| Photos (See all 21 | slideshow) | Videos (see all 4) |
Directed by | |||
| John Carpenter | |||
Writing credits(WGA) | ||
| Larry Sulkis | (written by) & | |
| John Carpenter | (written by) | |
Produced by | |||
| Sandy King | .... | producer | |
Original Music by | |||
| Anthrax | |||
| John Carpenter | |||
Cinematography by | |||
| Gary B. Kibbe | |||
Film Editing by | |||
| Paul C. Warschilka | |||
Casting by | |||
| Reuben Cannon | |||
Production Design by | |||
| William A. Elliott | (as William Elliott) | ||
Art Direction by | |||
| William Hiney | |||
| Mark W. Mansbridge | (as Mark Mansbridge) | ||
Set Decoration by | |||
| Ronald R. Reiss | |||
Costume Design by | |||
| Robin Michel Bush | |||
Makeup Department | |||
| Enid Arias | .... | hair stylist | |
| Howard Berger | .... | special makeup effects artist | |
| Fred C. Blau Jr. | .... | makeup artist (as Fred Blau) | |
| Judith A. Cory | .... | key hair stylist (as Judy Alexander-Cory) | |
| Jake Garber | .... | special makeup effects artist | |
| Jim Kail | .... | key makeup artist (as James R. Kail) | |
| Robert Kurtzman | .... | special makeup effects artist | |
| Gregory Nicotero | .... | special makeup effects artist | |
| Beverly Jo Pryor | .... | hair stylist: Ice Cube | |
| Beverly Jo Pryor | .... | makeup artist: Ice Cube | |
| Ken Wensevic | .... | makeup artist | |
| Robert Hall | .... | special makeup effects artist (uncredited) | |
| Margie Latinopoulos | .... | special makeup effects artist (uncredited) | |
| Sandra Rowden | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Kim Kurumada | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| K.C. Colwell | .... | first assistant director | |
| Chemen Ochoa | .... | second second assistant director (as Chemen A. Ochoa) | |
| Darin Rivetti | .... | second assistant director | |
Art Department | |||
| Matt Alexander | .... | propmaker gang boss | |
| Mike Blaze | .... | property master (as Michael Blaze) | |
| Brom | .... | conceptual artist | |
| Robert J. Carlyle | .... | construction coordinator (as Robert Carlyle) | |
| Vincent Chavez | .... | stand-by painter | |
| Stan Cockerell | .... | property assistant | |
| Mick Cukurs | .... | set designer | |
| John Eaves | .... | illustrator | |
| Benjamin Edelberg | .... | model maker | |
| Tyler Elliott | .... | on-set dresser | |
| Bob Espinoza | .... | propmaker gang boss | |
| Steve Fegley | .... | propmaker gang boss (as Steven E. Fegley) | |
| William Forbert | .... | construction foreman | |
| Guy Fuller | .... | construction foreman | |
| Karen Higgins | .... | construction foreman | |
| Jim Husbands | .... | set dresser: Los Angeles | |
| Bruton Jones | .... | assistant art director | |
| Wendell J. Joyce | .... | set dresser: Los Angeles | |
| Lelan Keffer | .... | set dresser: New Mexico | |
| Steven Kissick | .... | propmaker gang boss (as Steve Kissick) | |
| Chris Kurumada | .... | property assistant | |
| James Lewis Lager | .... | paint foreman (as Jimmy Lewis) | |
| John Leimanis | .... | set designer | |
| W. Scott Mason | .... | general foreman: New Mexico | |
| William S. Maxwell III | .... | lead man | |
| Keith McGee | .... | construction gang boss | |
| Gabriella McKenna | .... | stand-by painter | |
| Jose Mendoza | .... | labor foreman | |
| Joseph Musso | .... | illustrator (as Joe Musso) | |
| Kirk Newren | .... | construction foreman | |
| James F. Orendorff | .... | general foreman: Los Angeles (as Jamie Orendorff) | |
| Jesus Ornelas | .... | plasterer tender | |
| Anthony Paronelli | .... | paint foreman | |
| Enrico Paronelli | .... | lead paint foreman (as Enrico 'Rick' Paronelli) | |
| Gary Petersen | .... | construction gang boss | |
| Joe Pfaltzgraf | .... | set dresser: Los Angeles | |
| Eugenio Quintero | .... | lead plasterer (as Eugenio 'Gino' Quintero) | |
| Bill Ray | .... | assistant construction coordinator | |
| Ernest M. Sanchez | .... | set dresser: New Mexico (as Ernest Sanchez) | |
| Hugo Santiago | .... | set designer | |
| Gary Stel | .... | labor foreman | |
| Peter Tosti Stephenson | .... | carpenter | |
| Benton E. Tedlie | .... | set dresser: Los Angeles (as Benton Tedlie) | |
| Bruce West | .... | set designer | |
| Larry Wise | .... | labor foreman | |
| Ryan Cowles | .... | art department (uncredited) | |
| Dan Crawley | .... | props (uncredited) | |
| Billy W. Ray | .... | assistant construction coordinator (uncredited) | |
Visual Effects by | |||
| Gary Anderton | .... | first assistant camera: The Chandler Group | |
| Tim Angulo | .... | visual effects director of photography: The Chandler Group | |
| Don Baker | .... | visual effects supervisor: The Chandler Group | |
| Scott Beverly | .... | mechanical crew chief: Hunter/Gratzner Industries Inc. | |
| R. Christopher Biggs | .... | senior compositor: Amalgamated Pixels | |
| Steven Blakey | .... | digital effects artist | |
| Catherine Burns | .... | assistant painter: Hunter/Gratzner Industries Inc. | |
| Matt Chapman | .... | concept artist | |
| Seth Curlin | .... | model maker: Hunter/Gratzner Industries Inc. | |
| Joshua Cushner | .... | motion control camera operator: The Chandler Group | |
| Forest P. Fischer | .... | crew chief: Hunter/Gratzner Industries Inc. | |
| Derry Frost | .... | head of production: Amalgamated Pixels | |
| Shannon Blake Gans | .... | miniature effects: Hunter/Gratzner Industries Inc. | |
| Scott Gordon | .... | digital effects supervisor: ShadowCaster | |
| Matthew Gratzner | .... | miniature effects: Hunter/Gratzner Industries Inc. | |
| Patrick Hinkle | .... | model maker: Hunter/Gratzner Industries Inc. | |
| Bones Howe | .... | concept artist | |
| Ian Hunter | .... | miniature effects: Hunter/Gratzner Industries Inc. | |
| Ian Hunter | .... | visual effects storyboard artist | |
| Ian Hunter | .... | visual effects supervisor: Hunter/Gratzner Industries Inc. | |
| Leigh-Alexandra Jacob | .... | lead painter: Hunter/Gratzner Industries Inc. | |
| Gary Kangrga | .... | key grip: The Chandler Group | |
| Richard Kriegler | .... | digital matte artist | |
| Ken Locsmandi | .... | senior animator: Amalgamated Pixels | |
| Ren Messer | .... | visual effects production coordinator: The Chandler Group | |
| Rob Meyers | .... | senior animator: Amalgamated Pixels | |
| Bob Monaghan | .... | visual effects | |
| Michelle Morgan | .... | model maker: Hunter/Gratzner Industries Inc. | |
| Michael Morreale | .... | digital supervisor: Amalgamated Pixels (as Michael J. Morreale) | |
| Jeffrey Morse | .... | visual effects coordinator | |
| Jeremy Oddo | .... | senior animator: Amalgamated Pixels | |
| Michael Pecchia | .... | compositor: Amalgamated Pixels | |
| Gary Rhodaback | .... | model maker: Hunter/Gratzner Industries Inc. | |
| Jacqueline Rosado | .... | digital effects coordinator | |
| David Sanger | .... | visual effects production manager: The Chandler Group | |
| Tom Shaughnessy | .... | first assistant camera: The Chandler Group | |
| Michael Shea | .... | visual effects supervisor (as Mike Shea) | |
| Robert Shepherd | .... | visual effects executive producer: The Chandler Group (as Bob Shepherd) | |
| Dave Sherman | .... | visual effects stage manager: The Chandler Group | |
| Carlos Torres | .... | visual effects chief lighting technician: The Chandler Group | |
| Mike Uguccioni | .... | digital video technician: The Chandler Group | |
| James Waterhouse | .... | model maker: Hunter/Gratzner Industries Inc. | |
| Lance Wilhoite | .... | visual effects supervisor | |
| Shyam V. Yadav | .... | monkey overlord | |
| Jim Young | .... | concept artist | |
| Enrico Altmann | .... | visual effects production assistant (uncredited) | |
| Greg M. Boettcher | .... | visual effects (uncredited) | |
| Jordan Byrne | .... | assistant visual effects coordinator: Amalgamated Pixels (uncredited) | |
| Dennis Fitzsimmons | .... | visual effects (uncredited) | |
| Bruce Gionet | .... | digital effects artist (uncredited) | |
| Derek Ledbetter | .... | visual effects (uncredited) | |
| Eric Pender | .... | effects animator: Shadow Caster (uncredited) | |
Casting Department | |||
| Chris Bustard | .... | extras casting assistant: Los Angeles | |
| Ayo Davis | .... | casting assistant | |
| Teresa Neptune | .... | extras casting: New Mexico | |
| Karen A. Harris | .... | extras casting assistant: New Mexico (uncredited) | |
Costume and Wardrobe Department | |||
| James 'Mike' Balker | .... | costumer (as Michael Balker) | |
| Birgitta Bjerke | .... | costumer | |
| Robert Lewis Bush | .... | key costumer (as Robert L. Bush) | |
| Alice Daniels | .... | costumer | |
| Carol Demarti | .... | costumer | |
| Erica Freeman | .... | costumer | |
| Amanda Gore | .... | set costumer | |
| Lorenzo Hearns Jr. | .... | set costumer | |
| Juan Lopez | .... | assistant costume designer | |
| Melissa Moody | .... | seamstress | |
| Sara Pfeiffer | .... | costumer | |
| Bill Traetta | .... | costumer | |
| Keith M. Wegner | .... | costumer (as Keith Wegner) | |
| Llandys Williams | .... | wardrobe supervisor | |
| Dominick De Rasmo | .... | costume ager (uncredited) | |
| Bridgitte Ferry | .... | costumer (uncredited) | |
| Rosi Gabl | .... | costume illustrator (uncredited) | |
Editorial Department | |||
| Craig Brown | .... | apprentice editor: film | |
| Kristin Eaton | .... | assistant editor: avid | |
| Darrin Martin | .... | apprentice editor: film | |
| Mato | .... | color timer | |
| Sharon McGeeney | .... | negative cutter: Superior Film | |
| Danny Rafic | .... | assistant editor: avid | |
| Scott Shadden | .... | first assistant editor | |
| Bronwyn Waddington | .... | assistant editor: avid (as Brownwyn Waddington) | |
Music Department | |||
| E. 'Bucket' Baker | .... | musician | |
| Frank Bello | .... | musician: Anthrax | |
| Charlie Benante | .... | musician: Anthrax | |
| Buckethead | .... | composer: guitar score | |
| John Bush | .... | musician: Anthrax | |
| Cody Carpenter | .... | musician: synthesizer | |
| John Carpenter | .... | musician | |
| John Carpenter | .... | orchestrator | |
| Paul Crook | .... | musician: Anthrax | |
| Robin Finck | .... | musician: guitar | |
| Scott Ian | .... | musician: Anthrax | |
| Bruce Robb | .... | Musician: Hammond B3 organ | |
| Bruce Robb | .... | music contractor | |
| Bruce Robb | .... | music engineer | |
| Bruce Robb | .... | music mixer | |
| Bruce Robb | .... | music producer | |
| John Van Houten | .... | orchestra manager | |
| Bruce Robb | .... | music editing (uncredited) | |
| Steve Vai | .... | musician: guitar (uncredited) | |
Transportation Department | |||
| Chris Basso | .... | driver | |
| Scott Bourke | .... | driver | |
| Shawn Coulter | .... | driver | |
| Bo Ehrig | .... | transportation coordinator | |
| Mike Helgeson | .... | driver | |
| Jack Hess | .... | driver | |
| Dennis Lally | .... | driver | |
| Neil Marshall | .... | driver | |
| Jeremy Morgan | .... | driver | |
| Jim Murray | .... | driver | |
| George Nadian | .... | driver | |
| Domingo Nazara | .... | driver | |
| Heriberto Osario | .... | driver | |
| Steve Polon | .... | driver | |
| Jerry Smith | .... | driver | |
| Dana Schisler | .... | driver (uncredited) | |
| Jay Wylie | .... | driver: Los Angeles (uncredited) | |
Other crew | |||
| Kerry Andrews | .... | post-production accountant | |
| Angela Athayde | .... | production assistant | |
| Michael Battaglia | .... | unit publicist | |
| Kim Berner | .... | script supervisor | |
| Eva Brickner | .... | physiotherapist | |
| Robert D. Brugger | .... | medic: Los Angeles (as Robert Brugger) | |
| Ken Clarke | .... | medic: Los Angeles | |
| Walt Clayton | .... | production assistant (as Walter Clayton) | |
| David Cummings | .... | production assistant | |
| Eileen M. Dennis | .... | second assistant accountant | |
| Rocco Diamond | .... | end credits: Nick Vasu Inc. | |
| Terri Douglas | .... | adr loop group | |
| Jennifer Dunne | .... | location manager: Los Angeles | |
| Ava DuVernay | .... | publicity consultant | |
| Laura J. Fox | .... | first assistant accountant | |
| Dulcy Freeman | .... | assistant production coordinator | |
| Jake Garber | .... | puppeteer | |
| Gina Gilberto | .... | assistant: John Carpenter | |
| Luis Gomez | .... | assistant chef: Mario's Catering | |
| John Grower | .... | additional production equipment provider | |
| Luke Khanlian | .... | puppeteer | |
| Louis Kiss | .... | puppeteer | |
| Caroline Kramer | .... | craft service | |
| Stephanie Lovell | .... | production assistant | |
| Kevin McGuire | .... | production assistant | |
| Caitlin McKenna-Wilkinson | .... | adr loop group (as Caitlin McKenna) | |
| Mateo Medina | .... | assistant chef: Mario's Catering | |
| Cheryl Miller | .... | production coordinator (as Cheryl A. Miller) | |
| Dan Mirvish | .... | electronic press kit | |
| Shelly Monges | .... | production assistant | |
| Joe Murphy | .... | production accountant (as Joseph J. Murphy) | |
| Gregory Nicotero | .... | puppeteer (as Greg Nicotero) | |
| Michael Papac | .... | weapons specialist | |
| Scott Patton | .... | puppeteer | |
| Roderick Peyketewa | .... | production assistant | |
| Roberta Riordan | .... | production assistant | |
| Joel Rivas | .... | assistant chef: Mario's Catering | |
| Nigel Sampson | .... | physical trainer | |
| Ernest M. Sanchez | .... | local gang boss | |
| Teafilo 'Chito' Sanchez | .... | medic: New Mexico | |
| Sean Sobczak | .... | assistant: Sandy King | |
| Lisa W. Strout | .... | location manager: New Mexico | |
| Jaime Trujillo | .... | chef: Mario's Catering | |
| Gerald A. Vitatoe Jr. | .... | production secretary | |
| David Wogh | .... | puppeteer | |
| Mark D. Wray | .... | medic: New Mexico (as Mark Wray) | |
| Paul Giorgi | .... | payroll accountant (uncredited) | |
| Anne Lockhart | .... | adr loop group (uncredited) | |
| Dave Mallow | .... | adr voice (uncredited) | |
| Nathan Stein | .... | production assistant (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Firstly, if I see another review labelling Ghosts of Mars, Vampires or Escape from L.A 'Carpenter attempting to have another hit movie' my head will explode like Snake Plissken's would have done. Hello people: CARPENTER HAS NEVER HAD A HIT MOVIE! Besides maybe Halloween, Starman, Christine and Escape from New York to a lesser extent, Carpenter has made bomb after bomb. Certainly the films that have the biggest following today; The Thing, Big Trouble in Little China, They Live, they all were torn apart on release. So, surprise surprise everyone hates Ghost of Mars like they did The Thing. Now, I am in no way comparing Ghosts to The Thing, which is an vastly superior film. But Ghosts is in the same position; as it will be in fifteen years time when people will look back on it and say 'Maybe it wasn't that bad.' WHICH IT ISN'T. What elements in this film aren't Carpenter? The western atmosphere? The focus on action and story, and not character? Vast hoards of nameless enemies? These were all in Assault on Precinct 13. Oh wait, no one liked that in 1976 because they were so brain dead they had to wait for a cult following to develop before they gave it a second chance. So it must be the structure. Is the structure, with it's flashbacks-within-flashbacks and weird editing any more bizarre than the corkscrew science behind 'Prince of Darkness'? Oh that's right, everyone hated that in 1987. So I'm looking for the faults . That's it, the action isn't very good. Oh damn, it wasn't very good in 'Big Trouble in Little China' either. Wait, didn't it take people fifteen years to 'get' that film as well? Maybe it's the fact that it has Ice Cube in the lead. Yeah, Carpenter defiantly shouldn't have let a non-actor take the lead oh wait, Roddy Piper! If 'They Live' was made in 2001 that would be bashed for having an non-actor carrying it, but for some reason because it was made in 1988 (blasted on release) Roddy Piper's performance is the stuff of cult legend.
All said and complained about, if Ghosts of Mars was released in 1987 or something it wouldn't be getting bashed now. Hell, Jason Statham might have been the new Kurt Russell. There's plenty of fun to be had here, and Carpenter certainly hasn't 'lost his vision' as a lot of the so-called fans who are stuck somewhere around 1982 claim. If anything, with Ghosts of Mars and it's OTT structure, Carpenter is developing on it.
Maybe it's just me, but I can't understand how someone can hate Ghost of Mars and have unconditional love for Assault on Precinct 13. Give Ghosts another go, and watch it with an open mind. If you can't at least do that, you are not a fan of John Carpenter.