subtlety in the characters. They had tones and textures that really drew me in.
If you haven't seen Cavale, do so, you're going to love it.
5 of 8 people found this review helpful.
Was this review helpful to you?