| Photos (See all 25 | slideshow) | Videos (see all 3) |
| Meg Ryan | ... | Alice Bowman | |
| Russell Crowe | ... | Terry Thorne | |
| David Morse | ... | Peter Bowman | |
| Pamela Reed | ... | Janis Goodman | |
| David Caruso | ... | Dino | |
| Anthony Heald | ... | Ted Fellner | |
| Stanley Anderson | ... | Jerry | |
| Gottfried John | ... | Eric Kessler | |
| Alun Armstrong | ... | Wyatt | |
| Michael Kitchen | ... | Ian Havery | |
| Margo Martindale | ... | Ivy | |
| Mario Ernesto Sánchez | ... | Arturo Fernandez (as Mario Ernesto Sanchez) | |
| Pietro Sibille | ... | Juaco | |
| Vicky Hernández | ... | Maria (as Vicky Hernandez) | |
| Norma Martínez | ... | Norma (as Norma Martinez) | |
| Diego Trujillo | ... | Eliodoro | |
| Aristóteles Picho | ... | Sandro | |
| Sarahi Echeverría | ... | Cinta | |
| Carlos Blanchard | ... | Carlos | |
| Raúl Rodríguez | ... | Tomas | |
| Mauro Cueva | ... | Rico | |
| Alejandro Cordova | ... | Rambo | |
| Sandro Bellido | ... | Mono | |
| Miguel Iza | ... | ELT Officer | |
| Roberto Frisone | ... | Calitri | |
| Tony Vazquez | ... | Fred / Marco | |
| Claudia Dammert | ... | Ginger | |
| Rowena King | ... | Pamela | |
| Michael Byrne | ... | Lord Luthan | |
| Jaime Zevallos | ... | Nino | |
| Gilberto Torres | ... | Raymo | |
| Flora Martínez | ... | Linda | |
| Laura Escobar | ... | Cara | |
| Marco Bustos | ... | Alex (as Marcos Bustos) | |
| Jorge Medina | ... | Berto | |
| Gerard Naprous | ... | Pierre Lenoir | |
| Aleksandr Baluev | ... | Russian Colonel (as Alexander Balueyev) | |
| Dmitriy Shevchenko | ... | Russian Sergeant (as Dimitri Shevchenko) | |
| Zbigniew Zamachowski | ... | Terry's Driver | |
| Said K. Saralijen | ... | Chechen Leader | |
| Óscar Carrillo | ... | Trial Honcho | |
| Pedro Martínez Laya | ... | Trial Honcho | |
| Wolframio Sinué | ... | Trial Honcho (as Wolframio Benavides) | |
| Alonso Alegría | ... | Master of Ceremonies | |
| Merlin Hanbury-Tenison | ... | Terry's Son | |
| Stefan Gryff | ... | Bank Official | |
| Yolanda Vazquez | ... | Notary |
Directed by | |||
| Taylor Hackford | |||
Writing credits(WGA) | ||
| Tony Gilroy | (written by) | |
| William Prochnau | (article Adventures in the Ransom Trade) (inspiration) | |
| Thomas Hargrove | (book "The Long March To Freedom") (inspiration) | |
Produced by | |||
| Tony Gilroy | .... | executive producer | |
| Taylor Hackford | .... | producer | |
| Charles Mulvehill | .... | producer | |
| Feliks Pastusiak | .... | assistant producer: Poland | |
| Steven Reuther | .... | executive producer | |
Original Music by | |||
| Danny Elfman | |||
Cinematography by | |||
| Slawomir Idziak | (director of photography) | ||
Film Editing by | |||
| Sheldon Kahn | |||
| John Smith | |||
Casting by | |||
| Larisa Isaeva | |||
| Nancy Klopper | |||
Production Design by | |||
| Bruno Rubeo | |||
Art Direction by | |||
| Steve Carter | (supervising art director) | ||
Set Decoration by | |||
| Anna Pinnock | |||
| Steve Shewchuk | |||
Costume Design by | |||
| Ruth Myers | |||
Makeup Department | |||
| Fríða Aradóttir | .... | hair stylist: Ms. Ryan (as Frida Aradottir) | |
| Jana Carboni | .... | makeup assistant | |
| Stefano Ceccarelli | .... | hair stylist | |
| Lucy Da Silva | .... | assistant makeup artist | |
| Francesca De Simone | .... | hair stylist | |
| Karen Karahawa | .... | key makeup artist: Meg Ryan | |
| Karen Kawahara | .... | makeup artist: Meg Ryan | |
| Uxue Laguardia | .... | makeup artist | |
| Federico Laurenti | .... | assistant makeup artist | |
| Blanca Ponce de Baneto | .... | hair stylist | |
| Luigi Rocchetti | .... | key makeup artist | |
| Margarita Salazar | .... | hair stylist | |
| Mauro Tamagnini | .... | key hair stylist | |
Production Management | |||
| Pawel Barenski | .... | unit manager: Poland | |
| Jerzy Frykowski | .... | production manager: Poland | |
| Ian Hickinbotham | .... | unit production manager | |
| Tricia Miles | .... | post-production supervisor | |
| Kaaren F. Ochoa | .... | unit production manager: Ecuador (as Kaären F. Ochoa) | |
Special Effects by | |||
| Rafael Barriga | .... | special effects assistant | |
| Conor Coughlan | .... | special effects technician | |
| Yves De Bono | .... | special effects supervisor | |
| Ken Gorrell | .... | special effects technician | |
| Mark Griffin | .... | special effects buyer (special effects technician) | |
| Jonn Herzberger | .... | supervising special effects technician | |
| Thomas Kittle | .... | special effects technician (as Tom Kittle) | |
| Russell Tyrrell | .... | special effects technician | |
| Andrew Wilson | .... | special effects technician | |
Visual Effects by | |||
| Mark Bakowski | .... | digital compositor | |
| Jeffrey Edward Baksinski | .... | motion & tracking supervisor: Cinesite | |
| Chris Burn | .... | digital compositor: Mill Film | |
| Angus Cameron | .... | digital effects supervisor | |
| Oscar G. Castillo | .... | lead effects animator | |
| Sally Clayton | .... | digital artist | |
| Sean Danischevsky | .... | digital compositor: Mill Film | |
| Ian Differ | .... | visual effects editor | |
| Davina Gottschalk | .... | digital compositor | |
| Antony Hunt | .... | visual effects producer | |
| Zave Jackson | .... | digital compositor | |
| Daryl Jordan | .... | visual effects editor: U.K. | |
| Vincent Lavares | .... | digital asset manager: Cinesite Hollywood | |
| David Lingenfelser | .... | composite supervisor | |
| Richard Little | .... | digital compositor | |
| Sarah Lockwood | .... | digital artist | |
| Hannah Peirce | .... | digital compositor | |
| Daniel Pettipher | .... | 2D digital supervisor (as Dan Pettipher) | |
| Corinne Pooler | .... | digital paint supervisor | |
| Jerry Pooler | .... | visual effects supervisor: Cinesite | |
| Paula Pope | .... | digital coordinator (as Paula Hughes) | |
| Michael S. Pryor | .... | visual effects producer | |
| Jon Quon | .... | technical assistant: Cinesite | |
| Andy Stevens | .... | visual effects camera assistant: Millfilm | |
| Matt Welford | .... | digital compositor | |
| Neil Harrison | .... | senior systems administrator (uncredited) | |
| Fred Jimenez | .... | 2D technical assistant (uncredited) | |
| Bridgitte Krupke | .... | visual effects coordinator (uncredited) | |
| Rick Mietkowski | .... | green screen supervision (uncredited) | |
| Sarah Moore | .... | digital compositor: Cinesite (uncredited) | |
| Ramprasad Sampath | .... | visual effects technical director (uncredited) | |
| Tom Zils | .... | digital compositor: Cinesite (uncredited) | |
Stunts | |||
| Lech Adamowski | .... | stunt coordinator: Poland | |
| Simon Chapman | .... | stunt double: Peter | |
| Stuart Clark | .... | stunt double: Terry | |
| Gary Davis | .... | stunt coordinator | |
| Wade Eastwood | .... | stunt double: Kessler | |
| James O'Donnell | .... | stunt double: Dino | |
| Dennis Scott | .... | stunt double: Carlos | |
| Marc Wolff | .... | stunt pilot | |
Casting Department | |||
| Alonso Alegría | .... | casting: South America (as Alonso Alegria) | |
| Mireya Guanipa | .... | additional casting | |
| Doreen Jones | .... | casting: Europe | |
| Rita VanderWaal | .... | casting associate | |
| Lori Wyman | .... | casting: Miami | |
Costume and Wardrobe Department | |||
| Bruno de Santa | .... | costumer: Mr. Crowe | |
| Amanda Derby | .... | set costumer | |
| Gordon Harmer | .... | costume supervisor | |
| Ismael Jardon | .... | costume supervisor (as Ismael Jardon Tejas) | |
| Vivienne Jones | .... | costume assistant | |
| Helen Mattocks | .... | costumer: Ms. Ryan | |
| Ron Mawbey | .... | set costumer | |
| Michael O'Connor | .... | assistant costume designer | |
| Veronica Obando | .... | wardrobe assistant | |
| Edgar F. Ortiz-Duran | .... | costumer (as Edgar Ortiz) | |
| Rebeka L. Roberts | .... | costume ager/dyer | |
Editorial Department | |||
| Noah Arntson | .... | post-production assistant | |
| Laura Behary | .... | assistant editor | |
| Hermione Byrt | .... | assistant editor | |
| Ruth Coulson | .... | editor trainee | |
| Ian Differ | .... | first assistant editor | |
| Vaune Kirby Frechette | .... | assistant editor | |
| Mo Henry | .... | negative cutter | |
| Bob Kaiser | .... | color timer | |
| Conor Mackey | .... | conforming editor | |
| Andrew Melhuish | .... | assistant editor | |
| Ray Neapolitan | .... | assistant editor | |
| Maggie Ostroff | .... | assistant editor | |
| Ross Porter-Ward | .... | assistant editor: avid | |
| Ben Renton | .... | second assistant editor | |
| Catriona Richardson | .... | second assistant editor | |
| Ben Stephens | .... | assistant editor | |
| Mark Warner | .... | post-production editorial | |
Music Department | |||
| Pete Anthony | .... | conductor (as Peter Anthony) | |
| Steve Bartek | .... | supervising orchestrator | |
| Tom Boyd | .... | musician: oboe soloist | |
| George Doering | .... | musician | |
| Danny Elfman | .... | music producer | |
| Randy Gloss | .... | musician | |
| Marc Mann | .... | additional orchestrator | |
| Mark McKenzie | .... | orchestrator | |
| Peter Myles | .... | assistant music editor | |
| Dennis S. Sands | .... | score mixer (as Dennis Sands) | |
| Dennis S. Sands | .... | score recordist (as Dennis Sands) | |
| Ellen Segal | .... | music editor | |
| Edgardo Simone | .... | orchestrator | |
| David Slonaker | .... | additional orchestrator | |
| Curt Sobel | .... | temp/source music editor | |
| James Thatcher | .... | musician: french horn | |
Transportation Department | |||
| George Bolton | .... | transportation captain | |
| Guy Bostock | .... | action vehicle coordinator | |
| Ian Clarke | .... | vehicle technician | |
| Matthew Lloyd | .... | unit driver | |
| Mario Simon | .... | transportation coordinator (as Mario A. Simon) | |
Other crew | |||
| Leslie Adler | .... | assistant: Ms. Ryan | |
| Alonso Alegría | .... | assistant to director | |
| Elena Almeida | .... | assistant production coordinator | |
| Anabell Arias | .... | location assistant | |
| Ana Lucía Arizo | .... | assistant accountant | |
| Sallie Beechinor | .... | production coordinator | |
| Mona Benjamin | .... | assistant production coordinator | |
| Kevin Berman | .... | consultant | |
| Lourene Bevaart | .... | trainer: Mr. Crowe | |
| Terry Blyther | .... | location manager: London | |
| Adam Bohling | .... | military advisor | |
| Oriana Cavallero | .... | assistant: Mr. Morse | |
| Aneta Cebula | .... | production coordinator: Poland | |
| Orlando Chongo | .... | craft service supervisor | |
| Kyle Cooper | .... | executive producer: main title sequence | |
| John De Simio | .... | unit publicist | |
| Kathy Ewings | .... | accountant: London | |
| David Fencl | .... | armorer | |
| Will Gaffney | .... | stand-in: David Morse | |
| Lisa Greenberg | .... | craft service manager | |
| Dow Griffith | .... | location manager | |
| Alicia Herrera | .... | animal wrangler | |
| Linda Hodge | .... | set nurse | |
| Pamela Jaeckle | .... | production coordinator | |
| Bobbie Johnson | .... | financial controller | |
| Sally Jones | .... | script supervisor | |
| Alice S. Kim | .... | assistant: Mr. Mulvehill | |
| Deborah Leakey | .... | assistant accountant: London | |
| Laura Luchetti | .... | assistant: Mr. Crowe | |
| Paul McAuley | .... | weight loss consultant (as Dr. Paul McAuley) | |
| Scot A. McKay | .... | assistant armorer | |
| Amaia Merino | .... | production secretary | |
| Sarah Moore | .... | production assistant: London | |
| Carolina Ojeda | .... | craft service assistant | |
| David Oliver | .... | stand-in: Mr. Crowe | |
| James Ordonez | .... | production liaison: Ecuador | |
| Maria Veronica Parada | .... | production assistant | |
| David Paris | .... | safety pilot | |
| Louisa Radcliffe | .... | assistant: Mr. Hackford | |
| Thell Reed | .... | weapons specialist | |
| Jason Rein | .... | office production assistant: re-shoots | |
| James Richardson | .... | assistant accountant | |
| Michael Riley | .... | title designer | |
| Lyndy Rist | .... | assistant accountant: London | |
| Lew Rywin | .... | producer: Poland | |
| Paulina Salazar | .... | assistant: Mr. Taylor Hackford | |
| Paulina Salazar | .... | production secretary (as Paulina A. Salazar) | |
| Emma Salter | .... | researcher | |
| Anne Scott | .... | post-production accountant | |
| Joanna Shaw | .... | script supervisor: second unit | |
| Mary Small | .... | catering | |
| Eric Smith | .... | credit sequence designer | |
| André Sogliuzzo | .... | adr loop group | |
| Stéphanie Stevens | .... | location assistant | |
| Cid Swank | .... | unit publicist | |
| Sarah Trowse | .... | location accountant: Ecuador | |
| Xavier Urbina | .... | assistant accountant | |
| Martin Ward | .... | first video operator: Ecuador | |
| Amy West | .... | stand-in: Ms. Ryan | |
| Marc Wolff | .... | aerial coordinator | |
| Oorala Yamada | .... | set production assistant: re-shoots | |
| Arturo Yepez | .... | location assistant | |
| Jhonny Zurita | .... | assistant armorer (as Johnny Zurita) | |
| Phil Quigley | .... | armorer (uncredited) | |
| German Michael Torres | .... | packaging (uncredited) | |
Thanks | |||
| Will Gaffney | .... | in memory of | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
According to the director's commentary on the DVD, Meg Ryan demanded (and got) significant rewrites to her character. Maybe Meg should stick to acting because her character is pretty unappealing. When her husband's humanitarian engineering project is unraveling and he's terribly upset, what does she do? She complains about their life traveling around the globe (a very curious scene because one of Meg's rewrites required her character to be rewritten from a country-club wife into a social activist), dredges up her miscarriage which she blames on her husband (apparently because it happened while they were both voluntarily in Africa working on aid projects), and essentially tells him to take her back to America. When he offers to do so, she reverses course and rejects the offer. After the husband is kidnapped, Meg (almost immediately) starts to fall for Russell Crowe though somewhat later she slaps HIM in the face when he's only trying to get her husband back. Finally, when the husband is rescued and returned to Meg, she looks about as thrilled as someone presented with a stinking fish. Yikes! We should be happy at movie's end but I couldn't stop from thinking that the rescued kidnapee had gone from the frying pan into the fire.