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Directed by | |||
| Ronny Yu | |||
Writing credits(WGA) | ||
| Stel Pavlou | (written by) | |
Produced by | |||
| Mark Aldridge | .... | co-producer | |
| Stephanie Davis | .... | executive producer | |
| Jonathan Debin | .... | producer | |
| Andras Hamori | .... | producer | |
| Samuel L. Jackson | .... | executive producer | |
| Malcolm Kohll | .... | producer | |
| Seaton McLean | .... | producer (as Seaton Mclean) | |
| Stel Pavlou | .... | co-producer | |
| David Pupkewitz | .... | producer | |
| Eli Selden | .... | executive producer | |
| Julie Yorn | .... | executive producer | |
Original Music by | |||
| Headrillaz | |||
| Casper Kedros | |||
| Darius Kedros | |||
Cinematography by | |||
| Hang-Sang Poon | (director of photography) (as Poon Hang Sang) | ||
Film Editing by | |||
| David Wu | |||
Casting by | |||
| Nina Gold | |||
Production Design by | |||
| Alan MacDonald | (as Alan Macdonald) | ||
Art Direction by | |||
| Grant Armstrong | |||
| Hannah Moseley | |||
| Philip Robinson | (supervising art director) | ||
Set Decoration by | |||
| Duncan Wheeler | |||
Costume Design by | |||
| Kate Carin | |||
Makeup Department | |||
| Allan A. Apone | .... | makeup artist: Samuel L. Jackson | |
| Helen Barrett | .... | hair stylist | |
| Helen Barrett | .... | makeup artist | |
| Christine Beveridge | .... | hair designer | |
| Christine Beveridge | .... | makeup designer | |
| Sarah Grispo | .... | makeup artist | |
| Chris Lyons | .... | special effects teeth | |
| Catherine Muir | .... | makeup artist | |
| Robert L. Stevenson | .... | hair stylist: Samuel L. Jackson | |
| Victoria Wood | .... | wig maker: Mr. Jackson | |
Production Management | |||
| Lu Cien Hioe | .... | production manager: LA unit | |
| David Myatt | .... | unit production manager | |
| Beverley Syme | .... | unit manager | |
| Alan J. Wands | .... | production manager (as Willy Wands) | |
| Lori A. Waters | .... | post-production supervisor | |
Art Department | |||
| Tony Asije | .... | props | |
| Mario Bueno | .... | property master | |
| Matt Gant | .... | art department junior | |
| Beverley Gerard | .... | assistant set decorator | |
| Anita Gupta | .... | production buyer | |
| Rik Loughran | .... | art department junior | |
| Nick Pelham | .... | storyboard artist | |
| Mike Roberts | .... | dressing prop | |
| Christian Short | .... | stand-by props | |
| Nic Stubbings | .... | stand-by props | |
| Lee Howarth | .... | rigger: art department (uncredited) | |
Special Effects by | |||
| James Brady | .... | senior special effects technician | |
| Trevor Butterfield | .... | senior special effects technician | |
| Mark Clayton | .... | senior special effects technician | |
| Conor Coughlan | .... | pyrotechnician | |
| Conor Coughlan | .... | special effects technician | |
| Yves De Bono | .... | special effects coordinator | |
| Mark Griffin | .... | special effects buyer | |
| Michael Kearns | .... | special effects technician | |
| Roger Nichols | .... | special effects technician | |
| David Plewis | .... | senior modelmaker | |
| Terry Rigarlsford | .... | special effects technician | |
| Robert Schofield | .... | wireman | |
| Andrew Wilson | .... | special effects coordinator | |
Visual Effects by | |||
| Simon Carr | .... | digital compositor | |
| Tom Debenham | .... | visual effects supervisor: LA unit | |
| Robert Duncan | .... | visual effects supervisor | |
| Ian Fellows | .... | digital compositor | |
| Robert Hall | .... | digital paint artist | |
| Jamie Hallett | .... | digital compositor | |
| Jolene McCaffrey | .... | digital compositor: CFC | |
| Joel Meire | .... | digital artist: CFC | |
| Stanley Monahan | .... | optical effects | |
| Simon Payne | .... | digital artist | |
| Dave Salter | .... | digital compositor | |
| Maria Stroka | .... | digital lab operator | |
| Matthew Twyford | .... | compositing artist | |
| Victor Wade | .... | digital effects artist | |
| Corrina Wilson | .... | digital paint artist | |
| Jan Hogevold | .... | digital lab producer: Framestore CFC (uncredited) | |
Casting Department | |||
| Louis Elman | .... | adr voice casting | |
| Tamara Gillon | .... | casting assistant | |
Editorial Department | |||
| Randy L. Anderson | .... | color timer | |
| Clare Bambrough | .... | assistant editor | |
| Andrew Coutts | .... | assistant editor | |
| Michele Francis | .... | assistant editor | |
| Chad Glastonbury | .... | negative cutter | |
| Valerie Laurie | .... | post-production assistant | |
| Ricardo Olivero | .... | color timer | |
| Catherine Rankin | .... | negative cutter | |
| Paul Rubenstein | .... | first assistant editor: avid | |
| Dawn M. Stoliar | .... | first assistant editor | |
| Deanna Strong | .... | post-production coordinator | |
| Paul Whitehead | .... | assistant editor | |
Music Department | |||
| Martin Bell | .... | music editor | |
| Abi Leland | .... | music supervisor | |
| Barney Quinton | .... | composer: additional music | |
| Dan Rose | .... | music supervisor | |
Transportation Department | |||
| Guy Bostock | .... | action vehicle coordinator | |
| Ian Clarke | .... | vehicle technician | |
| John Kennedy | .... | driver: Mr. Jackson | |
| Martin Lavelle | .... | driver: Mr. Carlyle | |
| Paul Pearson | .... | driver: Ms. Mortimer | |
| Steve Royfee | .... | action vehicle coordinator | |
| Sean Thornton | .... | picture vehicle technician | |
Other crew | |||
| Vicki Allen | .... | floor runner | |
| Victoria Allen | .... | floor runner | |
| Donald Ayres | .... | continuity | |
| Claire Berrie | .... | assistant: Mr. Carlyle | |
| Sarah Best | .... | assistant: Mr. Debin | |
| Early Boyd | .... | executive assistant: Mr. Hamori | |
| Laurie Boyle | .... | key production accountant | |
| Jennifer Brooks | .... | stand-in: Ms. Mortimer | |
| Jackie Callon | .... | utility stand-in | |
| Sue Clarke | .... | animal wrangler | |
| Christine Colvin | .... | location assistant | |
| Sean Crotty | .... | assistant: Mr. Yu (as Sean Paul Crotty) | |
| Steven Cummings | .... | stand-in: Mr. Carlyle | |
| Rob Delp | .... | assistant: Ms. Selden | |
| Dale Dreher | .... | location manager | |
| Dale Dreher | .... | location scout | |
| Sammy Duplay | .... | stand-in: Mr. Jackson | |
| Ava DuVernay | .... | publicity consultant | |
| Anna Graham | .... | production assistant | |
| Alice Greenland | .... | contact: London | |
| Nicole Gregory | .... | unit publicist | |
| David Grout | .... | assistant to director: post-production | |
| Andy Holt | .... | location manager | |
| Annita Jensen | .... | location scout | |
| Julia Jones | .... | unit publicist | |
| Rob Jones | .... | creative director: titles | |
| Andrea Mann | .... | executive assistant: Mr. McLean | |
| Jaynie Miller | .... | production secretary | |
| Michelle Morton-Banks | .... | assistant: Mr. Hamori | |
| Andrew Rosen | .... | production executive: Alliance Atlantis | |
| Dug Rotstein | .... | script supervisor | |
| Donald Sabourin | .... | production coordinator: second unit | |
| Janice Schumm | .... | script supervisor: second unit | |
| Mark Shelley | .... | weapons armorer | |
| Boyan Stergulc | .... | title designer | |
| Graham Taylor | .... | assistant: Mr. Yu | |
| Leonard L. Thomas | .... | assistant: Mr. Jackson (as Leonard Thomas) | |
| Luis Torres | .... | title designer | |
| Lucinda Van Rie | .... | assistant: Mr. Pupkewitz and Mr. Kohll | |
| Cindy Windham | .... | script supervisor: pick-up shots | |
| Winnie Wishart | .... | production coordinator | |
| Chris Judd | .... | floor runner: second unit (uncredited) | |
| Kevin Maxwell | .... | voice-over (uncredited ) | |
| Jonathan Taylor | .... | assistant to head of production: The Film Consortium (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb UK section |
I am not really sure what the appeal of this movie actually is. It's definitely not the action, since fights are simple and few and far between. I wouldn't think its the comedy, since the premise of pretty much every joke is the same. It seems the majority of the humor in this movie is Samuel L. Jackson's character dealing with the differences between England and America and Robert Carlyle's character's disgust with Americans. Of course, every-so-often, we get a dash of toilet humor to mix things up. Pretty simple. Nothing special.
And yet, somehow, this movie manages to stay entertaining enough throughout the bulk of it. My only guess is that it comes from the charisma of the cast and characters. Samuel L. Jackson defies logic by kicking ass in just about every movie he's in, whether the flick's good or not. Robert Carlyle's energy and enthusiasm is enough to prevent me from getting annoyed with his constant whining. Emily Mortimer plays the soft-spoken, sexy assassin hired to bring in Jackson's character. And Meat Loaf....well....Meat Loaf bothered the hell out of me. His role as the Lizard, the big-time American drug dealer and previous employer to Jackson, is over-the-top and completely unconvincing as someone who would have rose to power in the American drug market. At times, he is just downright aggravating to watch (especially when he starts ranting and referring to himself in the third-person).
Fortunately, Meat Loaf (and a nearly as annoying Rhys Ifans)are not enough to completely drag the film down. It manages to stay quirky enough to keep entertaining and you shouldn't feel as if you completely wasted the last 92 minutes of your life. My advice? Check it out once, it's a hit or miss.