| Photos (See all 25 | slideshow) | Videos (see all 3) |
| Meg Ryan | ... | Alice Bowman | |
| Russell Crowe | ... | Terry Thorne | |
| David Morse | ... | Peter Bowman | |
| Pamela Reed | ... | Janis Goodman | |
| David Caruso | ... | Dino | |
| Anthony Heald | ... | Ted Fellner | |
| Stanley Anderson | ... | Jerry | |
| Gottfried John | ... | Eric Kessler | |
| Alun Armstrong | ... | Wyatt | |
| Michael Kitchen | ... | Ian Havery | |
| Margo Martindale | ... | Ivy | |
| Mario Ernesto Sánchez | ... | Arturo Fernandez (as Mario Ernesto Sanchez) | |
| Pietro Sibille | ... | Juaco | |
| Vicky Hernández | ... | Maria (as Vicky Hernandez) | |
| Norma Martínez | ... | Norma (as Norma Martinez) | |
| Diego Trujillo | ... | Eliodoro | |
| Aristóteles Picho | ... | Sandro | |
| Sarahi Echeverría | ... | Cinta | |
| Carlos Blanchard | ... | Carlos | |
| Raúl Rodríguez | ... | Tomas | |
| Mauro Cueva | ... | Rico | |
| Alejandro Cordova | ... | Rambo | |
| Sandro Bellido | ... | Mono | |
| Miguel Iza | ... | ELT Officer | |
| Roberto Frisone | ... | Calitri | |
| Tony Vazquez | ... | Fred / Marco | |
| Claudia Dammert | ... | Ginger | |
| Rowena King | ... | Pamela | |
| Michael Byrne | ... | Lord Luthan | |
| Jaime Zevallos | ... | Nino | |
| Gilberto Torres | ... | Raymo | |
| Flora Martínez | ... | Linda | |
| Laura Escobar | ... | Cara | |
| Marco Bustos | ... | Alex (as Marcos Bustos) | |
| Jorge Medina | ... | Berto | |
| Gerard Naprous | ... | Pierre Lenoir | |
| Aleksandr Baluev | ... | Russian Colonel (as Alexander Balueyev) | |
| Dmitri Shevchenko | ... | Russian Sergeant (as Dimitri Shevchenko) | |
| Zbigniew Zamachowski | ... | Terry's Driver | |
| Said K. Saralijen | ... | Chechen Leader | |
| Óscar Carrillo | ... | Trial Honcho | |
| Pedro Martínez Laya | ... | Trial Honcho | |
| Wolframio Sinué | ... | Trial Honcho (as Wolframio Benavides) | |
| Alonso Alegría | ... | Master of Ceremonies | |
| Merlin Hanbury-Tenison | ... | Terry's Son | |
| Stefan Gryff | ... | Bank Official | |
| Yolanda Vazquez | ... | Notary |
Directed by | |||
| Taylor Hackford | |||
Writing credits(WGA) | ||
| Tony Gilroy | (written by) | |
| William Prochnau | (article Adventures in the Ransom Trade) (inspiration) | |
| Thomas Hargrove | (book "The Long March To Freedom") (inspiration) | |
Produced by | |||
| Tony Gilroy | .... | executive producer | |
| Taylor Hackford | .... | producer | |
| Charles Mulvehill | .... | producer | |
| Feliks Pastusiak | .... | assistant producer: Poland | |
| Steven Reuther | .... | executive producer | |
Original Music by | |||
| Danny Elfman | |||
Cinematography by | |||
| Slawomir Idziak | (director of photography) | ||
Film Editing by | |||
| Sheldon Kahn | |||
| John Smith | |||
Casting by | |||
| Larisa Isaeva | |||
| Nancy Klopper | |||
Production Design by | |||
| Bruno Rubeo | |||
Art Direction by | |||
| Steve Carter | (supervising art director) | ||
Set Decoration by | |||
| Anna Pinnock | |||
| Steve Shewchuk | |||
Costume Design by | |||
| Ruth Myers | |||
Makeup Department | |||
| Fríða Aradóttir | .... | hair stylist: Ms. Ryan (as Frida Aradottir) | |
| Jana Carboni | .... | makeup assistant | |
| Stefano Ceccarelli | .... | hair stylist | |
| Lucy Da Silva | .... | assistant makeup artist | |
| Francesca De Simone | .... | hair stylist | |
| Karen Karahawa | .... | key makeup artist: Meg Ryan | |
| Uxue Laguardia | .... | makeup artist | |
| Federico Laurenti | .... | assistant makeup artist | |
| Blanca Ponce de Baneto | .... | hair stylist | |
| Luigi Rocchetti | .... | key makeup artist | |
| Margarita Salazar | .... | hair stylist | |
| Mauro Tamagnini | .... | key hair stylist | |
Production Management | |||
| Pawel Barenski | .... | unit manager: Poland | |
| Jerzy Frykowski | .... | production manager: Poland | |
| Ian Hickinbotham | .... | unit production manager | |
| Tricia Miles | .... | post-production supervisor | |
| Kaaren F. Ochoa | .... | unit production manager: Ecuador (as Kaären F. Ochoa) | |
Special Effects by | |||
| Rafael Barriga | .... | special effects assistant | |
| Conor Coughlan | .... | special effects technician | |
| Yves De Bono | .... | special effects supervisor | |
| Ken Gorrell | .... | special effects technician | |
| Mark Griffin | .... | special effects buyer (special effects technician) | |
| Jonn Herzberger | .... | supervising special effects technician | |
| Thomas Kittle | .... | special effects technician (as Tom Kittle) | |
| Russell Tyrrell | .... | special effects technician | |
| Andrew Wilson | .... | special effects technician | |
Visual Effects by | |||
| Mark Bakowski | .... | digital compositor | |
| Jeffrey Edward Baksinski | .... | motion & tracking supervisor: Cinesite | |
| Chris Burn | .... | digital compositor: Mill Film | |
| Angus Cameron | .... | digital effects supervisor | |
| Oscar G. Castillo | .... | lead effects animator | |
| Sally Clayton | .... | digital artist | |
| Sean Danischevsky | .... | digital compositor: Mill Film | |
| Ian Differ | .... | visual effects editor | |
| Davina Gottschalk | .... | digital compositor | |
| Antony Hunt | .... | visual effects producer | |
| Zave Jackson | .... | digital compositor | |
| Daryl Jordan | .... | visual effects editor: U.K. | |
| Vincent Lavares | .... | digital asset manager: Cinesite Hollywood | |
| David Lingenfelser | .... | composite supervisor | |
| Richard Little | .... | digital compositor | |
| Sarah Lockwood | .... | digital artist | |
| Hannah Peirce | .... | digital compositor | |
| Daniel Pettipher | .... | 2D digital supervisor (as Dan Pettipher) | |
| Corinne Pooler | .... | digital paint supervisor | |
| Jerry Pooler | .... | visual effects supervisor: Cinesite | |
| Paula Pope | .... | digital coordinator (as Paula Hughes) | |
| Michael S. Pryor | .... | visual effects producer | |
| Jon Quon | .... | technical assistant: Cinesite | |
| Andy Stevens | .... | visual effects camera assistant: Millfilm | |
| Matt Welford | .... | digital compositor | |
| Neil Harrison | .... | senior systems administrator (uncredited) | |
| Fred Jimenez | .... | 2D technical assistant (uncredited) | |
| Bridgitte Krupke | .... | visual effects coordinator (uncredited) | |
| Rick Mietkowski | .... | green screen supervision (uncredited) | |
| Sarah Moore | .... | digital compositor: Cinesite (uncredited) | |
| Ramprasad Sampath | .... | visual effects technical director (uncredited) | |
| Tom Zils | .... | digital compositor: Cinesite (uncredited) | |
Stunts | |||
| Lech Adamowski | .... | stunt coordinator: Poland | |
| Simon Chapman | .... | stunt double: Peter | |
| Stuart Clark | .... | stunt double: Terry | |
| Gary Davis | .... | stunt coordinator | |
| Wade Eastwood | .... | stunt double: Kessler | |
| James O'Donnell | .... | stunt double: Dino | |
| Dennis Scott | .... | stunt double: Carlos | |
| Marc Wolff | .... | stunt pilot | |
Casting Department | |||
| Alonso Alegría | .... | casting: South America (as Alonso Alegria) | |
| Mireya Guanipa | .... | additional casting | |
| Doreen Jones | .... | casting: Europe | |
| Rita VanderWaal | .... | casting associate | |
| Lori Wyman | .... | casting: Miami | |
Costume and Wardrobe Department | |||
| Bruno de Santa | .... | costumer: Mr. Crowe | |
| Amanda Derby | .... | set costumer | |
| Gordon Harmer | .... | costume supervisor | |
| Ismael Jardon | .... | costume supervisor (as Ismael Jardon Tejas) | |
| Helen Mattocks | .... | costumer: Ms. Ryan | |
| Ron Mawbey | .... | set costumer | |
| Michael O'Connor | .... | assistant costume designer | |
| Veronica Obando | .... | wardrobe assistant | |
| Edgar F. Ortiz-Duran | .... | costumer (as Edgar Ortiz) | |
| Rebeka L. Roberts | .... | costume ager/dyer | |
Editorial Department | |||
| Noah Arntson | .... | post-production assistant | |
| Laura Behary | .... | assistant editor | |
| Hermione Byrt | .... | assistant editor | |
| Ruth Coulson | .... | editor trainee | |
| Ian Differ | .... | first assistant editor | |
| Vaune Kirby Frechette | .... | assistant editor | |
| Mo Henry | .... | negative cutter | |
| Bob Kaiser | .... | color timer | |
| Conor Mackey | .... | conforming editor | |
| Andrew Melhuish | .... | assistant editor | |
| Ray Neapolitan | .... | assistant editor | |
| Maggie Ostroff | .... | assistant editor | |
| Ross Porter-Ward | .... | assistant editor: avid | |
| Ben Renton | .... | second assistant editor | |
| Catriona Richardson | .... | second assistant editor | |
| Ben Stephens | .... | assistant editor | |
| Mark Warner | .... | post-production editorial | |
Music Department | |||
| Pete Anthony | .... | conductor (as Peter Anthony) | |
| Steve Bartek | .... | supervising orchestrator | |
| Tom Boyd | .... | musician: oboe soloist | |
| George Doering | .... | musician | |
| Danny Elfman | .... | music producer | |
| Randy Gloss | .... | musician | |
| Marc Mann | .... | additional orchestrator | |
| Mark McKenzie | .... | orchestrator | |
| Peter Myles | .... | assistant music editor | |
| Dennis S. Sands | .... | score mixer (as Dennis Sands) | |
| Dennis S. Sands | .... | score recordist (as Dennis Sands) | |
| Ellen Segal | .... | music editor | |
| Edgardo Simone | .... | orchestrator | |
| David Slonaker | .... | additional orchestrator | |
| Curt Sobel | .... | temp/source music editor | |
| James Thatcher | .... | musician: french horn | |
Transportation Department | |||
| George Bolton | .... | transportation captain | |
| Guy Bostock | .... | action vehicle coordinator | |
| Ian Clarke | .... | vehicle technician | |
| Matthew Lloyd | .... | unit driver | |
| Mario Simon | .... | transportation coordinator (as Mario A. Simon) | |
Other crew | |||
| Leslie Adler | .... | assistant: Ms. Ryan | |
| Alonso Alegría | .... | assistant to director | |
| Elena Almeida | .... | assistant production coordinator | |
| Anabell Arias | .... | location assistant | |
| Ana Lucía Arizo | .... | assistant accountant | |
| Sallie Beechinor | .... | production coordinator | |
| Mona Benjamin | .... | assistant production coordinator | |
| Kevin Berman | .... | consultant | |
| Lourene Bevaart | .... | trainer: Mr. Crowe | |
| Terry Blyther | .... | location manager: London | |
| Adam Bohling | .... | military advisor | |
| Oriana Cavallero | .... | assistant: Mr. Morse | |
| Aneta Cebula | .... | production coordinator: Poland | |
| Orlando Chongo | .... | craft service supervisor | |
| Kyle Cooper | .... | executive producer: main title sequence | |
| John De Simio | .... | unit publicist | |
| Kathy Ewings | .... | accountant: London | |
| David Fencl | .... | armorer | |
| Will Gaffney | .... | stand-in: David Morse | |
| Lisa Greenberg | .... | craft service manager | |
| Dow Griffith | .... | location manager | |
| Alicia Herrera | .... | animal wrangler | |
| Linda Hodge | .... | set nurse | |
| Pamela Jaeckle | .... | production coordinator | |
| Bobbie Johnson | .... | financial controller | |
| Sally Jones | .... | script supervisor | |
| Alice S. Kim | .... | assistant: Mr. Mulvehill | |
| Deborah Leakey | .... | assistant accountant: London | |
| Laura Luchetti | .... | assistant: Mr. Crowe | |
| Paul McAuley | .... | weight loss consultant (as Dr. Paul McAuley) | |
| Scot A. McKay | .... | assistant armorer | |
| Amaia Merino | .... | production secretary | |
| Sarah Moore | .... | production assistant: London | |
| Carolina Ojeda | .... | craft service assistant | |
| David Oliver | .... | stand-in: Mr. Crowe | |
| James Ordonez | .... | production liaison: Ecuador | |
| Maria Veronica Parada | .... | production assistant | |
| David Paris | .... | safety pilot | |
| Louisa Radcliffe | .... | assistant: Mr. Hackford | |
| Thell Reed | .... | weapons specialist | |
| Jason Rein | .... | office production assistant: re-shoots | |
| James Richardson | .... | assistant accountant | |
| Michael Riley | .... | title designer | |
| Lyndy Rist | .... | assistant accountant: London | |
| Lew Rywin | .... | producer: Poland | |
| Paulina Salazar | .... | assistant: Mr. Taylor Hackford | |
| Paulina Salazar | .... | production secretary (as Paulina A. Salazar) | |
| Emma Salter | .... | researcher | |
| Anne Scott | .... | post-production accountant | |
| Joanna Shaw | .... | script supervisor: second unit | |
| Eric Smith | .... | credit sequence designer | |
| André Sogliuzzo | .... | adr loop group | |
| Stéphanie Stevens | .... | location assistant | |
| Cid Swank | .... | unit publicist | |
| Sarah Trowse | .... | location accountant: Ecuador | |
| Xavier Urbina | .... | assistant accountant | |
| Martin Ward | .... | first video operator: Ecuador | |
| Amy West | .... | stand-in: Ms. Ryan | |
| Marc Wolff | .... | aerial coordinator | |
| Oorala Yamada | .... | set production assistant: re-shoots | |
| Arturo Yepez | .... | location assistant | |
| Jhonny Zurita | .... | assistant armorer (as Johnny Zurita) | |
| Phil Quigley | .... | armorer (uncredited) | |
Thanks | |||
| Will Gaffney | .... | in memory of | |
|
|
|
|
|
| Munich | The A-Team | G.I. Joe: The Rise of Cobra | Blood Diamond | Captain America: The First Avenger |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
What happens in real life will inevitably have an effect on the reel one. Tom Cruise learnt that with his strange antics in real life - his screen one suffered with a less than expected stellar box office for M:I:3 despite positive critical reviews. Way back in 2000, Russell Crowe and Meg Ryan learnt that too, with their rumoured romance while shooting this movie, one of the many reasons resulting in this becoming a box office bomb.
I felt that it was not a bad movie actually, given the story which I found interesting in the first place, for its extremely distant relation to what I'm doing, and being an action adventure movie, it works with its fair share of big action sequences.
Russell Crowe plays Terry Thorne, a consultant in the Security and Crisis Response Unit of Luthan Risk International. His job is to negotiate the safe return of Kidnap and Ransom (K&R) victims around the world, and of course, this brings him frequently to where the action is, during the payment of ransoms and the extraction of hostages. He yearns for a management role, but as always, if you're an excellent field operative, you're played to your strengths out there.
Which brings him to his latest client, Meg Ryan's Alice Bowman, whose husband Peter Bowman (David Morse), an employee with the biggest international oil firmed, gets kidnapped by chance during a raid in Ecuador. There are numerous scenes in the movie to perk your interest in this much behind-the-scenes industry of K&R, the terrorist(?) groups' motivation, and how the entire business is conducted, with the engagement of peers as well as the involvement of shady government personnel.
There are many fine touches that might go unnoticed, like how network of contacts and peers are milked, cooperation extended, the wheelings and dealings of large multinational corporations, and politics in general. But the focus moves quickly towards a micro one, that between Thorne and Alice Bowman, as he accomplishes to build her trust in him that he's the best in the business and knows what he's doing.
Perhaps this is one of the rare movies that allowed Crowe to be an Australian (and keep the accent) in a Hollywood production. His Thorne is oozes enough machismo to carry the action through and is credible enough to be believed as a veteran in the business. Meg Ryan this time round has a more serious character to play, albeit at times a weepie one, steering well clear of the pretty ditzy blonde comedic roles she has become accustomed to. They had probably shot some love scenes for this movie, but I suppose the bad press resulted in those scenes ending up on the cutting room floor. The romance between the character was also almost squashed out, save for the out of place suggestion of a strong physical attraction which rears its ugly head in the second half of the movie, slowing the pace down a little without much mature development. I thought that should it had been removed entirely, it'll probably end up a stronger movie, with Thorne more in character as a mission driven individual.
The first David, David Caruso, is finding a new lease of life back in television with CSI, since branching off to movies after NYPD Blue didn't augur too well for him. I thought his performance here was nothing much to shout about though. However David Morse, who usually plays supporting roles, put up an adequately engaging Peter Bowman as an executive caught in the wrong place at the wrong time, and examines the fear and desperation of a man kidnapped and constantly at the wrong end of a gun barrel.
The theme song by Danny Elfman is addictive (time to hunt it down), and the end credits was played over a helicopter view of the entire Ecuadorian landscape, just beautiful to look at. Clocking at just over 2 hours, it provided some good entertainment for a lazy Sunday afternoon.
Code 3 DVD contains the behind the scenes making-of documentary (13" 40'), the theatrical trailer, and the feature length audio commentary by director Taylor Hackford.