In the year 2032, Batô, a cyborg detective for the anti-terrorist unit Public Security Section 9, investigates the case of a female robot--one created solely for sexual pleasure--who slaughtered her owner.
The year is 2030 and an influx of refuges have effortlessly transformed themselves into a terrorist organization known as the Individual Eleven. With a sadistic intent of mass destruction, ... See full summary »
A mother must choose between love and devotion to her sons and unborn child or staying with her sexy, maniacal husband and his patriarchal sister, who respectively fulfill her physical and emotional needs.
If I had to describe this movie in one word I'd say: boring. STRAY DOGS develops some plot at the beginning and shows some action at the end. But in-between happens almost absolutely nothing. Don't get me wrong, I'm not one of those people who need lots of action, blood and explosions to enjoy a movie. In fact I also like movies that make you think. But I somehow must have missed the message of this movie, because I didn't find anything to think about. I don't find it very inspiring to watch the camera go down some back alleys for several minutes, with absolutely no dialogue and nothing else happening at all.
I also didn't find it visually very impressive. Apart from a hand full of interesting images it's photographed in a very plain way, with very ordinary sceneries. The camera-work is sometimes very shaky, it almost made me sick.
Compared with Oshii's other works, namely RED SPECTACLES and AVALON, STRAY DOGS is even more quiet, almost dreamy. But all other movies by Oshii which I have seen so far are also clearly superior to STRAY DOGS.
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