IMDb > Jigoku no banken: akai megane (1987)

Jigoku no banken: akai megane (1987) More at IMDbPro »

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Overview

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Plot:
A surreal science fiction noir involving a man trapped in a future where seemingly everyone is a government spy and all-night noodle stands are outlawed. | Add synopsis »
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One of the best surreal films around and very underrated See more (11 total) »

Cast

  (in credits order)
Shigeru Chiba ... Koichi Todome
Machiko Washio ... Midori Washio
Hideyuki Tanaka ... Soichiro Toribe
rest of cast listed alphabetically:
Hideyo Amamoto ... Moongaze Ginji
Tesshô Genda ... Bunmei Muroto
Mako Hyôdô ... Young Lady
Yasuo Ôtsuka ... Taxi Driver

Directed by
Mamoru Oshii 
 
Writing credits
(in alphabetical order)
Kazunori Itô 
Mamoru Oshii 

Produced by
Daisuke Hayashi .... producer
Shigeharu Shiba .... producer
 
Original Music by
Kenji Kawai 
 
Cinematography by
Yousuke Mamiya 
 
Film Editing by
Seiji Morita 
 
Sound Department
Kunio Kuwahara .... sound re-recording mixer
Yasufumi Yoda .... sound effects
 
Camera and Electrical Department
Yoshimi Hosaka .... lighting technician
 


Additional Details

Also Known As:
"The Red Spectacles" - Japan (English title) (informal title)
See more »
Runtime:
Japan:116 min
Country:
Language:
Aspect Ratio:
1.85 : 1 See more »

Did You Know?

Trivia:
Director Trademark: [Mamoru Oshii] [bassett hound]See more »
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FAQ

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1 out of 1 people found the following review useful.
One of the best surreal films around and very underrated, 13 January 2014
Author: brunoafh123 from US

This film is not for everyone. It is not even for all fans of Mamoru Oshii necessarily. It is extremely bizarre, often seemingly incomprehensible, very unpredictable, and a mix of several genres that is not necessarily seamless. It seems that most of the negative reactions to it are from viewers that were expecting something more in line with Jin-Roh, and being that it is supposed to be part of that saga, this isn't exactly a wild conclusion to make. However, it is quite different from Jin-Roh and other Kerebos related works. It is possibly Oshii's most bizarre work to date, and although not completely different than Jin-Roh, still a different beast. Mostly, I would urge viewers not to go into this expecting the heavy doses of action delivered in his anime works.

For what it is, the production values are quite good. Most of the film is shot in black and white, but it is one of those movies where this helps the tone and it feels natural. The opening sequence is an over the top action scene in color where the main characters mow down a bunch of bounty hunters with their gigantic machine guns and power armor, but after that it is mostly straight surrealism layered with general insanity. The tone shifts frequently and leaves you never knowing what to expect. You just never know if you are going to get an action scene, comedy gags, or long sequences of social commentary... which are sometimes intertwined with action and comedy.

Red Spectacles is one of the finest works of surrealism I have seen. The feeling it evokes is very unique and stayed with me for days. It bounces between noir drama, gun fights, kung fu, suspense, tragedy, slapstick comedy, and set piece driven sequences without any given indication. It is a wild ride that will take you off guard, for better or for worse. It is steeped quite heavily in symbolism as usual with his films, but I feel that this is one of his best deliveries in terms of that. The ending is incredibly powerful in particular, and paired with Kenji Kawai's brilliant soundtrack, and the outlandish landscapes, ended up being straight up haunting. The OST is absolutely one of Kenji Kawai's finest scores as well, and I do not say that lightly as I hold his work in the highest regard. The epic main theme is unforgettable, and the movie would not have been what it is without him.

Lastly, Shigeru Chiba's performance is simply amazing. You may know of him from his anime voice acting career. I assure you that the film is at very least worth watching for his over the top and ridiculous performance. He is honestly even more entertaining on screen than he is as a voice actor, it would have been great to see him in more live action films. He single handledly brings the film alive and makes it even more than it could have been. His performance here is reminiscent of Tomorowo Taguchi's acting in the films of Shinya Tsukamoto.

Love it or hate it, I guarantee you will never forget it.

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