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51 out of 52 people found the following review useful:
the French get it right in this film genre..........as usual, 16 June 2005
Author:
arizona-philm-phan from Arizona
It's got to be said that these 2 French actors (Thouvenin and
Guerin-Tillie) have Chemistry. That's spelled with a capital
"C"...(and, well, you just gotta make the "H", the "E", the "M" and all
the rest of 'em, capital letters, too). Plus, as actors, these guys are
not afraid to express their feelings by making that extra gesture of a
passing touch or hand-on-arm (how often we don't see this from our
American actors). There's a very striking feeling projected by this
film that really makes you have to wonder: if these guys weren't
already in love prior to filming, then surely mustn't they have become
so during the process.......at least that's what their performances so
vividly project to the audience. It's what one is left with after
watching this film: THAT WAS REALLY LOVE! What greater mark of success
could be asked for, or achieved, in setting a gay romance on film?
One other important point on their performances: while the actors
portraying Laurent and Cedric can be so explosive in their
expressiveness toward each other, they also make themselves such fun to
be with (as a viewer you feel as if you're right there, actually
sharing their fun, excitement and joy in discovering sex and love with
each other). Make note of these things as you watch, and see if the old
pulse-rate doesn't go up on more than one occasion......and your
"chuckle-bone" will get a good workout as well. What it all boils down
to is simply that seeing and experiencing their strongly expressed
feelings for each other is worth a 1000 times the price of admission.
As a little bit of a postscript, this reviewer just has to add--Rarely
has a movie title been more fitting and meaningful than this one's,
especially as it is explained and demonstrated in the heartrending
denouement which takes place between father and son in the final
moments of the film. "Really," it tells us, "after everything else has
come, been considered, and gone, all that's left and important
is......just a question of love!"
As a final postscript--To say that this French director's work is award
worthy, is the grossest of understatements.
SCENES TO WATCH OUT FOR:
--Don't miss this couple's first one-on-one in the agricultural lab
which is to be their joint workplace: It's a
first-meeting-and-feeling-each-other-out scene in which sparks
fly---the tension between them fairly crackles.
--And one should definitely note: This pair's first post-coital scene
is so full of satisfaction and obvious feelings for one another that
those emotions practically jump off the screen. It's only topped,
moments later, during a scene in which "Mom" walks in on the pair,
unannounced----it's beyond priceless.
--Even more telling is the "water-fight" scene: You've never seen such
fun and joy over being together expressed by a gay couple in any
previous movie. No wonder this scene leads to the one which it does.
****
45 out of 46 people found the following review useful:
Straight or Gay Relationships: Just a Question of Love, 24 May 2005
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Author:
gradyharp from United States
'Juste une question d'amour' is a small film made for French TV that is
one of the most sensitive, unbiased examinations of how the 'coming
out' of gay men impacts not only the one who bravely steps forward but
also his friends both male and female and his family. So often films
such as this fall under the title 'Queer Cinema' and that is as unfair
to the audience as it is to the writer and director of the film. This
film is meant for the general public and should it receive higher
profile in publicity, many longstanding prejudices would at least have
the chance to be questioned by both gays and straights.
Laurent (Cyrille Thouvenin) lives with his parents Jeanne (Danièle
Denie) and Pierre (Idwig Stephane) behind the family Pharmacy. Laurent
is secretly gay though he lives with his best girlfriend Carole
(Caroline Veyt) who adores him and wholly accepts his sexuality and is
content to serve as a 'front' for Laurent's closeted role with his
parents. He is not doing well studying agriculture, primarily due to
the fact the his close cousin Marc died recently and had been disowned
by his aunt and uncle when he announced he was gay. Laurent can only
see that he must keep his secret so that his parents (whom he loves
deeply) will not be 'injured' by his admitting his sexuality. His marks
in school are so poor that he is instructed to do an internship in
field agriculture to raise his academic standing. His assigned tutor is
Cédric (Stéphan Guérin-Tillié) who lives an openly gay life with his
warmly understanding and loving mother Emma (Eva Darlan) in an idyllic
garden setting that also serves as Cédric's agricultural research lab.
Though instantly attracted to each other, Laurent maintains his
closeted life until Cédric reveals his affection: the two become happy,
passionate lovers. All goes well until Cédric insists that Laurent be
in an open relationship, a state that would demand that Laurent inform
his parents of his preferences. Laurent, fearful that his parents would
disown him as his cousin was treated, flees and it is only after
Cédric's mother Emma, a woman who loves the fact that her son is in a
healthy relationship and longs for Laurent to allow his parents to love
him for who truly he is, takes it upon herself to confront Laurent's
parents with the truth. The manner in which this initial trauma affects
each of the characters forms the platform for the resolution of the
story.
This is a brave film, very intelligent and sensitive and informative,
and is made all the better by the excellent cast. Each actor gives
characterizations that are completely credible and three-dimensional:
none of the too familiar stereotypes are here. It is to the credit of
director Christian Faure and his co-writer Annick Larboulette that JUST
A QUESTION OF LOVE succeeds on every level. This is one of the most
quietly powerful stories about same sex challenges to be addressed on
the screen. Highly Recommended for ALL audiences. In French with
English subtitles. Grady Harp, May 05
27 out of 28 people found the following review useful:
"It's not a question of gay or straight." We fall in love too!, 23 June 2005
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Author:
mvenditte
This has to be one of the best films on gay love coming from France that I have ever seen. I am a French film aficionado and I was dismayed that as far as the story goes, there is rampant homophobia even in French families. But I guess we can't escape it no matter where we are or where we go in the world. I shouldn't have been angry at the disgust of some of the family members, even to the point of disowning their gay children! The father and uncle characters were irritating to say the least, but it's to be expected. This story is so real and hits home. The pain of coming out,or not is keenly felt by those of us who can identify with it. The performances were first class from the entire cast. Cyrille Thouvenin and Stephan Guerin Tillie were outstanding. One could almost believe they were lovers in real life. They were so natural and comfortable together. From beginning to end, I felt for both characters and sided with both on what they felt and feared. Especially Cyrille's character, Laurent. I wish we could get more gay love stories with substance. We need to see more positive stories on gay love and I hope that gay directors, producers and actors out there understand that. Most gay films tend to be negative and have the main characters die tragically, or the film is based entirely on homophobia and/or silly gay stereotypes. Even by gay producers/directors!! This is usually the case in "straight" mainstream films. We need more actors like Cyrille and Stephan to play roles with substance and be positive roles models. The film is in French with English subtitles. This is definitely a must see.
25 out of 26 people found the following review useful:
By Any Other Name..., 11 October 2005
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Author:
NJMoon from United States
The most shocking thing about this French 'coming out' story is that it was made for television! In the States, this kind of film would turn out like an 'after school special' crossed with a movie of the week (with Jane Seymour as one of the mothers). But this is an incredibly intelligent film from start to finish. Beautifully scripted, carefully directed, perfectly cast and exquisitely performed. From the idyllic opening scene to the penultimate scene of familial healing, this is one film that defies stereotyping. The two leading men turn in sensitive, honest, riveting performances. The woman who play their mothers are also quite extraordinary. There is also a standout performance by the actress playing Laurent's best friend Carole. Whenever I felt the script might veer toward the cliché, it managed to balance itself with a moment of pure honesty. Laurent's father and uncle, for example, confide in the opening scene that two men having an intimate relationship makes them sick and that they feel justified in turning their back on any gay family member. The screenwriters counter this neatly with Emma, a mother who has come to terms with her gay son, and hopes to help Laurent's parents to a similar understanding. The older (hetero) men certainly look like clichés at first, but are fleshed out to the point of possible redemption by film's fade out. JUST A QUESTION OF LOVE is perhaps the best film on this subject I've ever seen.
21 out of 21 people found the following review useful:
Elegant and touching, 7 March 2007
Author:
Chris Knipp from Berkeley, California
Laurent (a vibrant Cyrille Thouvenin) is a 23-year-old agricultural
student in Lille (with a passion for poetry) who knows he's gay but
lets his parents think he's straight and that his roommate Carole (a
sweet Caroline Veyt) is his future wife. He's held in this bind by the
fact that a gay cousin, Marc, who was like a brother to him, came out
only to wind up dying rejected by his parents, an example of in-family
homophobia that seems to have been all too well accepted by his own
mother and father. Laurent has been on a downward spiral in school ever
since Marc's death. Marc's parents are around at family parties, the
mother a basket case on tranquilizers, the father stolid and still
unforgiving. This angers Laurent, but the trouble is that his mom and
dad, who run a pharmacy, are very dear to him. He loves his parents; he
loves family; and he loves kids. But he's stuck in a charade. It's
already hurting Carole, who's more than a little in love with him,
though she knows full well about his sexuality.
All this has to change when Laurent is attached as a trainee (stagère)
to a nursery and lab run by the slightly older Cédric (sexy, soulful
Stéphan Guérin-Tillié) and they fall in love.The more grown up and
independent Cédric is impatient with Laurent's playing the "little
hetero to mom and dad." When he came out to his mother Emma (Eva
Darlan) 11 years earlier on the death of his dad, Cédric said she could
"take it or leave it." Laurent's pretense is exploded from an
unexpected source. The film takes us sympathetically through the pain
of Laurent's parents and Emma's efforts to help.
The special virtue of Just a Question of Love is its balance. If it's
primarily from the point of view of Laurent, and secondarily Cédric,
and takes pains (though it's joyful, not painful) to make their love
real (without any explicit nudity or sex though, just passionate
kissing), it's just as much about the parents' difficult journey toward
understanding of their sons' sexuality.
A beautiful gay coming-out-to-the-parents film that had an unusually
high viewership and almost universally positive response when shown
originally on French TV, this has meant a lot to a lot of gay men,
especially young ones thinking about love and conflicts with parents
and the kind of "intense love relationship such as I dream of having
and regret not to have had up till now," as one young French blogger
typically put it. In IMDb comments that rate it, it has gotten nothing
but a 10/10: enough said? Splendid performances by everybody,
especially Thouvenin, Guérin-Tillié, and Darlan; this is far more than
a "TV movie" and like some of the best contemporary French films,
manages to be both elegant and emotionally direct.
With his looks and personality, Cyrille Thouvenin is irresistible in
the film: he's always running and leaping, troubled, acting out, but
also bursting with youthful energy and smiles. The restrained but warm
Eva Darlan is also very memorable. This is the kind of film a gay man
can watch over and over, with much pleasure and some tears. Doing so is
also helping my French quite a bit.
21 out of 22 people found the following review useful:
Carefully Crafted TV Drama, 19 November 2005
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Author:
haridam0 from United States
It was interesting to read the stats that 6.3 million viewers saw this
film when first aired in prime time on French public network. Shown on
prime time, the public and critical response was overwhelmingly
enthusiastic.
Well, I concur.
This is a most meticulously produced film that far transcends the
television medium. Christian Faure's direction is excellent and the
leading actors, Cyrille Thouvenin and Stephan Guerin-Tille, are superb.
I have no negative criticism of this work, and only hope it will have
the widest possible showing in regular movie houses. Too good to let
lie unseen, it took five years from its making in 2000 to be released
on DVD. Hopefully, this is only the beginning. Good work can't be kept
a secret, and this is certainly one of the best-ever made-for-TV films.
16 out of 16 people found the following review useful:
Very good, with an address to parents also., 3 August 2005
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Author:
anderzzz-1 from Sweden
*** This review may contain spoilers ***
"Just a question of love" is no doubt a well-acted film with a rich
story. Previous reviews have dealt with the story and the very
heartwarming interaction between the two main characters, Laurent and
Cédric. This love story alone would make this film great. I thought
that in my review I address two other features of the film which in my
opinion further adds to this film and making it even greater.
This film made me reflect over the difference between Europe and north
America with regard to "gayness". I am under the impression (possibly a
false impression) that in north America the "coming out" is much more
connected to the acceptance of a gay identity with its various
attributes. In this film the two main gay characters are a student of
agriculture and a researcher in microbiology, hardly occupations
associated with "gayness" as, for example, actor and florist. This
absence of acceptance or display of stereotypical gay identity may very
well give this film a rather radical gay political message, namely that
the coming out does not need to involve a "coming in" to a more and
more commercialized (americanized?) gay identity. Politics is hardly a
central theme of this film, but with the current debate about the
political limits and self-imposed restraints of the gay identity in
mind, this film got me to think about this political issue.
That said about the "centre" of the film, the film also explicitly
"speaks" to parents. In the film there are a total of five parents who
in different ways relate to the homosexuality of a child of theirs. On
the one hand there is the widowed mother of Cédric who has come to
accept her sons homosexuality, not by principle but rather out of love
for her son. By no means perfect (why should she be?), she is clearly
the most sympathetic of the parents who refuses to sit by and watch the
joy between her son and Laurent be destroyed. She plays an important
role in how the parents of the central character Laurent relate to
their sons newly revealed homosexuality. On the other side the uncle
and aunt to Laurent stand; they rejected their son, Laurent's cousin,
when he came out -- a son who later would die (not of AIDS, though, gay
men can die of other things also!). In the film, the aunt is a
depressed figure who through most of the film either swallows tablets
(presumably anti-depressant) or utters odd remarks, except at one
instant where she urges the devastated mother of Laurent to ask herself
what "we" parents really mean when we says we love our children, a very
important scene in the film as I see it. Both Cédric and Laurent are
aware of and fairly secure in their homosexuality, the ones who have to
come to terms are the parents of Laurent, they are the ones who have to
make the greatest "transition" during the course of the film.
The film thus manages to address many relations and questions and does
so very well. Well worth to see and as noted above not only addressed
to gays.
16 out of 17 people found the following review useful:
totally amazed, 5 September 2004
Author:
mesiah527
*** This review may contain spoilers ***
***some spoilers***
I saw this movie and was totally amazed. If you love foreign films you
have got to watch this one. Although considered of the "gay-themed"
Genre, it totally transcends that label. It captures the essence of
extreme passion, especially when Cedric and Laurent first get together;
how one has to hide his true self for acceptance, especially from his
family; and how a family, especially mother's, react to their son being
gay. One aspect of gay-themed movies often neglected is how a gay man's
female best friend always yearn for him, even though she has a lowly
chance of ever getting with him.
THe acting was superb, you really feel like there was real chemistry
between the two main characters, although in some scene you could sense
that Thouvinin was uncomfortable with the kissing. Gearen-Tillie, was
in total control of his character, he was gay but not feminine:
counter-intuitive to most other gay-themed movies.
9 out of 9 people found the following review useful:
Laurent says it best: it's simply a matter of love., 19 February 2008
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Author:
somebody_else from Melbourne, Australia
I cannot tell you, with any great insight, the lessons to be learned
with this film or the messages it may send to those who do not (choose
not to) 'understand' homosexuality. That's not to say they are not
there, or that this film fails to make those connections because it
does. It speaks for those mistreated, it makes clear the tragedies that
come with this prejudice, and does so - in my opinion - without being
preachy, or pointing angry fingers.
For me, it is simply a story of love. A love that proves to be so
special, that the two main characters - Cedric and Laurent - are
willing to make crucial decisions, and changes in their lives for its
survival. It is these two men; with their boyish behaviors - the
joking, teasing and name calling - and the easy way they are together,
that make this film. Superbly acted, this is a story that you can
believe in.
8 out of 8 people found the following review useful:
Merci!, 18 March 2008
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Author:
yawnmower1 from New York City
This powerful, humane, intelligent drama was made by, and appeared in
prime time on, France 2. It received just three letters of protest
along with thousands praising its astonishing young actors and their
memorable story. Try to imagine such a positive, thoughtful film on
American broadcast television; one simply about the impassioned
relationship between two men. No one gets sick, beaten up, or dies.
It's just a question of love.
Cyrille Thouvenin (so wonderful in another must-see, Confusion of
Genders) stars as angry, frustrated, deeply-closeted Laurent. He is
terrified to come out to his parents because they are so virulently
homophobic. He witnessed his cousin's coming out: disowned, thrown out,
and died without his family around him. Laurent lives in fear with his
best friend Carole, who goes along with the fiction that she is his
girlfriend for the benefit of his parents.
Then he meets Cedric (handsome and exceedingly sexy Stephan
Guerin-Tillie), with whom Laurent has a college internship. After a
rather combative start (neither young man is particularly adept at
'making friends'), sparks fly, and the two revel in a joyous fling as
they discover love. The heat, happiness, and fervor they project is
palpable, gratifying, and genuine.
The problem is that Cedric is up front about his sexuality and makes a
huge deal about Laurent coming out; Laurent is truculent, defiant, and
refuses to consider it. Carole is tired of the charade and has a love
of her own to nurture. Everyone wants Laurent out, but he is
immobilized. When Cedric's mother impulsively let's the cat out of the
bag, Cedric and Laurent's private world falls apart. How they, their
parents and friends, deal with the consequences forms the crux of the
illuminating story.
This transcends being just another 'gay' film. It is about learning how
to love. Gay, straight, old or young, all must learn. As for Laurent
and Cedric, rarely has a simple "I love you" been uttered with more
poignancy on film.
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