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Carin C. Tietze,
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Torsten C. Fischer
Klaus J. Behrendt,
Gabriela Maria Schmeide
David O'Neil, a plasterer and mature student Theo have been best mates for fourteen years and are practically inseparable. However, their friendship has become strained as Theo is about to move in with his long-term girlfriend, photographer Hannah. A raging jealousy awakes in David and he starts scheming to break up the loving couple using Hannah's insecurities against them. When the couple eventually separate David is in a quandary about his next move and is forced to confront his long-hidden homosexuality and feelings towards Theo. Eventually, David decides to reveal his sexual orientation and deep love for Theo very publicly by arranging for them both to appear as guests on Judith Adams' talk-show, "forgive and forget", with tragic consequences for their friendship and David's family. Written by
Mark Smith <firstname.lastname@example.org>
This 2000 made for TV film is a sham for gay people. It promotes gay bashing, degrades coming out and gives homosexuals a dated persecuted life style. I could have sworn when I saw this trite work, it must have been done in 1960. For certainly gay issues deserve better than this dribble. The fault lies in the writing and directing. Mark Burt writes a trivial and lack-less script with absolutely no compassion for any of the major characters. Aisling Walsh, a woman, directs with no understanding of how to bring any hope to her leading players. She certainly has no understanding of gay life. If she herself is gay, than shame on her. If not, she needs to go to a gay bar or march in a gay pride day parade and surround herself with today's gay people.
The actors do what they can to give believability to this nonsense. Steve John Shepherd plays the young man tortured over his homosexuality. Afraid to come out to his best friend and to his parents. Why he chooses to do so in such a public way, beats me. But he does. I'll say no more as to the outcome and let you see for yourself. Believe me, you won't be surprised. John Simm, hardly, in my eyes, worth all the suffering, is the attraction to Shepherd as his best friend. Simm has his own demons to deal with. And again, you really don't care. He earns his oats. As the unsympathetic and sometimes just down right annoying girl-friend to Simm, Laura Fraser is a real possessive bitch (can I say that word?) A control freak, she deserves losing any guy who would put up with her antics and games. I was hoping she'd lose the guy in the end. Again, see what happens yourself. Again, no surprise.
Then there are the parents that contradict themselves all over the place. An overbearing dad, played by Maurice Roeves, knows nothing but anger and screams through most of the film. What's with this guy? Sometimes overacting, he suddenly has all this tear jerking at the end? And you don't believe it anyway. "Let him go", says he. I would have been gone from this dad a long time ago. And the mother, played by Ger Ryan, sits and bakes pies. Probes her son most of the time to see what's wrong and when she discovers the truth, over public TV, completely disowns him. She begs him to be honest and then slaps him in the face. Give me a break.
I liked Shepherd's work in this and wish he could have had a decent venue to work with. For he gave the most convincing performance. Simm was one level, Fraser was just awful as were the parents.
I give this dated movie a 2 star for Shepherd's performance attempt.
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