The series begins when aliens from the planet Oniboshi invade Earth. They agree to leave only if Earth's champion can defeat the Oni champion in a game of tag within a ten-day time limit. ... See full summary »
In the year 2032, Batô, a cyborg detective for the anti-terrorist unit Public Security Section 9, investigates the case of a female robot--one created solely for sexual pleasure--who slaughtered her owner.
A.D. 2034. It has been two years since Motoko Kusanagi left Section 9. Togusa is now the new leader of the team, that has considerably increased its appointed personnel. The expanded new ... See full summary »
In a world where clone soldiers from three military tribes are locked in a perpetual battle of air, land and technology, one clone is separated from the battle and finds herself on the run with a group of unlikely companions.
Summer H. Howell,
STRAY DOG is a sequel/companion piece to Oshii's 1987 film RED SPECTACLES. In RED SPECTACLES we learned how the elite police force of the Panzer Corps. was disbanded and how a group of officers refused to give up their weapons. One of them fled the country and returned years later. RED SPECTACLES was about what he experiences after his return. STRAY DOG is about his adventures abroad. Thus this later film adds information to the story of the earlier film, some of which actually makes the convoluted weirdness of RED SPECTACLES seem a little less impenetrable. STRAY DOG has a unique atmosphere and feels very different from Oshii's typical melancholy and brooding efforts. For most of its running time the film is upbeat and beautiful. It is set in Taipeh and makes great use of the scenery there. And once again this would only be a fraction of the film that it is without the ingenious score by longtime Oshii-collaborator Kenji Kawai.
11 of 13 people found this review helpful.
Was this review helpful to you?