A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
A woman named Grace retires with her two children to a mansion on Jersey, towards the end of the Second World War, where she's waiting for her husband to come back from battle. The children have a disease which means they cannot be touched by direct sunlight without being hurt in some way. They will live alone there with oppressive, strange and almost religious rules, until she needs to hire a group of servants for them. Their arrival will accidentally begin to break the rules with unexpected consequences. Written by
Being a Spanish co-production, this film went on after its release on September 7, 2001, to become Spain's biggest grossing domestic film of all time after less than two months of release. See more »
When Grace runs out with a shotgun, she mouths the words, "I'll shoot" but on the audio track she says "Don't Move". See more »
Now children, are you sitting comfortably? Then I'll begin... This story started many thousands of years ago, and it was all over in just 7 days. All that long long time ago, none of the things we can see now, the sun, the moon, the stars, the earth, the animals and plants, not a single one existed. Only God existed. And so only he could have created them. And he did.
See more »
Before the opening credits or music begin, we hear Grace's voice over a black screen; she says (in the manner of a mother about to tell a bedtime story), "Are you sitting comfortably? Then I'll begin." See more »
If I had to sum up this movie in a word, it would be "chilling." The Others is a delightfully atmospheric suspense film. It's tense, scary, and very memorable -- I don't think I'll ever forget the image of a terrified Nicole Kidman clutching her rosary beads around her shotgun as she tears down the halls of her dreadful Victorian mansion.
Writer/director/composer Alejandro Amenabar creates a dark, dark atmosphere, in which you feel like you can't trust anyone. Nicole Kidman, in her brilliant performance as Grace, is supposedly the "heroine" of the film, but as I watched the movie I found myself more frightened of her than rooting for her; steely and overbearing, with a hint of psychotic hysteria in her icy eyes. And then the children, (held their own and even stole a few scenes from the more experienced players) were just hellishly creepy. The little girl was one of the most ominous characters I have ever seen in a film. And the servants (who were also finely played) will keep you guessing the whole way through. Every time you think you have it figured out, some of the household help will pop up and throw the whole framework off-kilter.
The real attraction in this film is Nicole Kidman, following up her bravura performance as Satine in "Moulin Rouge" with a woman teetering between insanity and iron control. Grace has so many layers, and Kidman reveals almost all of them through her face. The film is anchored by her presence, and she plays off the other actors extremely well -- note the tense relationship she has with Anne, her daughter. When the two lock eyes, it's like watching two trains crash head-first into one another.
The only disappointment in this movie is the ending, which is slightly anti-climactic. When you get to it, you'll be satisfied, and it ties up everything that's happened in the movie up to that point quite well. But it seemed almost anti-climactic, and I was left feeling a little bit let down.
Overall, I gave The Others a 9/10.
89 of 112 people found this review helpful.
Was this review helpful to you?