A tale revolving around the carefree and bon-vivant, Felix, who is content living with his boyfriend, Daniel in the town of Dieppe in Northern France. When Felix is laid off from his job, ... See full summary »
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Marcial Di Fonzo Bo,
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Christoph, cop and self-confident macho, has trouble with his fiance. After a long night he wakes up in the arms of Edgar, a good-looking, gay auto-mechanic. His live gets more and more ... See full summary »
Christoph M. Ohrt,
Carin C. Tietze,
Leo, a young man coming to terms with his own sexuality, runs into Caro, a primary school friend he fancied when they were kids, who's now trying to ward off her own personal demons. This ... See full summary »
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Javier De Pietro,
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Rui Pedro Alves
A tale revolving around the carefree and bon-vivant, Felix, who is content living with his boyfriend, Daniel in the town of Dieppe in Northern France. When Felix is laid off from his job, he decides to take a road trip to Marseilles to track down the father he's never met. Backpack in tow, Felix sets out walking, hitching and borrowing cars to get to the south of France. Springtime is budding, nature is at its best, and some unique characters await Felix along the dirtroads and byways of the French countryside. Written by
Sujit R. Varma
This light hearted travelogue managed to illuminate racism, HIV, aging, death, passion, commitment and fear with a gentle seductive light. It has less ideals than American films like it. Therefore, it seemed much more real, mostly. One big issue, homophobia, is treated most strangely as an anachronism. Felix makes out with his various men in public with fearless abandon, while he seems intensely aware of his Arab-ness. I can allow for the common American notion that Europeans are easier about public displays, but this aspect of the film did seem less real and more idealized. The French countryside is also portrayed in a very real way. Highways and power plants everywhere. Yet, the natural lighting and choice of shots conveyed the persisting charm of France. I was reminded of Eric Rohmer films, like "Autumn Tale". Sami Bouajila, as Felix, has camera chemistry and acts well. The supporting cast is evenly talented. I was thrilled to see Patachou, whom we haven't seen often enough here in the States. I think this film will be remembered as a very good movie with universal appeal, not a gay snapshot, like many of its American cousins.
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