Follows the novels of Anthony Trollope. Beginning with the forced Marriage of Susan Hampshire's character, Glencora, the lives of the friends and children of this couple are the subject of ... See full summary »
Set in Victorian London, Gwendolen Harleth is drawn to Daniel Deronda, a selfless and intelligent gentleman of unknown parentage, but her own desperate need for financial security may destroy her chance at happiness.
Based on a little known 1848 novel by Anne Bronte, Tara Fitzgerald stars as an enigmatic young woman who moves to 19th Century Yorkshire with a young son. Distancing herself from everyone ... See full summary »
Nicholas Nickleby is an impoverished young man making his way in life in the cruel and unjust world of early Victorian England. His good looks, kind heart and gentlemanly manner are fine ... See full summary »
Jane Austen's last novel provides the plot for this earlier Granada miniseries. Set in pre-Victorian England, this movie tells the story of Anne Elliot, who now having lost her "bloom" is ... See full summary »
In the 1840s, Cranford is ruled by the ladies. They adore good gossip; and romance and change is in the air, as the unwelcome grasp of the Industrial Revolution rapidly approaches their beloved rural market-town.
Having previously seen the 2004 series and reading the novel, I feel I can't really judge this mini-series on its own merit.
It is true to the spirit of the novel and follows pretty closely the major plot lines. It was, naturally, missing some things that I loved in the novel. And it didn't quite have the character or plot development as the 2004 series.
However, the acting was very strong throughout. Stewart makes a great John Thornton. He seems strong even as he's clearly longing for Margaret. Shanks is pretty effective as Margaret. She's very expressive in her face although I felt her Margaret was lacking some subtle feisty-ness. The supporting cast was excellent -- I particularly liked Byron as Mrs. Thornton. (What a great character Mrs. Thornton is in both series!) The only weakness I noticed was Bessy Higgins but they hardly gave the actress anything to work with. The Bessy-Margaret relationship was particularly well-done in the 2004 series. In the 1975 series Bessy is just a caricature.
Ultimately, this series suffers most from the staging and production quality. The first part seems very claustrophobic with most scenes taking place in small drawing rooms. Most of the sets are small and much of production seemed "stagey." I understand that back then they usually didn't put much money into TV mini-series.
I was happy to see that this production had an ending closer to the novel than the 2004 series.
This series will likely only be of interest to fans of the novel and those wanting to compare it to the 2004 series.
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