This film is a documentary about the personalities in, and the music of, the early 1980's Los Angeles punk band X. There are studio and live performances by the band and interviews with ... See full summary »
Philip Van Horn, who left his small town a long time ago to become a Hollywood actor and hasn't had any success at that, returns to the town for a visit. There he is uniformally met like ... See full summary »
Trevor St. John
John came to Hollywood to get that one big break in life. Years have passed since and all he has to show for are a menial job, unpaid bills and airhead friends and he's getting sick of it all. Is there a way out of this downward spiral?
When former cop and current security expert Jim Holland has a one night stand with Amanda after getting in her way roller-blading. That introduction turns out to be a well thought out plan ... See full summary »
A failed novelist's inability to pay the bills strains relations with his wife and leads him to work at an escort service where he becomes entwined with a wealthy woman whose husband is a successful writer.
Blake Pellarin is on the campaign trail to become governor of the state of Missouri. While making a stop in St. Louis, a chance encounter brings his past back to haunt him. Will the truth ... See full summary »
Through the glitter and the grunge, from The Monkees to Coldplay, Rodney Bingenheimer--a.k.a. Rodney on the ROQ--has reigned over the Los Angeles music scene for over two decades. A constantly evolving fixture as rock fan, journalist, promoter, club owner and radio DJ on KROQ, Bingenheimer has helped advance every adventurous rock mutation--California pop, glam, punk, goth, new wave, alternative--since he first hit the Sunset Strip during its psychedelic 1960s heyday. Written by
Sujit R. Varma
After making its world premiere as the Centerpiece Film of the 2003 IFP/Los Angeles Film Festival the movie sold to First Look Media and Lakeshore Entertainment for $1.3 million, making it the second highest selling documentary of all time, next to Michael Moore's Bowling for Columbine (2002). See more »
Michael Des Barres:
[about Rodney's English Disco]
The dance floor was as big as Pamela's coffee table but there was a VIP booth with one table in it. It was so cute, with like a velvet rope separating you from the other three people that were in the joint. The other three people happened to be Iggy Pop and Bowie and Elvis.
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After the credits, we see the conclusion of the concert by the band X that starts the movie. Then we see Rodney talking with one of X's members, who tells him that he always finds Rodney's radio show, no matter when it airs. See more »
According to this film, the 'Mayor of the Sunset Strip' is Rodney Bingenheimer. Rodney who? Well, watch this fascinating documentary, directed by George Hickenlopper (HEARTS OF DARKNESS : A FILMMAKER'S APOCALYPSE), and find out! Bingenheimer is seemingly the kind of selfless guy who appears to have initially been a kind of male groupie in the 60s and who subsequently unconditionally promoted U.S. and U.K. rock and pop acts through his L.A. based 'Rodney on the Roq' radio show and is acclaimed in almost reverential tones by those who owe their Stateside break to the airplay which apparently broke them through to the U.S. mainstream. As these artists include the likes of Brian Wilson, The Ramones, The Sex Pistols, Oasis and Coldplay (not sure I can forgive Rodney those last two), and given that the soundtrack includes these bands and many more individuals and groups (e.g. including a certain Mr. Bowie) which would have set virtually any other movie back several million greenbacks had they not offered their tracks for the minimum cost required to sort the legal paperwork, one can see how revered this apparently somewhat impoverished starmaker is (although his collection of pop memorabilia could set him up for several lifetimes should he choose to part with it). A Zelig-like figure whom the film's archival footage (filmed and photographic) shows to have been present at virtually all the epochal rock moments of the last 40 years, as well as one whose life has perhaps not turned out to be as successful as one might expect (the man still appears to dine at Denny's, for crying out loud!) and who seems to have been let down by those who might have reciprocated more kindly for the leg-up he appears to have given them, is well-served by this compassionate, occasionally hilarious (the Cherie Currie story about sinister svengali producer/performer Kim Fowley and his punchy riposte is a hoot) and ultimately rather sad and cautionary tale of the darker side of the American Dream. A man who, as my friend pointed out afterwards, appears to have inspired The Ramones' choice of tonsorial grooming and who still appears to be occasionally mistaken for The Monkees' Davy Jones (he originally auditioned for Jones' role and was sometimes deployed as his double which, if nothing else, seems to have added a few notches to his bedpost) and whose sad-faced countenance speaks more vividly of a lifetime of let-downs than any rancid verbal outpourings (he actually seems too polite to engage in on-screen badmouthing of even those who might deserve a well-aimed verbal broadside), this features an engaging mixture of talking head and rare archival footage and entertains as it delivers an impressionistic vulture's eye view of the West Coast zeitgeist, leaving one in no doubt that the film's title appropriately rests on this unlikely, slightly-built and spindly-legged character. An enlightening documentary, and highly recommended fare with no 'dead air'.
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