Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
Eight years after the Joker's reign of anarchy, the Dark Knight must return to defend Gotham City against the enigmatic jewel thief Catwoman and the ruthless mercenary Bane as the city teeters on the brink of complete annihilation.
Los Angeles street racer Dominic Toretto falls under the suspicion of the LAPD as a string of high-speed electronics truck robberies rocks the area. Brian O'Connor, an officer of the LAPD, joins the ranks of Toretto's highly skilled racing crew undercover to convict Toretto. However, O'Connor finds himself both enamored with this new world and in love with Toretto's sister, Mia. As a rival racing crew gains strength, O'Connor must decide where his loyalties really lie. Written by
Paul Walker and Matt Schulze carefully choreographed the fight scene outside the grocery store, but when it came time to shoot, it didn't feel right. In the end they just improvised. See more »
When Dom is trying to rescue Vince from the truck, you can see a stuntman's arms driving the car in a few of the rear shots due to the long sleeve black shirt he is wearing compared to the short sleeve white shirt that Dom is wearing. See more »
[looking at the junked Toyota Supra being hauled in]
I said a ten-*second* car, not a ten-*minute* car.
You could push this across the finish line, or tow it.
You couldn't even tow that across the finish line.
I have faith in you, but this isn't a junkyard. This is a garage
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The credits whiz by horizontally instead of scrolling vertically. See more »
FAST AND THE FURIOUS does not try to be something it is not. Therefore, it surprises me to no end that I will say that FURIOUS is a decent movie. For dialogue, everything is one-lined crazy nonsense. Most characters are ultimately cruel to everyone and each other. Some lame brained antics are done. But it all works out. FAST AND THE FURIOUS is definitely for these times and shows all aspects of the real world and who survives in it through cars and the people that drive them.
After losing his job to Dominic Toretto, an untouchable to some, Brian sets out to win his respect by putting his car on the line against the speed demon. Meanwhile, the cops are desperately seeking the perpetrators of several truck hijackings and believe Toretto is the man behind it.
With a built of guilt in me, I am proud of saying that FURIOUS was impressive in its execution. The editing was top notch, the camera work well laid out and some surprising acting from a script made of cardboard. There was not much you could do with FURIOUS, but then it starts to feature more on the engines than the cars themselves. It also never forgets the story. FAST AND THE FURIOUS smokes the competition in its genre, if only for the moment.
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