| Photos (See all 38 | slideshow) | Videos (see all 3) |
| Kim Director | ... | Kim Diamond | |
| Jeffrey Donovan | ... | Jeffrey Patterson | |
| Erica Leerhsen | ... | Erica Geerson | |
| Tristine Skyler | ... | Tristen Ryler (as Tristen Skyler) | |
| Stephen Barker Turner | ... | Stephen Ryan Parker | |
| Kurt Loder | ... | Himself | |
| Chuck Scarborough | ... | Himself | |
| Bruce D. Reed | ... | Burkittsville Resident #1 (as Bruce Reed) | |
| Lynda Millard | ... | Burkittsville Resident #2 | |
| Deb Burgoyne | ... | Burkittsville Resident #3 | |
| Andrea Cox | ... | Burkittsville Resident #4 | |
| Joe Berlinger | ... | Burkittsville Tourist #1 | |
| Sara Phillips | ... | Burkittsville Tourist #2 | |
| Lanny Flaherty | ... | Sheriff Cravens | |
| Pete Burris | ... | MBI Man #1 | |
| Briton Green | ... | Stoner #1 | |
| Erik Jensen | ... | Stoner #2 | |
| Peggy K. Chang | ... | Foreigner #1 | |
| Tony Tsang | ... | Foreigner #2 | |
| Anja Baron | ... | Foreigner #3 | |
| Kevin Murray | ... | Doctor | |
| Keira Naughton | ... | Nurse | |
| Lauren Hulsey | ... | Eileen Treacle | |
| Ed Sala | ... | MBI Man #2 | |
| Tyler Zeisloft | ... | Teenager #1 | |
| Richard Kirkwood | ... | Teenager #2 | |
| Justin Fair | ... | Teenager #3 | |
| Raynor Scheine | ... | Rustin Parr | |
| Brilane Bowman | ... | Ham Lady | |
| Kennen Sisco | ... | Peggy | |
| Robert M. Kelly | ... | MBI Man #3 | |
| Dina Napoli | ... | Reporter, WBAL | |
| Landra Booker | ... | Reporter, Fox 45 | |
| Jacqui Allen | ... | Reporter | |
| Sloane Brown | ... | Reporter, WJZ 13 | |
| rest of cast listed alphabetically: | |||
| Nasi Glekas | ... | Security Guard | |
| Oscar Haynes | ... | Videographer | |
| Karen Tsen Lee | ... | (voice) | |
| Jay Leno | ... | Himself (archive footage) | |
| Conan O'Brien | ... | Himself (archive footage) | |
| Andy Richter | ... | Himself (archive footage) | |
| Heidi Burger | ... | Print Reporter (uncredited) | |
| Craig Campbell | ... | Crime scene onlooker (uncredited) | |
| Heather Donahue | ... | Herself (archive footage) (uncredited) | |
| Brian Dragonuk | ... | Angry Citizen at Courthouse (uncredited) | |
| Roger Ebert | ... | Himself (uncredited) | |
| Armen Garo | ... | Doctor (uncredited) | |
| Cathy Haase | ... | First Nurse (uncredited) | |
| Rick Kain | ... | On Camera News Reporter (uncredited) | |
| Joshua Leonard | ... | Himself (archive footage) (uncredited) | |
| Julie Mabry | ... | Hiker in Woods (uncredited) | |
| Martin Pfefferkorn | ... | Mental Patient (uncredited) | |
| Chad Ridgely | ... | Photographer (uncredited) | |
| Ryan Slattery | ... | (uncredited) | |
| Michael C. Williams | ... | Himself (archive footage) (uncredited) | |
Directed by | |||
| Joe Berlinger | |||
Writing credits(WGA) | ||
| Daniel Myrick | (characters) and | |
| Eduardo Sánchez | (characters) | |
| Dick Beebe | (written by) and | |
| Joe Berlinger | (written by) | |
Produced by | |||
| Bill Carraro | .... | producer | |
| Kevin J. Foxe | .... | associate producer (as Kevin Foxe) | |
| Daniel Myrick | .... | executive producer | |
| Eduardo Sánchez | .... | executive producer (as Eduardo Sanchez) | |
Original Music by | |||
| Carter Burwell | |||
Cinematography by | |||
| Nancy Schreiber | (director of photography) | ||
Film Editing by | |||
| Sarah Flack | |||
Casting by | |||
| Will Cantler | |||
| Bernard Telsey | |||
| David Vaccari | |||
Production Design by | |||
| Vincent Peranio | (as Vince Peranio) | ||
Art Direction by | |||
| Justin Scoppa Jr. | |||
| Rob Simons | |||
Set Decoration by | |||
| Steve George | (as Steven H. George) | ||
| Susan Kessel | |||
Costume Design by | |||
| Melissa Toth | |||
Makeup Department | |||
| Gina W. Bateman | .... | key makeup artist | |
| Derek Becker | .... | special makeup effects artist | |
| John Caglione Jr. | .... | special makeup effects artist | |
| Joseph A. Campayno | .... | makeup artist | |
| Lisa Hazell | .... | hair stylist | |
| Charmaine Henninger | .... | hair stylist | |
| Janice Kinigopoulos | .... | key hair stylist | |
| Cheryl 'Pickles' Kinion | .... | makeup artist | |
| Sherri Bramlett | .... | additional hair stylist (uncredited) | |
Production Management | |||
| Bill Carraro | .... | unit production manager | |
| Dana Robin | .... | assistant unit production manager | |
Art Department | |||
| Edward Bellafiore | .... | art department coordinator | |
| Billy Crush | .... | assistant props | |
| Michael Davis | .... | construction coordinator | |
| Susanna Glattly | .... | scenic foreman | |
| Ted Lubonovich II | .... | propmaker | |
| Lucinda E. Pealer | .... | scenic | |
| Scott T. Pina | .... | construction foreman | |
| Lester Poser | .... | assistant property master | |
| Michael Sabo | .... | set dresser | |
| Keith Weaver | .... | charge scenic | |
| Helen Williams Ward | .... | storyboard artist | |
| Brook Yeaton | .... | property master | |
| Silvija L. Moess | .... | scenic artist (uncredited) | |
Sound Department | |||
| Tom Fleischman | .... | sound re-recording mixer | |
| Dan Fulton | .... | sound intern | |
| Bobby Johanson | .... | adr engineer | |
| Dan Korintus | .... | dialogue editor | |
| Malaika Langa | .... | audio post coordinator | |
| Tony Martinez | .... | sound editor | |
| Jay Meagher | .... | production sound mixer | |
| Branka Mrkic | .... | sound effects editor | |
| Jac Rubenstein | .... | dialogue editor | |
| Warren Shaw | .... | supervising sound editor | |
| Paul P. Soucek | .... | supervising sound editor | |
| Eric Strausser | .... | apprentice sound editor | |
| Steven Visscher | .... | supervising foley editor | |
| Daniel Ward | .... | assistant sound editor | |
Special Effects by | |||
| Wilfred Caban | .... | special effects coordinator (as Will Caban) | |
| Tamara Carlson | .... | fabrication crew: K.N.B Effects Group | |
| Kevin Carter | .... | special effects contact lenses | |
| Steven Kirshoff | .... | special effects coordinator | |
Visual Effects by | |||
| Randall Balsmeyer | .... | visual effects supervisor | |
| Daniel Leung | .... | digital compositing supervisor | |
| Matt McDonald | .... | digital compositor | |
| Christopher Dusendschon | .... | in-show optical process and effects compositor: THDX (uncredited) | |
| Christopher Dusendschon | .... | optical element Hazeltine colorist: THDX (uncredited) | |
Stunts | |||
| G.A. Aguilar | .... | stunt coordinator | |
| Jill Brown | .... | stunt double | |
| Blaise Corrigan | .... | stunts | |
| Chuck Jeffreys | .... | stunts | |
| Jason Noto | .... | stunt driver | |
Camera and Electrical Department | |||
| Wayne Arnold | .... | film loader | |
| John C. Barber | .... | grip | |
| Sean Patrick Crowell | .... | key grip | |
| Rusty Gardner | .... | video assist operator: second unit | |
| Michael Gearhart | .... | grip | |
| Abbot Genser | .... | still photographer | |
| Tim Gordon | .... | electrician | |
| Craig Haagensen | .... | director of photography: second unit | |
| Jay Kemp | .... | gaffer | |
| Richard Klompus | .... | video assist operator | |
| Ralph Mendoza | .... | camera operator: SpaceCam | |
| Michael Proscia Jr. | .... | gaffer (segment) | |
| Mark Walpole | .... | additional second assistant camera | |
Casting Department | |||
| Joe Adams | .... | casting: Los Angeles | |
| Christine Eads | .... | extras casting | |
| Pat Moran | .... | casting: Baltimore | |
Costume and Wardrobe Department | |||
| Catharine Fletcher Incaprera | .... | costume supervisor | |
| Mara Majorowicz | .... | key costumer | |
| Erica Westheimer | .... | assistant to costume designer | |
Editorial Department | |||
| Erin Crackel | .... | apprentice editor | |
| David Gray | .... | apprentice editor | |
| Charlene Hamer | .... | assistant editor | |
| James Nichols Jr. | .... | assistant editor | |
| Shawn Nuzzo | .... | post-production associate | |
| Alan Oxman | .... | additional editor | |
| Tina Pacheco | .... | first assistant editor | |
| Robert Zorella | .... | editorial production assistant | |
| John Marston | .... | editorial technician (uncredited) | |
Music Department | |||
| Carter Burwell | .... | music recordist | |
| Carter Burwell | .... | musician | |
| Ed Gerrard | .... | music supervisor | |
| Gman | .... | musician | |
| Joe Lisanti | .... | music editor: temp music | |
| Marilyn Manson | .... | executive soundtrack producer | |
| Deirdre O'Hara | .... | music consultant | |
| David Torn | .... | musician (as SPLaTTeRCeLL) | |
Transportation Department | |||
| Charles E. Bauer | .... | driver | |
| Rick Cochin | .... | transportation co-captain (as Richard B. Cochin) | |
| Mike Easter | .... | transportation co-captain | |
| Michael Luckeroth | .... | driver | |
| Charles R. Plantholt Sr. | .... | driver | |
| Francis Raimondo | .... | driver (as Francis Anthony Raimondo) | |
| Ronald Smith | .... | transportation captain (as Ronald B. Smith) | |
| Gerald Titus | .... | driver | |
| Douglas A. Walk | .... | transportation captain | |
| Foard J. Wilgis | .... | transportation coordinator (as Foard Joesph Wilgis) | |
Other crew | |||
| Annie Noel Applegarth | .... | clearance coordinator (as Ann Noel Applegarth) | |
| Annie Noel Applegarth | .... | product placement coordinator (as Ann Noel Applegarth) | |
| Angela Athayde | .... | additional set production assistant | |
| Alison Bederman | .... | second assistant accountant | |
| Michael Bederman | .... | production accountant | |
| John Francis Black II | .... | payroll accountant | |
| Perry Blackmon | .... | set security | |
| J.P. Bleibtreu | .... | production assistant | |
| Michael Bonfiglio | .... | assistant: Mr. Berlinger, New York | |
| Tonya Bowen | .... | studio production coordinator | |
| Brent Burditt | .... | production assistant | |
| Jane Burka | .... | assistant: Mr. Berlinger, Baltimore (as Jane L. Burka) | |
| Jane Burka | .... | script supervisor: second unit | |
| Denise Byrne | .... | production office assistant | |
| Al Cerullo | .... | helicopter pilot | |
| Brian Cooper | .... | production secretary | |
| Thomas M. Cornelius | .... | craft service | |
| Rob Coughlin | .... | grip second unit | |
| Joan Devilla | .... | payroll accountant | |
| Caprice Ericson | .... | location scout | |
| Michelle Ann Forsythe | .... | assistant: Mr. Berlinger, Baltimore | |
| Ginny Galloway | .... | assistant: Mr. Carraro | |
| Ellen Gannon | .... | production coordinator: New York | |
| Karl O. Gilbert | .... | dailies projectionist | |
| Linda Haftel | .... | script supervisor | |
| John Hamilton | .... | production assistant | |
| Patti Hawn | .... | unit publicist | |
| Nicki Infante | .... | assistant accountant: New York (as Nick Infante) | |
| Robert Jellen | .... | insurance: AON/Albert G. Ruben (as Bob Jellen) | |
| Jeff Johnson | .... | set medic (as Jeffrey L. Johnson) | |
| Rick Kain | .... | stand-in: Eric Jensen | |
| Lisa Katcher | .... | script supervisor | |
| Kristan C. Keck | .... | accounting clerk (as Kristen Keck) | |
| Abigail Kende | .... | researcher: Tele Cinema, Inc. | |
| Martin Kircher | .... | dailies projectionist | |
| Kurstin Kohnowich | .... | production assistant | |
| Stephanie Lovell | .... | production assistant | |
| Pierre Makhoul | .... | set security | |
| Kimberly Masimore | .... | production office assistant | |
| Josh McCintock | .... | stand in/double | |
| Kati Meister | .... | researcher (as Katie Meister) | |
| Meredith Mills | .... | assistant production coordinator: New York | |
| Bryan Nelson | .... | production assistant | |
| Jason Noto | .... | body double | |
| Perry Novick-Eckhardt | .... | production assistant | |
| Sean Oliver | .... | adr loop group | |
| Shanalyna C. Palmer | .... | production assistant (as Shanalyna Palmer) | |
| Amy Panzer | .... | craft service (as Amy J. Panzer) | |
| Claudia Pascarelli | .... | researcher: Tele Cinema, Inc. | |
| Wayne Petrucelli | .... | set security | |
| Erik Proveaux | .... | caterer | |
| Scott Rabenstein | .... | production assistant | |
| Ruben Flores Rios II | .... | production assistant (as Ruben F. Rios II) | |
| Alison C. Rosa | .... | assistant production coordinator (as Alison Rosa) | |
| Greta Seacat | .... | acting coach (as Greta Seacat Kaufman) | |
| Roxanne Senesman | .... | first assistant accountant | |
| Kimberley Shine | .... | researcher: Tele Cinema, Inc. | |
| Xanthus Valan | .... | production assistant | |
| Drew Vandervelde | .... | production assistant | |
| Kerri Winters | .... | insurance: AON/Albert G. Ruben | |
| Craig Wirth | .... | production assistant | |
| Nicole A. Xenos | .... | production office assistant | |
| Robert Zorella | .... | production assistant | |
| Andrew Golov | .... | production executive (uncredited) | |
| Andrew Golov | .... | studio executive (uncredited) | |
| Timothy Scott Ralston | .... | studio projectionist (uncredited) | |
| Peter Pamela Rose | .... | adr loop group (uncredited) | |
| Cathy Ziehl | .... | studio coordinator (uncredited) | |
Thanks | |||
| Michael Alden | .... | the producers wish to thank | |
| Catherine Batavick | .... | the producers wish to thank | |
| Laura Beth | .... | the producers wish to thank | |
| Sharon Bialy | .... | the producers wish to thank | |
| Loren Eiferman | .... | the producers wish to thank | |
| David Everitt | .... | the producers wish to thank | |
| Ray Feeney | .... | the producers wish to thank | |
| Michelle Johnson | .... | the producers wish to thank | |
| Carlo Sayegh | .... | the producers wish to thank | |
| Mike Strawbridge | .... | the producers wish to thank | |
| Kimball Thurston | .... | the producers wish to thank | |
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| Night of the Demon | The Blair Witch Project | Freeway | The Dead Girl | The Gift |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
How does one set out to produce a sequel to probably the biggest mainstream Hollywood gatecrasher in history? For Artisan, the answer is that you don't. Not really.
Book of Shadows: Blair Witch 2, while attempting to extend the Blair Witch mythology, maneuvering it into the treacherous franchise waters, is instead an excursion into the hysteria surrounding the first film.
FRANCHISE THIS!
The Blair Witch Project made silver screen history by parlaying what was, by Hollywood standards, a no budget production, into a phenomenon. But when this inevitable sequel was pushed through production, a much more polished but just as murky film was the result.
For BW2, Joe Berlinger -- best known for the documentary, Paradise Lost: The Child Murders at Robin Hood Hills (and Paradise Lost 2) -- was brought on board, subsequently seizing an actual budget and creating a piece that, while reveling in a self-awareness of the first film and its mystique, does its best to subject another group of woods-bound youngsters and viewers to psychological and other forms of terror.
The first fifteen minutes or so of the film is probably the best, with opening scenes that are comprised of television footage discussing the Blair Witch Project, which include an appearance by none other than Roger Ebert. That leads directly into some documentary-style interviews with residents of the town of Burkittsville, Maryland regarding the impact the film had on their lives, and includes a cameo by Berlinger.
Soon, we meet the latest witch aficionados as they venture into the abyss of the Black Hills -- on the inaugural run of the Blair Witch Hunt -- setting up camp at the Rustin Parr ruins and mocking the first film, including Heather Donahue's much-imitated hysterics, but that's not all. Erica, the twenty-something witch, comments: `The Blair Witch Project. Ok. Two guys and a girl sleeping in the same tent, night after night, and no sex? It makes no sense (sic).'
INTO THE WOODS. AGAIN.
Beyond that, here's a brief synopsis of the film: the five characters -- a Wiccan, a goth, two Blair Witch researchers and a mentally-ill tour guide -- go into the woods with a battery of cameras, lose several hours of their lives, and spend the remainder of the film holed up in a Civil War-era factory that's been turned into a dwelling, reviewing footage they'd shot in an attempt to piece things together.
As this is going on, it's discovered that another tour group has been ritualistically murdered at Coffin Rock -- probably during the blackout. Action is quickly traded for claustrophobia, and a more psychological and conceptual horror flick emerges, one with little (intentional) humor.
Much criticism has been leveled against the performances turned in by a group of relative unknowns, although each of the actors and actresses probably has a brief moment or so as a better angel of the film, and Kim Director is solid in her portrayal of the cynical goth character.
What distinguishes this project, however, is its meditation on mass hysteria and popular delusion -- or at least its effort to do so.
The film plays with `reality,' sorting through layers not only of memory, but also media -- and the possibility of the existence of supernatural elements -- as the group pores over the various video tapes they've brought back, grappling with the latest Coffin Rock murders and whether or not the killer or killers is in their midst.
Jeff, the abovementioned tour guide character, who also sells Blair Witch memorabilia on the Internet, delivers a significant line in the film, explaining that while film lies, video doesn't. Is the truth out there?
BW2 GO
For discerning home video enthusiasts, one valuable aspect of DVD commentaries is the occasional insight into the intrusiveness of studio overseers. In the case of BW2, it's revealed that Berlinger was forced to intercut shaky-cam gore scenes throughout, something that was, in my opinion, the worst element of the film.
Another noteworthy DVD disclosure involves the fact that a striking shot over the November woods of Maryland, originally written with Sinatra's `Witchcraft' in mind, ended up being scored by Marilyn Manson's `Disposable Teens.' Two things probably account for the decision: the target demographic most likely wouldn't recognize or like the song, leaving them doubtful to buy the soundtrack; Marilyn Manson was called in to supervise the music, excluding of course the original score.
I actually purchased BW1 on video for some strange reason (charmed, I'm sure), but ended up quickly selling it on eBay after finding myself unable to suffer through it a second time. BW2, however, resides in my permanent collection.
A technological aspect of the DVD worth mentioning is the fact that the other side of the disk is a CD featuring the entire original score and a few of the soundtrack's more pop-related offerings.
PLEASANTLY MALODOROUS.
BW2 has been called many things, including a wretched waste of celluloid (not to mention videotape) and an unforgivable festival of clichés.
What it comes down to is this: BW2 is a movie that I hate to admit I loved. Although some performance and execution flaws might outweigh any uniqueness in the eyes of most viewers, for what it attempts to do -- in taking on the task of making a sequel that shouldn't have been made, defying many expectations along the way -- I give this box office flop a B--.
In case you missed BW2, or don't you feel you have the stomach for it, not to worry: Daniel Myrick and Eduardo Sanchez, the creative team behind the first Blair Witch, are reportedly working on BW3: the attack of the prequels.