4.9/10
467
18 user 5 critic

New Port South (2001)

PG-13 | | Drama | 7 September 2001 (USA)
A group of teenagers wish to rebel against the administrators and teachers (the system) in their suburban Chicago high school called New Port South.

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Cast

Cast overview, first billed only:
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Brad Eric Johnson ...
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Edwards (as Raymond Barry)
Lawrence MacGowan ...
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Stanton (as Mike Shannon)
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McAmmond (as Rebekah Louise Smith)
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Storyline

A cranky high school student cons his friends into helping him with a propaganda blitz against the school administration which results in a student body riot and the inevitable moral lesson... all set to a trance-hop soundtrack. Written by Anonymous

Plot Summary | Add Synopsis

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Some students can't be dismissed

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Drama

Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements, violence and brief strong language | See all certifications »
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Details

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Release Date:

7 September 2001 (USA)  »

Also Known As:

Untitled John Hughes Project  »

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Technical Specs

Sound Mix:

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(Sepiatone)|

Aspect Ratio:

1.85 : 1
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Did You Know?

Crazy Credits

During the opening credits, the title "New Port South" changes to "New Youth" with the rebellious students logo used as the letter Y. See more »

Soundtracks

IKA FREAKA
Written by John Hughes, Charlie Cooper, Josh Eustis
Performed by Slicker
Courtesy of Hefty Records
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User Reviews

 
High school rebellion movie with more loose ends than an Abba jacket
18 June 2005 | by (Cambridge, UK) – See all my reviews

About five minutes in, and I saw where this was heading. Bunch of high school kids get annoyed by the school's administration and thoughts of rebellion start fomenting. I said to my girlfriend: if it gets below a 5 on IMDb, I'll go and read a book. It got 5.0, so she persuaded me to go on watching. What are the good things? Well, it is a good thing this film does not have a story, because you would surely be distracted from it by the editing. It's like the student's drawing that was torn up by one of the teachers, all the footage for this film was cut up in a freak accident involving a meat-grinder, and left half the stock destroyed, with the other half spliced into two-second bits. Even in a ten-second scene of the local TV news, there are about six cuts and three different angles. And then there are the montages. These are all set to electronic music, which forewarns you of yet another montage, so that like Pavlov's dog you start cringing every time you hear it, which is about every three minutes. Oh, I was supposed to say what's good about this film. Well, the film was shot very well, with a nice color palette, that nicely matched the emotional content - such as there was

  • of the scenes. Okay, now with the film's major flaw, and it wasn't
the story, or lack thereof. The director made that fatal mistake of leading you astray about people and situations, not by clever storytelling, but by being highly selective about what to show about the main characters. That's just cheating. I guess he did it in order to make the central character more likable. But it just became plain annoying. If the story is full of holes, it's no good trying to patch it up by misdirecting the viewer. And often there wasn't even any point to it. And then the ending. Basically, the main villain of the peace turns out be an okay guy, if a coward. Plus it turns what seemed to be the whole point of the movie, that you should stand up for a just cause on its head, by the already mentioned misdirection, and makes it into a point about the nature of revolutions, that was already made, and much better, by animal farm. It also committed what I call the Bill Cosby sin: no matter how things may seem at first, in the end adults are always right, and children always wrong. And let's face it: unless you're me, that's just not true.


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