In a post-apocalyptic underground society ruled by rival religious cults, Dakota is working as an assassin, or "Shepherd" for The Church of Miles. He has been given an assignment to take ... See full summary »
C. Thomas Howell,
A tough, honorable former Navy SEAL gets more than he bargained for, but more than he can handle, when he accepts a job captaining a ship for a mysterious, sexy woman who turns out to be the wife of a ruthless drug kingpin.
Frank, an auto mechanic, witnesses the love of his life's demise at the hands of a drunk driver. Frank lets loose his rage, and kills the man. He then goes to prison, where he is framed for... See full summary »
The sister of a former U.S. Green Beret, is involved in a love affair with a mobster, endangering seriously her life. His brother will make his best efforts to save her from her boyfriend ... See full summary »
Boston, 2009. A police detective (Roddy Piper) searches for Adrian Dunn, his ex-partner (Billy Drago) who murdered his wife. Dunn has escaped from prison on the moon and returned to Earth ... See full summary »
Roddy Piper portrays a police Lt. working undercover in the so-called Jungleground. His sting operation goes bad and as a result he is caught. Young Odin, his captor and would be drug lord ... See full summary »
I was recruited to work as a special visual effects artist on this film after several other people had quit. They had good reason to quit.
I had previously only worked as talent, the visual effect stuff was just a side hobby I had tinkered with when doing models and costuming.
The conditions were terrible, the story a joke and I had to constantly fight with the people I worked with over getting the right equipment and materials and being allowed to do my job correctly.
The visuals they called for directly conflicted with the story and changed on a daily basis, right along with the daily breakdown in equipment to do them.
I was shorted on pay, had things stolen by senior crew people, and was not credited for my work. The director had the nerve to send me a copy of his vanity press biography as "additional compensation".
There is not enough money in the world to get me to work with either Mahaffey or Ellis ever again.
The only good part was working with Trevor Goddard and Roddy Piper.
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