The 89th Academy Awards telecast airs at 8:30 p.m. ET/5:30 p.m. PST, Sunday, Feb. 26, on ABC, hosted by Jimmy Kimmel. Join us for the first IMDb LIVE Viewing Party, a companion show that includes celebrity insight, real-time IMDb data, and more.
A soldier is dumped on a waste disposal planet and lives among a community of crash survivors on the planet and takes it upon himself to defend his new home when genetic engineered soldiers are ordered to eliminate the crash survivors.
Paul W.S. Anderson
Jason Scott Lee,
It was an ingenious enough plan: rob the Riviera Casino's count room during an Elvis impersonator convention. But Thomas Murphy decided to keep all the money for himself and shot all his partners, including recently-freed ex-con Michael Zane. With $3.2 million at stake, the Marshals Service closing in, and single mom Cybil Waingrow and her son Jesse constantly confounding things, Michael must track down Murphy. Written by
The head of the studio behind the picture, Elie Samaha, was successfully sued by his German finance partner, Barry Baeres, in 2004 for fraudulently "padding" the budgets of the films he was producing. Baeres company, Intertainment, was paying a percentage for the films based on the budget. It is believed due to Samaha's deception that Baeres may have paid US $100 million more than he had to.The lawsuit ended up causing the closure of Franchise Pictures. See more »
As the robbers are escaping from the casino floor in the elevator, a plain clothes cop sticks his gun and forearm through the closing elevator doors and the doors stay closed against his arm. When closing elevator doors meet an obstruction, they open back up. See more »
Costner's best bad guy role since Eastwood's "A Perfect World". He is an Elvis-loving criminal who robs a casino with his buddies and proceeds with plans to annihilate them all before they can collect their share of the loot. Simple set-up, heavy-handed execution.
The thing is, though, it works as mindless, forgettable trash. Director Demian Lichtenstein is clearly churning out his Boys Own Gun Movie and he does so with unapologetic enthusiasm and not a single concession to political correctness. Which is refreshing.
As usual, Kurt Russell is fine as the guy Costner underestimates and gets a world of trouble from. The climax is predictable, unfortunately, and doesn't leave us with much to chew on, but the overwrought stylings are the thing.
The shoot-outs are big and brassy, and there is much collateral damage to be had. The Elvis angle is misleading because it suggests a lighter movie in the "Honeymoon in Vegas" mold; but there is no lightness here, just nihilism and firearm fetishism.
18 of 27 people found this review helpful.
Was this review helpful to you?