This story is set in the "in-between" time of a girl's life, when she is no longer a child and not yet a woman. We open with our heroine, Maeve, putting on her new snow white bra, and ... See full summary »
Sophie Jo Wasson,
Claude is a Jew. Because of the risks of an arrest (France is occupied by the Nazis), his parents send him away to an elderly couple in the country. Pepe, the husband, is a Petain supporter... See full summary »
Unsold pilot for a proposed CBS sitcom concerns the adventures of a young boy who lives with his widowed mother a writer/illustrator of children's books. He relates better to the imaginary ... See full summary »
In this purely fictional story, Paul McCartney drops by The Dakota to visit John Lennon in 1976. Paul is still on top of the music world, reaching #1 with his new band, Wings. John, however, has retired from public life, choosing to raise his son, Sean. Rumors are rampant that The Beatles are going to reunite to play a concert. Paul, the consummate entertainer, is intrigued by the possibilities. But John, still fighting his inner demons, is content keeping Beatlemania a thing of the past. But even though the two men are still at odds over the band, they rediscover that they still have bonds from the past that will never go away. Written by
'John Lennon' and Paul McCartney actually did spend 24 April 1976 together as portrayed in the movie, but 'Yoko Ono' and Linda McCartney were also present. It was the last time they met. They got along so well that Paul returned the next day to see John. John would not let him in, saying, as he does in the movie, "You can't just be dropping by like it's the good old days." See more »
The lip-syncing is off while John and Paul are singing "Tumbling Tumbleweeds". See more »
[John grabs Paul and kisses him. Paul pushes him away]
Get off! God... just cause Yoko's away doesn't mean you have to stop brushing your teeth.
You know you wanted it, you tart.
Is my name Brian?
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I admit I had some trepidation when I first saw the previews for this film. Was VH-1 treading on hollow ground here? I mean, Harris and Quinn don't really look or even sound like John or Paul. But I have to admit, this film really surprised me. It's far from the exploitation film I expected. Instead, it's a character study, a low-key, whimsical, and ultimately bittersweet look at friendship, and the ultimate lesson we all learn: it's hard, if not impossible, to capture what we once had, and what has passed us by.
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