Photos and Videos
Cast
Bruno Ganz | ... |
David
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Jean-Pierre Cassel | ... |
Henri Tanin
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Aurore Clément | ... |
Laura
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Pierre Michaël | ... |
Jean Navy
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Alex Métayer | ... |
Morineau
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Jean-Pierre Moulin | ... |
Le commissaire
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Fernand Guiot | ... |
Topard
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Cécile Vassort | ... |
La fille de la boîte de nuit
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Papinou | ... |
Le copain du C.E.A.
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Bernard-Pierre Donnadieu | ... |
Le conducteur en colère
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Nicolas Welfling | ... |
Le type dans le bureau de J.N.
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Olivier Thual | ... |
Le collaborateur d'Henri
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Chantal Akerman | ... |
L'étudiante qui ne comprend pas
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Jacques Robiolles | ... |
Le garde à Saclay
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Marc Labrousse | ... |
Le grand au vestiaire
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Rest of cast listed alphabetically: | |||
Robert Dalban |
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Paul Handford |
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Pierre Lescure | ... |
(voice)
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Darling Légitimus |
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Directed by
Jean Pourtalé |
Written by
Jean Bany | ... | () |
Jean-Pierre Beaurenaut | ... | () |
Daniel Pearl | ... | (novel) |
Jean Pourtalé | ... | () |
Gilles Thibaut | ... | (dialogue) (as Gilles Thibault) |
Produced by
Alain Dahan | ... | producer |
Music by
Éric Demarsan |
Cinematography by
Jean Penzer |
Editing by
Claudine Merlin | ||
Hélène Muller |
Editorial Department
Marie-Dominique Fournier | ... | assistant editor |
Agnès Lhomme | ... | editor trainee |
Dominique Pouzadoux | ... | editor trainee |
Sylvie Quester | ... | assistant editor |
Casting By
Mamade |
Production Design by
Yves Bernard | ||
Danka Semenovicz | ... | (as Danka Semenowicz) |
Makeup Department
Josiane Deschamps | ... | makeup artist |
Production Management
Philippe Dahan | ... | unit production manager |
Patrick Dumont | ... | unit production manager |
Catherine Lapoujade | ... | production manager |
Jean-Philippe Laroche | ... | unit production manager |
Vincent Lombard | ... | unit production manager |
Marilyn Watelet | ... | production manager |
Second Unit Director or Assistant Director
Pierrot De Heusch | ... | second assistant director |
Michel Debats | ... | assistant director |
Dominique Guerrier | ... | second assistant director |
Pascal Ortega | ... | first assistant director |
Art Department
Bruno Bailly | ... | assistant art director |
Mathieu Chardonnet | ... | assistant art director |
Olivier Peduzzi | ... | assistant art director |
Sound Department
Lucien Dirat | ... | assistant sound editor |
Jacky Dufour | ... | foley artist |
Jean-Jacques Ferran | ... | assistant sound (as Jean-Jacques Ferrand) |
Jean-Paul Loublier | ... | sound mixer |
Mariette Lévy-Novion | ... | sound editor |
Henri Morelle | ... | sound |
Olivier Villette | ... | assistant sound |
Stunts
François Chatriot | ... | stunt driver |
Rémy Julienne | ... | stunts |
Jean-Pierre Malcher | ... | stunt driver |
Pierre Pagani | ... | stunt driver |
Camera and Electrical Department
Guy Albouy | ... | electrician |
Bernard Fevrier | ... | gaffer |
Marc Fleury | ... | gaffer |
Christian Fournié | ... | assistant camera (as Christian Fournier) |
Rémon Fromont | ... | assistant camera |
Michel Houssiau | ... | camera operator |
Yves Le Moigne | ... | assistant camera |
Louis Parola | ... | electrician |
Juan Quirno | ... | still photographer |
Bernard Ramel | ... | gaffer |
Rik Roesems | ... | key grip (as Rick Roesems) |
Dominique Testud | ... | grip (as Dominique Testut) |
Costume and Wardrobe Department
Catherine Hume | ... | costumer |
Script and Continuity Department
Françoise Penzer | ... | script supervisor |
Additional Crew
Jean-Luc Brunet | ... | production assistant |
Raymond Tambay | ... | production assistant |
Production Companies
Distributors
- Société des Etablissements L. Gaumont (1980) (France) (theatrical)
Special Effects
Other Companies
Storyline
Plot Summary |
A troubled gentleman named David ponders whether vegemite can be consumed undiluted without posing a health risk. Meanwhile his friend, a senior government official, returning from an evening, has a car accident and his passenger dies in the accident. He puts the corpse in the driver's seat, but there is a witness. To eliminate this annoying witness, he calls on his David, a physicist, who wants to make it a perfect crime by quantifying the risk taken in each of its stages. And compressing it enough to make the execution of the most improbable. Written by davidmccartney-50829 |
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