The July 3rd, 1973 historic concert of the 'leper Messiah'. This was to be David Bowie's last concert with the the Ziggy persona and the Spiders from Mars. A great medley of 'Wild Eyed Boy ... See full summary »
A documentary following the exploits of a group of filmmakers as they take their independent feature, Ten 'til Noon (2006), along the film festival circuit, and the politics, pitfalls, triumphs and comic tragedies they encounter along the way. Full of interviews with important players in the indie world, this is a must see for young filmmakers on the what happens when the shooting stops.
Philip Van Horn, who left his small town a long time ago to become a Hollywood actor and hasn't had any success at that, returns to the town for a visit. There he is uniformally met like ... See full summary »
Trevor St. John
Through the glitter and the grunge, from The Monkees to Coldplay, Rodney Bingenheimer--a.k.a. Rodney on the ROQ--has reigned over the Los Angeles music scene for over two decades. A constantly evolving fixture as rock fan, journalist, promoter, club owner and radio DJ on KROQ, Bingenheimer has helped advance every adventurous rock mutation--California pop, glam, punk, goth, new wave, alternative--since he first hit the Sunset Strip during its psychedelic 1960s heyday. Written by
Sujit R. Varma
After making its world premiere as the Centerpiece Film of the 2003 IFP/Los Angeles Film Festival the movie sold to First Look Media and Lakeshore Entertainment for $1.3 million, making it the second highest selling documentary of all time, next to Michael Moore's Bowling for Columbine (2002). See more »
After the credits, we see the conclusion of the concert by the band X that starts the movie. Then we see Rodney talking with one of X's members, who tells him that he always finds Rodney's radio show, no matter when it airs. See more »
Written by Deborah Harry, Chris Stein (as Christopher Stein)
Performed by Blondie
Used by permission of Chrysalis Music/Monster Island Music (ASCAP)
Courtesy of Chrysalis Records
Under license from EMI Film & Television Music See more »
As a co-star in this movie I am duty-bound to make a correction, namely, that RODNEY was NOT dropped off at Connie Stevens' house by his mother. This was a fabrication introduced by the director, and voiced by Kim Fowley.
I agree with several people: the movie should be re-cut (it's possible, because the raw footage is still in storage) and the crap (the too- "dark" stuff) removed...and made much longer. So much was never seen...
and this was supposed to be a pro-RODNEY movie (and not an anti-Kim Fowley picture). It could have been a GREAT documentary instead of just a GOOD one...
Trivia: Originally, this movie was supposed to have been offered via Paramount Pictures. What would have happened IF it had, one wonders?
5 of 8 people found this review helpful.
Was this review helpful to you?