| Photos (See all 47 | slideshow) | Videos (see all 5) |
| Nicole Kidman | ... | Grace Stewart | |
| Fionnula Flanagan | ... | Mrs. Bertha Mills | |
| Christopher Eccleston | ... | Charles Stewart | |
| Alakina Mann | ... | Anne Stewart | |
| James Bentley | ... | Nicholas Stewart | |
| Eric Sykes | ... | Mr. Edmund Tuttle | |
| Elaine Cassidy | ... | Lydia | |
| Renée Asherson | ... | Old Lady | |
| Gordon Reid | ... | Assistant | |
| Keith Allen | ... | Mr. Marlish | |
| Michelle Fairley | ... | Mrs. Marlish | |
| Alexander Vince | ... | Victor Marlish | |
| Ricardo López | ... | Second Assistant | |
| Aldo Grilo | ... | Gardener |
Directed by | |||
| Alejandro Amenábar | |||
Writing credits | ||
| Alejandro Amenábar | (written by) | |
Original Music by | |||
| Alejandro Amenábar | |||
Cinematography by | |||
| Javier Aguirresarobe | |||
Film Editing by | |||
| Nacho Ruiz Capillas | |||
Casting by | |||
| Shaheen Baig | |||
| Jina Jay | |||
Production Design by | |||
| Benjamín Fernández | |||
Art Direction by | |||
| Benjamín Fernández | (uncredited) | ||
Set Decoration by | |||
| Emilio Ardura | |||
| Elli Griff | |||
| Benjamín Fernández | (uncredited) | ||
Costume Design by | |||
| Sonia Grande | |||
Makeup Department | |||
| Montse Boqueras | .... | makeup assistant (as Montserrat Boqueras) | |
| Mara Collazo | .... | makeup assistant | |
| Ana López Puigcerver | .... | makeup artist (as Ana López-Puigcerver) | |
| Belén López Puigcerver | .... | hair stylist (as Belén López-Puigcerver) | |
| Robert McCann | .... | makeup design and concept: Ms. Kidman | |
| Peter Owen | .... | wigs design and concept: Ms. Kidman | |
| Teresa Rabal | .... | hair stylist | |
| Kerry Warn | .... | hairdresser design and concept: Ms. Kidman | |
Production Management | |||
| José Antonio García Tapia | .... | unit manager | |
Art Department | |||
| Gonzalo Ansó | .... | stand-by props | |
| Ángel Balaguer | .... | master plasterer | |
| Salvador Comes | .... | stand-by painter | |
| Pedro Jesús De la Fuente | .... | construction buyer (as Pedro De La Fuente) | |
| José G. Donado | .... | master painter (as José García Donado) | |
| Steve Ellis | .... | illustrator: main titles | |
| Alejandro Fernández | .... | draftsman | |
| José Alberto Fernández | .... | prop runner: Santander | |
| Rubén Fernández | .... | prop runner: Santander | |
| Carlos Gil | .... | stand-by props | |
| Alfonso Guitiérrez | .... | prop runner: Santander | |
| Catalina Madurga | .... | art trainee | |
| Julián Martín | .... | scenic artist | |
| Natalia Montes | .... | storyboard artist | |
| Ramón Moya | .... | construction manager | |
| José Luis Navarro | .... | stand-by carpenter | |
| Blas Antonio Padilla | .... | stand-by props | |
| Sergio Pérez | .... | prop runner: Santander | |
| Clemente Rivas | .... | stand-by props | |
| Sergio Rozas | .... | storyboard artist | |
| Germán Segovia | .... | prop runner: Santander | |
| Antonio Sánchez | .... | master carpenter | |
| Juan Ignacio Viñuales | .... | stand-by props | |
| Enrique Vázquez | .... | prop buyer | |
Sound Department | |||
| John Bailey | .... | assistant sound engineer | |
| Chris Barrett | .... | assistant sound engineer (as Chris Barret) | |
| John Bateman | .... | adr recordist | |
| Les Brock | .... | stereo sound consultant: SDDS | |
| Sergio Bürmann | .... | boom operator (as Sergio Burmann) | |
| Tim Cavagin | .... | sound re-recording mixer | |
| Carlos Culebras | .... | boom operator | |
| Guillaume Delamare | .... | foley recordist | |
| Rod Duggan | .... | stereo sound consultant: DTS | |
| Isabel Díaz Cassou | .... | sound designer | |
| Álex F. Capilla | .... | assistant sound editor (as Alejandro Fernández Capilla) | |
| Geoff Foster | .... | sound engineer | |
| Carlos Lidón | .... | cable person | |
| Julien Naudin | .... | foley artist | |
| Alfonso Raposo | .... | adr recordist (as Sito Raposo) | |
| Maite Rivera | .... | sound editor | |
| James Seddon | .... | stereo sound consultant: Dolby | |
| Steve Single | .... | sound re-recording mixer | |
| María Steinberg | .... | assistant sound editor | |
| Ricardo Steinberg | .... | sound | |
| Robert Thompson | .... | adr recordist | |
Visual Effects by | |||
| Nike Alonso | .... | special effects digital production: Daiquiri | |
| John Benn | .... | scanning and recording editorial: Cinesite (as Jon Benn) | |
| Félix Bergés | .... | visual effects supervisor | |
| Juanjo Carretero | .... | scanning and recording: Telson | |
| Carmen Díaz | .... | 3D computer animator: Daiquiri | |
| Eduardo Díaz | .... | digital compositor: Daiquiri | |
| Daniel Fernández | .... | 3D computer animator: Daiquiri | |
| David L. Guaita | .... | digital compositor: Daiquiri | |
| Simon Hughes | .... | scanning and recording supervisor: Cinesite | |
| Antonio Lado | .... | 3D computer animator: Daiquiri | |
| Iván López | .... | digital matte painter: Daiquiri | |
| Carlos Martínez | .... | optical effects: Story Film | |
| Gregorio Molina | .... | digital matte painter: Daiquiri | |
| Gonzalo Moure | .... | digital compositor: Daiquiri | |
| Ana Nuñez | .... | optical effects: Story Film | |
| Pablo Núñez | .... | optical effects: Story Film | |
| Antonio Ojeda | .... | optical effects: Story Film | |
| Guillermo Orbe | .... | digital compositor: Daiquiri | |
| Stuart Pearson | .... | head scanning and recording: Cinesite | |
| Magoga Piñas | .... | 3D computer animator: Daiquiri | |
| Rafa Solorzano | .... | compositing supervisor: Daiquiri | |
| Susana Suárez | .... | special effects digital production: Daiquiri | |
| Carlos Trijueque | .... | digital compositor: Daiquiri | |
| Rosa Ángel | .... | digital compositor: Daiquiri | |
| Dan Ashton | .... | scanning and recording (uncredited) | |
| Úrsula García | .... | visual effects coordinator: pre-production (uncredited) | |
| Todd Hemsley | .... | compositor (uncredited) | |
| Lorraine Johnson | .... | scanning: Cinesite (uncredited) | |
| Simon Johnson | .... | scanning: Cinesite (uncredited) | |
| Raphaël Kourilsky | .... | digital compositor (uncredited) | |
Stunts | |||
| Juan Benito Cuevas | .... | assistant stunt coordinator | |
| Sonia Gonzalo | .... | stunts | |
| Miguel Pedregosa | .... | stunt coordinator | |
| Esther Ramos | .... | stunts | |
Camera and Electrical Department | |||
| Arturo Aldegunde | .... | Steadicam operator | |
| Enrique Bello | .... | gaffer | |
| Stanley B. Burns | .... | still photographer: post mortem original (as Stanley B. Burns M.D.) | |
| Juan de Andrés | .... | clapper loader: second unit (as Juan De Andrés) | |
| Gustavo de la Fuente | .... | clapper loader (as Gustavo De La Fuente) | |
| Antonio Fernández Santamaría | .... | grip (as Antonio Fdez Santamaría) | |
| Rafael García Martos | .... | gaffer (as Rafael Martos) | |
| Carlos García | .... | electrician | |
| José Luis González Jr. | .... | grip | |
| José Luis González | .... | key grip | |
| Ángel Granell | .... | electrician | |
| Salvador Gómez Calle | .... | focus puller: second unit (as Salvador Gómez) | |
| Teresa Isasi | .... | still photographer: post mortem new | |
| Julio Madurga | .... | camera operator | |
| Eugenio Martínez | .... | electrician | |
| José Luis Molero | .... | electrician | |
| Manuel Outomuro | .... | still photographer: special promotional | |
| Ramiro Sabell | .... | focus puller | |
| Alberto Sánchez Beltrán | .... | electrician (as Alberto Sánchez) | |
Casting Department | |||
| Camilla Evans | .... | casting assistant: Jina Jay Casting | |
| Immaculada Iglesias | .... | casting: Santander stand-ins | |
Costume and Wardrobe Department | |||
| Claudia Adriazola | .... | seamstress | |
| Ana Cuerda | .... | wardrobe assistant | |
| Paco Delgado | .... | wardrobe assistant | |
| Eva Salas | .... | seamstress | |
Editorial Department | |||
| María José Almela | .... | assistant editor (as Mª José Almela) | |
| Maite Bermúdez | .... | post-production assistant | |
| Alfonso Berrocal | .... | second assistant editor | |
| Felisa Catalinas | .... | negative cutter | |
| Yolanda Cáceres | .... | color timer | |
| Manuela Díaz | .... | post-production: Sogecine | |
| Eladio Fernández | .... | post-production: Sogecine | |
| Marian Fernández | .... | post-production assistant | |
| Ángela Iglesias | .... | second assistant editor | |
| David López-Puigcerver | .... | post-production assistant | |
| Carmen Mesa | .... | negative cutter | |
| Javier Navasques | .... | second assistant editor | |
| Isabel Ranz | .... | second assistant editor | |
| Manuel Salgueiro | .... | telecine operator | |
| Carolina Martínez Urbina | .... | assistant editor (uncredited) | |
Music Department | |||
| Alejandro Amenábar | .... | orchestrator | |
| Xavier Capellas | .... | orchestrator | |
| Lucio Godoy | .... | music producer | |
| Lucio Godoy | .... | orchestrator | |
| Claudio Ianni | .... | conductor: The London Session Orchestra | |
| Claudio Ianni | .... | orchestrator | |
| Randy Spendlove | .... | music executive: Dimension Films | |
| Gavyn Wright | .... | concert master: The London Session Orchestra | |
Other crew | |||
| Svetlana Albitskaia | .... | double: Ms. Kidman | |
| Svetlana Albitskaia | .... | stand-in | |
| Pablo Alfaro | .... | financial director | |
| Claire Amondaray | .... | production trainee | |
| Julie Austin | .... | drama coach: children | |
| Miguel Balanzategui | .... | video link | |
| Susan Ball | .... | chaperone | |
| Irene Ballesteros | .... | stand-in | |
| Beatriz Bodegas | .... | legal department: Sogecine | |
| Felicia Bushman | .... | assistant: Ms. Kidman | |
| José Ramón De La Isla | .... | stand-in | |
| Sophie De Mac Mahon | .... | production: Sogecine | |
| Javier de Oleza | .... | accountant: Sogecine (as Javier Oleza) | |
| Javier de Oleza | .... | administration staff: Sogecine (as Javier Oleza) | |
| Carlos Del Hoyo | .... | press and public relations | |
| Luis Dorado | .... | press and public relations | |
| Elizabeth Every | .... | chaperone | |
| Elizabeth Every | .... | tutor | |
| Paula Farias | .... | unit doctor | |
| Daya Fernandez | .... | press and public relations (as Daya Fernández) | |
| Marian Fernández | .... | production assistant | |
| Montserrat Fernández | .... | stand-in | |
| Sandra Frieze | .... | dialogue coach | |
| Luis Fernando Garrido | .... | stand-in | |
| Brian Gibbs | .... | production accountant | |
| Antonio Giménez | .... | marketing: Sogecine | |
| Montserrat González | .... | legal department: Sogecine | |
| Flora Herránz | .... | press and public relations | |
| Didi Hopkins | .... | drama coach: children | |
| Rafael Hostelería | .... | caterer | |
| Gracy Hunter | .... | press and public relations | |
| Alejandro Jiménez | .... | stand-in | |
| Javier Leal | .... | manager: laboratory | |
| Walter Leonard | .... | translator | |
| Sol López | .... | assistant: Mr. Bovaira | |
| Ángeles López | .... | legal department: Sogecine | |
| Gaynor Victoria Mann | .... | chaperone | |
| Javier Martín | .... | accountant: Sogecine | |
| Javier Martín | .... | administration staff: Sogecine | |
| Luis Martín | .... | accountant: Sogecine | |
| Luis Martín | .... | administration staff: Sogecine | |
| Gloria Menchacatorre | .... | public relations assistant | |
| Eva Muslera | .... | controller | |
| Laura Muñoz-Rojas | .... | craft service | |
| Trilby Norton | .... | production coordinator | |
| Juan Pando | .... | consultant: historical | |
| J. Ethan Park | .... | production: Maxmedia | |
| Matt Pascale | .... | production: Maxmedia | |
| Maite Payero | .... | secretary: Las Producciones del Escorpión | |
| Juan Luis Pedrero | .... | assistant accountant | |
| Guillermo Peña | .... | manager: laboratory | |
| Luis Pérez Dávila | .... | security coordinator | |
| Juana Ramos | .... | accountant: Sogecine | |
| Juana Ramos | .... | administration staff: Sogecine | |
| Orly Ravid | .... | production: Maxmedia | |
| Luis Revuelta | .... | stand-in | |
| Nuria Rodríguez | .... | unit doctor | |
| Nicholas Roe | .... | assistant: Ms. Wagner (as Nick Roe) | |
| Verónica Roldán | .... | production: Sogecine | |
| Cecilia Rubio | .... | legal department: Sogecine | |
| Andrea Ruiz | .... | stand-in | |
| Francisco Sanchez Ortiz | .... | marketing: Sogecine (as Francisco Sanchez) | |
| Jonathan Sanger | .... | production consultant | |
| Charo Santamaría | .... | accountant: Sogecine | |
| Charo Santamaría | .... | administration staff: Sogecine | |
| Germán Sela | .... | marketing: Sogecine | |
| Michael Soppelsa | .... | security supervisor | |
| Carmen Soriano | .... | script supervisor | |
| Sandra Sousa | .... | stand-in | |
| Jennifer Sánchez | .... | stand-in | |
| Daniel M. Villalba | .... | production runner | |
| Jeffrey Winter | .... | assistant: Ms. Park | |
| Jeffrey Winter | .... | production: Maxmedia | |
| Pablo Zorilla | .... | production trainee | |
| David Greenbaum | .... | executive assistant: Harvey Weinstein (uncredited) | |
| Christopher Hanada | .... | assistant: Ms. Wagner (uncredited) | |
| Garson Yu | .... | title designer (uncredited) | |
Thanks | |||
| Antonio Buenaga | .... | special thanks | |
| Vicki Cherkas | .... | special thanks | |
| Michael Doven | .... | special thanks | |
| Laurent Dupreche | .... | special thanks | |
| Geoffrey Gilmore | .... | special thanks | |
| Diego González-Longoria | .... | special thanks | |
| Michèle Grignon | .... | special thanks | |
| Elaine Haggis | .... | special thanks: Bow Street Magistrates | |
| Pat Kingsley | .... | special thanks | |
| Elliot Kleinberg | .... | special thanks | |
| Kenneth Kleinberg | .... | special thanks | |
| Rick Nicita | .... | special thanks | |
| Emanuel Nunez | .... | special thanks | |
| Catherine Olim | .... | special thanks | |
| Carmen Prieto | .... | special thanks | |
| Joaquín Samperio | .... | special thanks | |
| Robert Seidenberg | .... | special thanks | |
| Linda Smith | .... | special thanks: Bow Street Magistrates | |
| Greg Trattner | .... | special thanks | |
| Kurt Woolner | .... | special thanks | |
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| Stir of Echoes | The Innocents | The Grudge | Gone with the Wind | 1408 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
It's funny that I see this movie the way I do, perhaps I'm more perceptive to little dramatic, human touches, but I saw this movie and was satisfied with it. In fact, I fell in love with it. This movie is chilling, very spooky, with a few moments that will make you jump, but it's a movie that works itself up, and by the end of the movie you feel scared, and like someone has zapped you a few times, chilly from inside out, but fulfilled.
People have been comparing this to "Sixth Sense". Though the movie may share similarities, this stands on it's own. It's content is not trying to send a message, except for a universal theme that you want to grasp onto. There is historical and religious content, purely in context for the twists and turns and nuances to make this film so complete in every aspect. Everything works so well. This movie takes pride in each scene, and each is set up so that you get the most of it. Everything relates to everything, you are given clues the entire movie, but it's set up so masterfully the ending is the suprise you've been waiting for.
The performance by Kidman and the two children are one of a kind. It's a realistic interaction between siblings and a controlling, dysfunctional, but loving mother. The acting and writing (the script) is so well done, it adds for scattered scenes that will, hopefully, stick around with you for a long time. There's this one beautiful scene in the movie, it's where Grace (Nicole Kidman) is hugging her son, and her daughter (who is slightly estranged from her mom) runs up and hugs her, and there this look of absolute release on the face of Grace. Another great scene is when Grace carries her rifle around the house (shoot the ghost!), and she's desperately trying to protect her house and children. There are more like that, so keep your eyes open.
The cinematography is innovative and brilliant, camera angles and the lighting set everything up so well. The lighting is very important as well, in fact, the subject of "light" is so well mixed into the story, the dark feels safer and more secure than the light does. There are times when you long for the darkness, just as the characters long for the darkness (due to a part of the plot including a health condition of the children, which serves a basis for the mental thrill fest to come). To finish off this concoction, try to listen to the score, because it's very fitting.
This is more of a drama than a thriller, though it deserves to be a thriller (it's scary), but the power of it's dramatic side comes bursting through. This is a beautiful movie, it has overtones of a more serious side, and it's a movie that hardly belongs in the horror section because of it's beauty, but it's too darned eerie, weird, and chilling to fit anywhere else.