The Palestinian terrorist group Black September holds Israeli athletes hostage at the 1972 Summer Olympic Games in Munich.

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Won 1 Oscar. Another 3 wins & 6 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Himself - Narrator (voice)
Ankie Spitzer ...
Herself
Jamal Al Gashey ...
Himself
Gerald Seymour ...
Himself
Axel Springer ...
Himself
Gad Zahari ...
Himself
Shmuel Lalkin ...
Himself
Manfred Schreiber ...
Himself
Walter Troger ...
Himself
Ulrich K. Wegener ...
Himself
Hans-Dietrich Genscher ...
Himself
Schlomit Romajo ...
Herself
Magdi Gahary ...
Himself
Zvi Zamir ...
Himself
Dan Shilon ...
Himself (as Dan Shillon)
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Storyline

The 1972 Munich Olympics were interrupted by Palestinian terrorists taking Israeli athletes hostage. Besides footage taken at the time, we see interviews with the surviving terrorist, Jamal Al Gashey, and various officials detailing exactly how the police, lacking an anti-terrorist squad and turning down help from the Israelis, botched the operation. Written by Jon Reeves <jreeves@imdb.com>

Plot Summary | Add Synopsis


Motion Picture Rating (MPAA)

Rated R for some graphic violent images | See all certifications »

Parents Guide:

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Details

Official Sites:

Country:

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Language:

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Release Date:

24 August 2000 (Australia)  »

Also Known As:

Egy nap szeptemberben  »

Box Office

Opening Weekend:

$15,149 (USA) (17 November 2000)

Gross:

$155,158 (USA) (23 February 2001)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Director Kevin MacDonald finally managed to persuade the surviving terrorist Jamal Al Gashey to talk on camera after eight months of fitful negotiation and numerous aborted meetings in secret locations. Al Gashey specified certain conditions prior to their actual meeting in an Arab country insisting MacDonald was to travel alone, not to inform anybody where he was going and provide a wig and moustache for Al Gashey to disguise himself when in front of the camera. The interview piece used in the documentary was filmed by somebody Al Gashey trusted. See more »

Quotes

Walter Troger: I didn't like Issa of course because of what he was doing but I could have liked him when I met him elsewhere. He was not violent, I would have even trusted him in his word, not his compatriots and his partners. They were, like, what we say in German, Galgenvogel, gallows birds. But Issa was different from them.
See more »

Connections

Features Munich 1972: Games of the XX Olympiad (1972) See more »

Soundtracks

Closing
Written and Performed by Philip Glass
Used by permisison of Chester Music Ltd.
On behalf of Dunwagen Music Publishers Ltd. Inc.
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User Reviews

 
A Solid Documentary, and response to some criticism
22 December 2005 | by (United States) – See all my reviews

It would appear that many people believe that the documentary format should be held to some sort of objective, news-gathering standard. Whenever two clips are spliced together, regardless of the content there is some editorializing. A documentary is an editorial. If you want nothing more than unopinionated truth, than the only avenue open to you is uninterrupted security camera footage. You can, and sometimes should, disagree with the opinions offered by the documentary filmmaker as a critical viewer, but one faulting the filmmaker for offering an opinion is like criticizing water for being wet. The line that must be discerned is whether the filmmaker is overly deceptive or insidious in trying to convince you of his or her opinion. This is a line that can be very difficult to draw.

Mr. Ruvi Simmons of London does not seem to realize these basic tenets of documentary film-making: "One Day in September, however, concentrates more on the human interest of the event itself, neglecting background information in order to convey a one-sided and grossly biased perspective on a tragic occurrence." I am a filmmaker, and I know that as such one must choose a theme and a perspective for a feature length documentary. The main problem that this person has with the film is that he is "that it neither explores the underlying issues behind the Israeli-Palestinian tensions." This is a 2 hour film, not a 40 hour mini-series. There is no way that the filmmaker could have adequately explored the history of the Israeli-Palestinian conflict and still told the story that he or she intended: the story of the hostage crisis at the Games of '72. Mr. Simmons also took offense at the filmmaker for vilifying the terrorists who perpetrated this plot. I do not need to offer a critical retort as any logical person can understand why this statement is foolishness. It sounds as though Mr. Simmons feels as though the terrorists were justified in hurting innocent athletes a continent removed from their conflict. Obviously, this person would dislike this documentary (although he does not mention that the documentarian interviewed one of the terrorists to present his side of their story).

If you want to have a solid introduction to the acts of terrorism at the Games of '72, then this is a good work to watch. It is true that the thriller-style is a bit gimmicky, but it does add somewhat to the suspense if you do not know the outcome. If you are intending to see the film, "Munich," then this is probably a good primer (I have not yet seen it as it has not been released). Just remember, this film is just as much an editorial as Spielburg's film will be.

~C


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