A soldier is dumped on a waste disposal planet and lives among a community of crash survivors on the planet and takes it upon himself to defend his new home when genetic engineered soldiers are ordered to eliminate the crash survivors.
Paul W.S. Anderson
Jason Scott Lee,
In a future where the polar ice-caps have melted and Earth is almost entirely submerged, a mutated mariner fights starvation and outlaw "smokers," and reluctantly helps a woman and a young girl try to find dry land.
It was an ingenious enough plan: rob the Riviera Casino's count room during an Elvis impersonator convention. But Thomas Murphy decided to keep all the money for himself and shot all his partners, including recently-freed ex-con Michael Zane. With $3.2 million at stake, the Marshals Service closing in, and single mom Cybil Waingrow and her son Jesse constantly confounding things, Michael must track down Murphy. Written by
During filming in Vancouver, Kurt Russell (Michael Zane) visited the nearby set of Stargate SG-1 (1997) and met the cast. Russell starred as Colonel Jack O'Neil in the original Stargate (1994). His role was adopted by Richard Dean Anderson in the spin-off series and the character's name was changed slightly (to Colonel Jack O'Neill). See more »
The quintet of robbers enters the Riviera Casino from Fremont St. The Riviera is about a mile from Fremont St. See more »
Are you gonna kill me?
Not 'til you get the safe open.
Now that's a joke. Open the safe.
See more »
Then, there is an out-take with Kevin Costner and Kurt Russell. Kevin Costner says "You're going back, Michael, back to the future!" See more »
Directed with a slightly overused yet still very affective "artsy" style by relative Hollywood virgin Demian Lichtenstein, GRACELAND starts with a bang. Judging from the television spots and theatrical trailers one would assume the film revolves around the slowly bubbling brewing plan to knock off a Vegas casino dressed as Elvises on International Elvis Night. But that is where you would be wrong. The ten minutes of nonstop action that are a result of the casino robbery (and in a weird dimension almost mirror the bank robbery scene in HEAT)happen in the first ten minutes of the movie; the other 120 minutes, revolve around the aftermath and repercussions of the bloodbath.
Costner, who I swear to God will never do wrong in my eyes, does well for himself departing from the usual character and plays a bad guy. The great thing about this film is that all the characters are bad guys, we just have to decide how bad they are and how much we want to let ourselves care about them. Costner, is the baddest of them all, and eventually it becomes clear that the bad guy we are supposed to care about is the one played by the best "Average Guy" actor of all time---- Kurt Russell (remember BREAKDOWN?)
In any case we have the romance, Courtney Cox and Russell. We have the bloody, cold hearted illegitimate (possibly) son of Elvis, Costner. We have the two cops chasing them, Kevin Pollack and Thomas Haden Church who compliment each other with wonderful chemistry. And we have the slew of supporting actors that plug up any possible holes the film might (but doesn't) have; Howie Long, David Arquette, Bokeem Woodbine (a Black Elvis), Ice-T, Christian Slater. Blah Blah Blah.
This film on the whole becomes the first film in quite some time that I know I will see multiple times in the theater, and one that I am sure I will eventually know all the words to. Making it the fourth of the Costner Movies I can recite word for word (Robin Hood, Tin Cup, Postman)
The relatively young director also made a unique decision in the editing of the film, allowing both of its stars, (Costner and Russell) cut their own version of the film. Costner's version concentrated more on the action, the blood, the guts, the death, the explosion, the "F" word with a strange annunciation of the "G". And Russell's focused on the budding, and slowly blossoming love between Cox and himself. Costner's cut won, but I can't see anywhere that film lacks because of it. overall this is one of the most fully fleshed, well rounded films I have seen in quite a while.
I loved it.
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