Based on characters designed by Katsuhiro Otomo, 3 bike racing teenagers born on the Moon uncover a terrible secret about the fate of their original homeworld earth and seek to uncover the ... See full summary »
The year is 2030 and an influx of refuges have effortlessly transformed themselves into a terrorist organization known as the Individual Eleven. With a sadistic intent of mass destruction, ... See full summary »
In the year 2032, Batô, a cyborg detective for the anti-terrorist unit Public Security Section 9, investigates the case of a female robot--one created solely for sexual pleasure--who slaughtered her owner.
The series begins when aliens from the planet Oniboshi invade Earth. They agree to leave only if Earth's champion can defeat the Oni champion in a game of tag within a ten-day time limit. ... See full summary »
Terribly misleading film. From the cover art to the synopsis to the fact that it's a sequel to The Red Spectacles, it's easy to assume that this would be another insane sci-fi weird-out. But no, this film is slow, meticulous, delicate and at times insanely beautiful. How silly I felt when I thought I was watching the wrong movie and had to look up screenshots and other reviews to see if I was or not. It really recalls Takeshi Kitano, predating his work with Sonatine and Hana-Bi. Static shots, emphasis on backgrounds, light on dialogue. Quite a gap in style from its Seijun Suzuki-esque predecessor. The characters mainly have fun on holiday and fall in love to incredible, emotive music. There's nothing too challenging or esoteric, though it's not necessarily exciting or bent on narrative. Just a gorgeous, emotionally resonant piece of work.
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