| Photos (See all 23 | slideshow) | Videos (see all 3) |
| Jean Reno | ... | Pierre Niemans | |
| Vincent Cassel | ... | Max Kerkerian | |
| Nadia Farès | ... | Fanny Ferreira (as Nadia Fares) | |
| Dominique Sanda | ... | Sister Andrée | |
| Karim Belkhadra | ... | Captain Dahmane | |
| Jean-Pierre Cassel | ... | Dr. Bernard Chernezé | |
| Didier Flamand | ... | The Dean | |
| François Levantal | ... | Pathologist | |
| Francine Bergé | ... | Headmistress | |
| Philippe Nahon | ... | Man at Petrol Station | |
| Laurent Lafitte | ... | Hubert, the Dean's Son | |
| Robert Gendreu | ... | Cemetery Warden | |
| Christophe Bernard | ... | Skinhead #1 | |
| Nicky Naudé | ... | Skinhead #2 | |
| Tonio Descanvelle | ... | Sarzac Policeman #1 | |
| Olivier Rousset | ... | Sarzac Policeman #2 | |
| Françoise Loreau | ... | Nun in Convent | |
| Vincent Tulli | ... | Computer Technician | |
| Nicolas Koretzky | ... | Computer Cop | |
| Sami Zitouni | ... | Youth #1 on Sarzac Estate | |
| Slim Zitouni | ... | Youth #2 on Sarzac Estate | |
| Christophe Rossignon | ... | Policeman in Station Wagon on Bridge | |
| Dominique Bettenfeld | ... | Policeman with Theory | |
| Alexis Robin | ... | Blind Child with Dog | |
| Alain Guerillot | ... | Skinhead Cafe Owner | |
| Laurent Avare | ... | Rémy Caillois | |
| Olivier Morel | ... | Philippe Sertys | |
| Vincent Skimenti | ... | Policeman (as Vincent Schimenti) |
Directed by | |||
| Mathieu Kassovitz | |||
Writing credits | ||
| Jean-Christophe Grangé | (novel "Red Blood Rivers") | |
| Jean-Christophe Grangé | (screenplay) and | |
| Mathieu Kassovitz | (screenplay) | |
Produced by | |||
| Jérôme Chalou | .... | line producer | |
| Alain Goldman | .... | producer | |
| Catherine Morisse | .... | associate producer | |
Original Music by | |||
| Bruno Coulais | |||
Cinematography by | |||
| Thierry Arbogast | |||
Film Editing by | |||
| Maryline Monthieux | |||
Casting by | |||
| Pierre-Jacques Bénichou | |||
Production Design by | |||
| Thierry Flamand | |||
Costume Design by | |||
| Sandrine Follet | |||
| Julie Mauduech | |||
Makeup Department | |||
| Aurora Bergere | .... | makeup artist | |
| Christophe Chabenet | .... | special makeup effects artist | |
| Denis Gastouet | .... | special makeup effects artist | |
| Sylvie Greco | .... | makeup artist | |
| Karina Gruais | .... | makeup artist | |
| Patrice Iva | .... | key hair stylist | |
| Frédéric Lainé | .... | special makeup effects artist | |
| Jean-Christophe Spadaccini | .... | special makeup effects artist | |
| Nathalie Tissier | .... | key makeup artist | |
Production Management | |||
| Jean-Louis Bergamini | .... | assistant unit manager | |
| Sylvain Bouladoux | .... | unit manager | |
| Jérôme Chalou | .... | production manager | |
| Guinal Riou | .... | unit manager trainee | |
| Antoine Vierny | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| David Diane | .... | trainee assistant director | |
| Pascal Guérin | .... | second assistant director | |
| Valérie Othnin-Girard | .... | first assistant director | |
| Raphaëlle Piani | .... | third assistant director | |
Art Department | |||
| Luc Compère | .... | construction manager | |
| Farid Kermici | .... | storyboard artist | |
| Emmanuel Marais | .... | assistant art director | |
| Stanislas Reydellet | .... | assistant art director | |
| Sandrine Magner | .... | art department coordinator (uncredited) | |
| Marc Thiébault | .... | set dresser (uncredited) | |
Sound Department | |||
| Philippe Amouroux | .... | sound re-recording mixer | |
| Nicolas Becker | .... | sound effects | |
| Anne Delacour | .... | dialogue editor | |
| Michel Filippi | .... | adr supervisor | |
| Cyril Holtz | .... | sound re-recording mixer | |
| Vincent Montrobert | .... | assistant sound editor | |
| Vincent Tulli | .... | sound editor | |
| Vincent Tulli | .... | sound | |
| Emmanuel Ughetto | .... | boom operator | |
Special Effects by | |||
| Pascal Buron | .... | special effects production | |
| Pascal Molina | .... | special effects | |
Visual Effects by | |||
| Laurent Borenstein | .... | visual effects technical director | |
| Stephanie Boutinaud | .... | digital artist | |
| Nabila Daniault | .... | digital grader | |
| Fabrice Delapierre | .... | animator | |
| Yann Doray | .... | compositor | |
| Arnaud Fouquet | .... | digital artist | |
| David François | .... | digital compositor | |
| Gilles Gaillard | .... | digital grader: Mikrosimage | |
| Christian Guillon | .... | visual effects director: L'EST | |
| Benoit Holl | .... | animator | |
| Krao | .... | visual effects supervisor | |
| Philippe Leprince | .... | effects technical director | |
| Jean Baptiste Lère | .... | 3D supervisor | |
| Gaston Marcotti | .... | digital artist | |
| Nicolas Rey | .... | 3D supervisor | |
| Julien Rousseau | .... | rotoscoper | |
| Gaël Seydoux | .... | lighting technical director: MikrosImage | |
| Agnès Sébenne | .... | visual effects producer | |
| Malek Touzani | .... | animator | |
Stunts | |||
| Virginie Arnaud | .... | stunts | |
| Alain Barbier | .... | stunts | |
| Rémi Canaple | .... | assistant stunt coordinator | |
| Rémi Canaple | .... | stunts | |
| Patrick Cauderlier | .... | stunt coordinator | |
| Jean-Claude Lagniez | .... | stunt driver | |
| Sébastien Lagniez | .... | stunt double | |
| Catherine Robert | .... | stunts | |
| Dany Roca | .... | stunts | |
| Patrick Steltzer | .... | stunts | |
| Gilles Conseil | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| David Campbell | .... | crane operator: Technocrane | |
| Emmanuel de Fleury | .... | assistant camera | |
| Patrick de Ranter | .... | Steadicam operator | |
| Jean-Marie Delorme | .... | aerial assistant camera | |
| Georges Diane | .... | camera operator | |
| Bruno Dubet | .... | key grip | |
| Xavier Embry | .... | grip | |
| Guy Ferrandis | .... | still photographer | |
| Gil Fontbonne | .... | key grip | |
| Monika Jeziorowska | .... | still photographer (as Mimka Jeziorowska) | |
| Dominique Legueux | .... | key grip | |
| Sophie Lelou Mollard | .... | electric intern (as Sophie Mollard) | |
| Nicolas Massart | .... | assistant camera | |
| Yves Michaud | .... | Steadicam operator | |
| Vincent Muller | .... | focus puller | |
| Xavier Renaudot | .... | electrician | |
| Bruno Roza | .... | grip | |
| Daniel Savary | .... | aerial assistant camera | |
| Nicolas Sommermeyer | .... | best boy grip | |
| Jean-Baptiste Thibaud | .... | Steadicam operator | |
Editorial Department | |||
| Virginie Bruant | .... | assistant editor | |
| Agathe Cauvin | .... | assistant editor | |
| Sandro Lavezzi | .... | apprentice editor | |
| Yvan Lucas | .... | color timer | |
| Soazic Veillon | .... | assistant editor | |
Music Department | |||
| Benjamin Caillaud | .... | assistant music recording | |
| Bruno Coulais | .... | orchestrator | |
| Frankii Elliott | .... | On Trailer USA and International | |
| Frankii Elliott | .... | composer: additional music | |
| Frankii Elliott | .... | composer: additional music/trailer | |
| Stéphane Reichart | .... | music recordist | |
Other crew | |||
| Michèle Andreucci | .... | continuity | |
| Pascal Brun | .... | helicopter services | |
| Audrey Mery | .... | production secretary | |
| Nicky Naudé | .... | fight arranger | |
| Jurgen Proschinger | .... | post-production deal broker | |
| Nathalie Vierny | .... | continuity | |
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| Persepolis | The Girl with the Dragon Tattoo | Deep Red | The Best of Youth | The Cat o' Nine Tails |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb France section |
"The Crimson Rivers" tells of two French detectives on converging investigative paths leading to the "who" in whodunit as they leapfrog from one tense moment to the next in this good but not great macabre and sometimes gruesome serial killer mystery. What this flick lacks in story it more than makes up for in artistry and verve as it carves itself out of hauntingly beautiful vistas, superb cinematography, great sound and score, and, perhaps best of all for English speakers, excellent dubbed translations. Well worth the time for those with an eye for artistry in film and a taste for dark thrillers.