9-year old Karl Lejon, 'Skorpan' is suffering from tuberculosis and knows that he will die soon. But his older brother Jonathan tries to comfort him by promising that they one day will meet... See full summary »
Rasmus lives at an orphanage. He's OK, but wants a mom and a dad, and from time to time some comes to find a child, but they always chose little girls curls. Rasmus realizes he has to run away and find parents himself.
Madicken is a Swedish girl from the upper level family, growing up during the time of first world war which did not include Sweden. She lives happily with her family, experiencing the world and making brave and crazy things.
Karlsson is a very short, very portly and overconfident man who lives in a small house hidden behind a chimney on the roof of a very ordinary apartment building, on a very ordinary street ... See full summary »
Emil Svensson lives with his mother and father, little sister Ida, farmhand Alfred, and maid Lina on a picturesque farm in Småland. He is an unusually lively little boy, who just can't ... See full summary »
The Melkersson family decides to leave the city for the summer to rent a house in the Stockholm archipelago. They come to enjoy the simple life there and all adventures that come their way together with resident family, the Grankvists.
If Ingmar Bergman had ever directed a children's show, this would have been it
Like almost all things Astrid Lindgren, "Bröderna Lejonhjärta" (AKA "The Brothers Lionheart) has also spread south of Scandinavia, becoming staple television to German kids, clued to the screen during the 1980's. However, unlike "Lonneberg Michel", "Karlson from the Rooftop" and, of course, "Pippi Longstocking", "Bröderna Lejonhjärta" had a darker pitch, dealing with issues such as death, loss and sacrifice, making it one of the most unusual children's shows of it's time.
I'm not sure I can promise you a film with a happy ending.
In later years I would learn that the movie caused quiet uproar among parents at least: too dark for kids, too serious; the tone being altogether too morbid, even brutal. Well, I disagreed. Sure, there really is no happy ending and it certainly didn't make me giggle or sing some happy sing-along. Rather, it made me think about what one would later call the "realities of life" and I can honestly say that I'm grateful to Astrid Lindgren.
Perhaps this film teaches children I know, it did teach me about more serious aspects of life, probably more than letting them watch Tele-Tubbies, purple dinosaurs or merry ponies (which pretty much teaches contemporary youth one thing: "hey, you're imbeciles, just wait until you've grown up, then you'll notice").
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