Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
Los Angeles street racer Dominic Toretto falls under the suspicion of the LAPD as a string of high-speed electronics truck robberies rocks the area. Brian O'Connor, an officer of the LAPD, joins the ranks of Toretto's highly skilled racing crew undercover to convict Toretto. However, O'Connor finds himself both enamored with this new world and in love with Toretto's sister, Mia. As a rival racing crew gains strength, O'Connor must decide where his loyalties really lie. Written by
Only one other classic Mopar was used for the film besides Torreto's Dodge Charger. A 1969 Roadrunner featured during the Rave party the night before the Race Wars. See more »
The floor of the passenger side of Brian's car comes off in the first race yet Dom doesn't seem to need to be wary of this missing floor when he rides with Brian later that night. See more »
[Brian comes into a restaurant]
Tuna on white. No crust, right?
I don't know. How is it?
Every day for the last three weeks you've been coming in here and you've been asking me how the tuna is. Now, it was crappy yesterday, it was crappy the day before and guess what? It hasn't changed.
I'll have the tuna.
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On some prints, after the credits, there is a brief epilogue showing Dominic's fate. He is shown, driving alone in a red Chevelle with black racing stripes, on a desolate road by the coast in Baja, Mexico. He narrates about his life 'I live my life quarter a mile at a time ...'. See more »
Written by Nicolas Vincent Nocchi, Rolden Gonzalez Rivero, Hiran Riveri Medina, Yotuci Omar Romero Manzaneras
Performed by Orishas
Courtesy of EMI Music France
Under license from EMI-Capitol Music Special Markets and Courtesy of Sunco Records J.V.
Under license from Universal Music Enterprises See more »
FAST AND THE FURIOUS does not try to be something it is not. Therefore, it surprises me to no end that I will say that FURIOUS is a decent movie. For dialogue, everything is one-lined crazy nonsense. Most characters are ultimately cruel to everyone and each other. Some lame brained antics are done. But it all works out. FAST AND THE FURIOUS is definitely for these times and shows all aspects of the real world and who survives in it through cars and the people that drive them.
After losing his job to Dominic Toretto, an untouchable to some, Brian sets out to win his respect by putting his car on the line against the speed demon. Meanwhile, the cops are desperately seeking the perpetrators of several truck hijackings and believe Toretto is the man behind it.
With a built of guilt in me, I am proud of saying that FURIOUS was impressive in its execution. The editing was top notch, the camera work well laid out and some surprising acting from a script made of cardboard. There was not much you could do with FURIOUS, but then it starts to feature more on the engines than the cars themselves. It also never forgets the story. FAST AND THE FURIOUS smokes the competition in its genre, if only for the moment.
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