Based on characters designed by Katsuhiro Otomo, 3 bike racing teenagers born on the Moon uncover a terrible secret about the fate of their original homeworld earth and seek to uncover the ... See full summary »
A trilogy of separate stories. In "Labyrinth labyrinthos", a girl and her cat enter a strange world. In "Running Man", a racer takes on the ultimate opponent. In "Construction Cancellation Order", a man must shut down worker robots.
Lum is a cheerful alien who now lives with her human fiancée, Ataru and her goods friends on earth. The night before the school festival, the world begins to change, things seem to be ... See full summary »
The series begins when aliens from the planet Oniboshi invade Earth. They agree to leave only if Earth's champion can defeat the Oni champion in a game of tag within a ten-day time limit. ... See full summary »
In the year 2032, Batô, a cyborg detective for the anti-terrorist unit Public Security Section 9, investigates the case of a female robot--one created solely for sexual pleasure--who slaughtered her owner.
In the city of Oedo 2808 A.D., three Cyber criminals are given two choices, to either rot in jail or to join a special force of the Cyber Police to get possibly one more chance at freedom ... See full summary »
STRAY DOG is a sequel/companion piece to Oshii's 1987 film RED SPECTACLES. In RED SPECTACLES we learned how the elite police force of the Panzer Corps. was disbanded and how a group of officers refused to give up their weapons. One of them fled the country and returned years later. RED SPECTACLES was about what he experiences after his return. STRAY DOG is about his adventures abroad. Thus this later film adds information to the story of the earlier film, some of which actually makes the convoluted weirdness of RED SPECTACLES seem a little less impenetrable. STRAY DOG has a unique atmosphere and feels very different from Oshii's typical melancholy and brooding efforts. For most of its running time the film is upbeat and beautiful. It is set in Taipeh and makes great use of the scenery there. And once again this would only be a fraction of the film that it is without the ingenious score by longtime Oshii-collaborator Kenji Kawai.
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