IMDb > Everything Put Together (2000)
Everything Put Together
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Everything Put Together (2000) More at IMDbPro »

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User Rating:
6.5/10   606 votes »
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Popularity: ?
Up 3% in popularity this week. See why on IMDbPro.
Adam Forgash (written by) &
Catherine Lloyd Burns (written by) ...
View company contact information for Everything Put Together on IMDbPro.
Release Date:
14 June 2002 (UK) See more »
The story of a Californian couple expecting a child and their group of friends confronted with the tragedy of a big loss. | Add synopsis »
1 win & 2 nominations See more »
User Reviews:
Well done, but not quite compelling See more (10 total) »


  (in credits order) (complete, awaiting verification)

Radha Mitchell ... Angie

Megan Mullally ... Barbie

Catherine Lloyd Burns ... Judith
Jacqueline Heinze ... Jean
Courtney Watkins ... H2O Instructor

Matt Malloy ... Dr. Reiner

Mark Boone Junior ... Bill
Blake Rossi ... Michael

Louis Ferreira ... Russ (as Justin Louis)

Michele Hicks ... April

Alan Ruck ... Kessel
Stéphanie Schneider ... Party Videographer (as Stephanie Schneider)

Vince Vieluf ... Jim
John P. Hunter ... Hearse Driver
Kevin Ratliffe ... Simon

Arly Jover ... Nurse Edna

Pamela Gordon ... Nurse A

Octavia Spencer ... Nurse B (as Octavia L. Spencer)
Jennie Vaughn ... Cashier

Jonathan Slavin ... Photo Clerk
Thomas Prisco ... Doctor A
Martha Mendoza ... Marie

Tom McCleister ... Dr. Miller
Garvin Funches ... Orderly
Pamela Munro ... Loni (as Pam Monroe)

Scott Vance ... Priest
Henry King ... Barbie's Twin
Oliver King ... Barbie's Twin

Amy Carlson ... Jane
Dakota Leopardi ... Justin
Rob Swanson ... Man in Park
Roland LaGarde ... Mailman (as Roland Lagarde)

Shelly Desai ... Storage Man
Paul Hayes ... Dr. Spiegel

Judy Geeson ... Angie's Mother

Directed by
Marc Forster 
Writing credits
Adam Forgash (written by) &
Catherine Lloyd Burns (written by) &
Marc Forster (written by)

Produced by
Adam Forgash .... executive producer
Sean Furst .... producer
Radha Mitchell .... associate producer
Jill Silverthorne .... co-producer
Original Music by
Thomas Koppel 
Cinematography by
Roberto Schaefer 
Film Editing by
Matt Chesse 
Casting by
Dan Shaner 
Michael Testa 
Production Design by
Paul Luther Jackson 
Art Direction by
Mara A. Spear  (as Mara Spear)
Set Decoration by
David Ladish 
Costume Design by
Judi Jordan 
Makeup Department
Brigitte Hennech .... key makeup artist
Christine Jackson .... makeup artist
Production Management
Nina Davis .... unit production manager
Second Unit Director or Assistant Director
Bryan Furst .... second second assistant director
Bettina Godi .... second assistant director
Heather Grierson .... first assistant director
Art Department
Damon Chessé .... property master
Sound Department
James Dehr .... production sound mixer
Chuck Homyak .... boom operator
Victor Iorillo .... sound
James L. Pearson .... sound editor
Richard E. Yawn .... supervising sound editor
Visual Effects by
M.B. Emigh .... main title design: SOL designfx
Leslie Hoffman .... stunt coordinator
Camera and Electrical Department
Jason Baker .... assistant camera
Stefanie Schneider .... set photographer
Roberto Schaefer .... camera operator (uncredited)
Editorial Department
Beau J. Genot .... post-production consultant
Transportation Department
Sonny Martinez .... transportation coordinator
Other crew
May Chan .... production assistant
Michael Hansen .... unit publicist
Mike Mittendorff .... set production assistant
Stephanie Smith-Foll .... craft service
Roger Kass .... special thanks

Production CompaniesDistributorsSpecial EffectsOther Companies
  • Visual Icon  exclusive clip and still licensing (uncredited)

Additional Details

Also Known As:
Rated R for some language
87 min
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:

Did You Know?

Shot with a Mini-DV camera on a budget of 100,000 US dollars. All the actors and the crew worked without pay.See more »
La NudistaSee more »


IS Vince Vieluf in this movie?!?
See more »
6 out of 11 people found the following review useful.
Well done, but not quite compelling, 19 February 2001
Author: Jim Chevallier ( from North Hollywood, CA

First, A WARNING: If you are pregnant or just had a child, do NOT go see this film. Really. You simply don't need some of these concepts swimming around your mind. Trust me.

I found this film depressing without being cathartic.

It certainly touches on some complex aspects of the situation in the film, not least of which is the near-primitive rejection of a 'wounded animal' by the herd (in this case a group of new or expectant mothers.) And Radha Mitchell does an excellent, nuanced job of portraying the shifting emotions and fragility of the main character. Justin Louis - looking an awful lot like Aidan Quinn and portraying a similar type of character (amiable, sensitive, manly) - is also quite affecting as the husband struggling helplessly to make things better when almost any move he makes is doomed to be wrong.

The other characters, too, are well-cast and well-acted. And the photography is just moody enough to have texture without being distractingly 'pretty'.

So, what kept this from being a powerful and ultimately satisfying film (for me)?

First of all, the pacing, which was reminiscent of many French or Swedish films. Lots of lingering domestic vignettes, almost documentary like, setting up who these people are, their relationship, their world. It takes a LONG time to get to the central crisis of the film. And once it occurs, there's lots more lingering domestic scenes.

All of this is justifiable in a film that focuses on the emotional effects of one incident. But it assumes - rather than compels - a certain complicity on the part of the viewer.

More fundamentally though, the fact that the main character seems pre-ordained for SOME kind of catastrophe makes her big reversal seem more inevitable than shocking. It doesn't help that she's portrayed as deeply anxious from the start. So much so that at times this feels like an early Polanski film, preparing us for something really awful. So, when the worse does occur, rather than being shocked, we're almost relieved.

Add to this the curious choice to give the protagonist a monstrously remote mother and what would be surprising here would be for her to ever experience unshadowed happiness. She seems at the least fragile, if not quietly but fundamentally disturbed from the start. The result is that some of her more excentric behavior later seems to flow not from the tragedy but simply from what we know of her character.

Since none of her girlfriends react with common decency, never mind nobility, about the only truly likeable character we meet is the husband, so that it's far harder to be intimately affected by the central events here. Because it simply seems that even if they had never occured, this would never really have been a very happy world.

Still, a good, if not memorable film. Especially for under $500,000. And - a surprising bit of light at the end - some of the most beautiful credits I've seen in a while.

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IS Vince Vieluf in this film?!? migrjo1949
Very confussing film... isaiahvs10
budget? elscorcho86
child on bicycle? tjtmd
Style and look of the film? Mance1987
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