During the rehearsals for the production of the tragedy Andromaque, the leading actress and her director, a couple behind the scenes, can't find a way to leave their personal problems at ... See full summary »
Young innocent aristocrat Benjamin comes to live with his Countess aunt. Her lover teaches him the techniques of seduction and sends him to test them, first on the maids, then on the upper class Anne and finally on the countess herself.
Bernardo Bertolucci, along with co-scenarist Gianni Amico, used Dostoievski's 1846, pre-imprisonment novella The Double: A Petersburg Poem, which they moved to Italy and updated to the pro-Vietcong student-protest present,
When his father dies, young lad travels to Milan to attend the funeral and decides to follow in his father's footsteps as a gigolo. He is successful at finding rich women to prey on, but finds himself caught up in a bidding war.
"Out 1" is a very precise picture of post May '68 malaise - when Utopian dreams of a new society had crashed and burned, radical terrorism was starting to emerge in unlikely places and a ... See full summary »
Le strade di una grande città sono piene di cadaveri, ma la gente sembra non accorgersene e passa indifferente. Per volere delle autorità, i corpi di quei cittadini, uccisi perchè ribelli, ... See full summary »
This is to my knowledge the very first film of indie actress Bulle Ogier, who was part, along with Pierre Clémenti and Jean-Pierre Kalfon, of the original cast for the play "Les idoles", which inspired this film. A film that is a tasteful blend between a stage happening and a musical. Marc'o, then a stage veteran who was directing his first feature, was a visionary, as he had grasped most of what the cult of youth idols such as pop-stars was all about: a very fertile ground for business and cynicism. Gigi la folle, the wrongly innocent sweet blonde played by Bulle Ogier, was inspired by pop singer France Gall, whereas Charlie le surineur, played by a wild Pierre Clémenti, is more or less Johnny Hallyday, a supposed natural-born rebel, i n fact a totally artificial marketing produce. As for Jean-Pierre Kalfon, the last of the idols, he plays a dishevelled and mystic palm reader turned into a frantic singer, a compromise between the Beatles under their indian period and a bunch of psychedelic bands such as they existed then. The three of them dance and sing all along like roaring lions, giving a very impressive performance of raw pop power. Although their voice qualities are not the strong point of the film, the music is rich and varied, ranging from quiet ballad to over-the-top kick-on-stage dance routines.
The portrait Marc'o gives of the french youth on the eve of May 1968 is of a world seething in unrest, reading supposed rebellion orders on the lips of their teen idols. In that way, Les idoles is a political point of view about the power of the media and music over the consciences. All this in bright and wonderful colors, psychedelic interiors, a visual world close to the world of the series "The Prisoner". A great film, a very intelligent witness of its time.
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