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The 'Little Sure Shot' of the 'Wild West.' Exhibition of Rifle Shooting at Glass Balls, etc. (from the Edison Catalog)

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Cast

Uncredited cast:
Annie Oakley ...
Herself Annie Oakley (uncredited)
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Storyline

Annie get your guns. Standing on the left-hand corner of the stage, wearing a cowboy hat, a skirt with fringe at the hem, and a jacket with fringe hanging from the sleeves, Annie Oakley takes a rifle from her assistant, turns, and rapidly fires six shots, cocking the gun after each one, hitting six targets on a board at the other side of the stage. Then, as her assistant moves quickly to the target side of the stage and kneels down, Annie changes guns. The assistant tosses small clay pigeons in the air, one at a time, directly above his head; Annie takes aim and pulverizes each one. She's finished her seventh of these shots when the reel ends. Written by <jhailey@hotmail.com>

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stage | gun | assistant | rifle | skirt | See All (21) »

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Documentary | Short

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Энни Окли  »

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Did You Know?

Trivia

Copied at 30 frames per second from a 35mm print preserved by the Academy of Motion Picture Arts and Sciences. Now available as part of a "mini series film" entitled "Buffalo Bill's Wild West" on DVD on "More Treasures from American Film Archives 1894-1931". See more »

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Referenced in The Poacher (2011) See more »

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User Reviews

An Interesting Attempt
11 August 2005 | by (Ohio) – See all my reviews

Like many of the earliest Edison Kinetoscope movies, this one showed a popular entertainment figure performing one of her specialties. It's an interesting attempt, and it's nice to have something preserved on film of Annie Oakley, one of the legends of her day. But the footage that resulted is clearly limited by the constraints of the studio.

Like most of the earliest Edison movies, this was filmed inside their 'Black Maria' studio. That setting worked very well in producing movies of various dancers, vaudeville acts, and the like. But with Annie Oakley, it forces her to squeeze her routine into an area much smaller than normal, and while she does a pretty good job anyway, it's clear that under the conditions to which she was more accustomed, she would have done much better.

It was not long at all before the Edison film-makers began to film subjects outdoors when it better suited the material. Even then, though, the scale and speed of Oakley's regular act would probably have created an insurmountable challenge to film with the equipment available in the 1890s. All the same, it's nice to be able to see moving footage of her, so as to be able to flesh out this legendary figure just a little bit better.


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