| Photos (see all 36 | slideshow) | Videos |
| Samuel L. Jackson | ... | Elmo McElroy | |
| Nigel Whitmey | ... | L.A. Highway Patrol | |
| Robert Jezek | ... | Priest | |
| Emily Mortimer | ... | Dakota Parker | |
| Meat Loaf | ... | The Lizard | |
| Jake Abraham | ... | Konokko | |
| Mac McDonald | ... | Mr. Davidson | |
| Aaron Swartz | ... | Mr. Yuri | |
| David Webber | ... | Mr. Jones | |
| Michael J. Reynolds | ... | Mr. Escobar | |
| Sonny Muslim | ... | Boy in Plane | |
| Barbara Barnes | ... | Boy's Mother | |
| Junix Inocian | ... | Mr. Ho-Fat | |
| Robert Carlyle | ... | Felix DeSouza | |
| Paul Barber | ... | Frederick | |
| Christopher Hunter | ... | Lawrence | |
| Stephen Walters | ... | Blowfish | |
| James Roach | ... | Grimtooth | |
| Sean Pertwee | ... | Detective Virgil Kane | |
| Michael Starke | ... | Arthur | |
| Ricky Tomlinson | ... | Leopold Durant | |
| Rhys Ifans | ... | Iki | |
| Ade | ... | Omar | |
| Nick Bartlett | ... | Trevor | |
| Angus MacInnes | ... | Pudsey Smith | |
| Joan Campion | ... | Hotel Maid | |
| Terry O'Neill | ... | Deck Hand | |
| Anna Keaveney | ... | Shirley DeSouza | |
| Marc Anwar | ... | Pharmacist | |
| Paul Broughton | ... | Anfield Commissionaire | |
| Robert Fyfe | ... | Hector Dougal McElroy | |
| rest of cast listed alphabetically: | |||
| Gaute Grøtta Grav | ... | Rave boy (uncredited) | |
| Paul T. Murray | ... | Bones (uncredited) | |
| Stel Pavlou | ... | Bouncer (uncredited) | |
| Matt Routledge | ... | Dancer (uncredited) | |
Directed by | |||
| Ronny Yu | |||
Writing credits(WGA) | ||
| Stel Pavlou | (written by) | |
Produced by | |||
| Mark Aldridge | .... | co-producer | |
| Stephanie Davis | .... | executive producer | |
| Jonathan Debin | .... | producer | |
| Andras Hamori | .... | producer | |
| Samuel L. Jackson | .... | executive producer | |
| Malcolm Kohll | .... | producer | |
| Seaton McLean | .... | producer (as Seaton Mclean) | |
| Stel Pavlou | .... | co-producer | |
| David Pupkewitz | .... | producer | |
| Eli Selden | .... | executive producer | |
| Julie Yorn | .... | executive producer | |
Original Music by | |||
| Headrillaz | |||
| Casper Kedros | |||
| Darius Kedros | |||
Cinematography by | |||
| Hang-Sang Poon | (director of photography) (as Poon Hang Sang) | ||
Film Editing by | |||
| David Wu | |||
Casting by | |||
| Nina Gold | |||
Production Design by | |||
| Alan MacDonald | (as Alan Macdonald) | ||
Art Direction by | |||
| Grant Armstrong | |||
| Hannah Moseley | |||
| Philip Robinson | (supervising art director) | ||
Set Decoration by | |||
| Anita Gupta | |||
| Duncan Wheeler | |||
Costume Design by | |||
| Kate Carin | |||
Makeup Department | |||
| Allan A. Apone | .... | makeup artist: Samuel L. Jackson | |
| Helen Barrett | .... | hair stylist | |
| Helen Barrett | .... | makeup artist | |
| Christine Beveridge | .... | hair designer | |
| Christine Beveridge | .... | makeup designer | |
| Sarah Grispo | .... | makeup artist | |
| Catherine Muir | .... | makeup artist | |
| Robert L. Stevenson | .... | hair stylist: Samuel L. Jackson | |
Production Management | |||
| Lu Cien Hioe | .... | production manager: LA unit | |
| David Myatt | .... | unit production manager | |
| Beverley Syme | .... | unit manager | |
| Alan J. Wands | .... | production manager (as Willy Wands) | |
| Lori A. Waters | .... | post-production supervisor | |
Art Department | |||
| Tony Asije | .... | props | |
| Mario Bueno | .... | property master | |
| Matt Gant | .... | art department junior | |
| Beverley Gerard | .... | assistant set decorator | |
| Rik Loughran | .... | art department junior | |
| Nick Pelham | .... | storyboard artist | |
| Mike Roberts | .... | dressing prop | |
| Christian Short | .... | stand-by props | |
| Nic Stubbings | .... | stand-by props | |
| Lee Howarth | .... | rigger: art department (uncredited) | |
Special Effects by | |||
| James Brady | .... | senior special effects technician | |
| Trevor Butterfield | .... | senior special effects technician | |
| Mark Clayton | .... | senior special effects technician | |
| Conor Coughlan | .... | pyrotechnician | |
| Conor Coughlan | .... | special effects technician | |
| Yves De Bono | .... | special effects coordinator | |
| Mark Griffin | .... | special effects buyer | |
| Michael Kearns | .... | special effects technician | |
| Roger Nichols | .... | special effects technician | |
| David Plewis | .... | senior modelmaker | |
| Terry Rigarlsford | .... | special effects technician | |
| Robert Schofield | .... | wireman | |
| Andrew Wilson | .... | special effects coordinator | |
Visual Effects by | |||
| Simon Carr | .... | digital compositor | |
| Tom Debenham | .... | visual effects supervisor: LA unit | |
| Robert Duncan | .... | visual effects supervisor | |
| Ian Fellows | .... | digital compositor | |
| Jamie Hallett | .... | digital compositor | |
| Robert Hall | .... | digital paint artist | |
| Jolene McCaffrey | .... | digital compositor: CFC | |
| Joel Meire | .... | digital artist | |
| Stanley Monahan | .... | optical effects | |
| Simon Payne | .... | digital artist | |
| Dave Salter | .... | digital compositor | |
| Maria Stroka | .... | digital lab operator | |
| Matthew Twyford | .... | compositing artist | |
| Victor Wade | .... | digital effects artist | |
| Corrina Wilson | .... | digital paint artist | |
| Jan Hogevold | .... | digital lab producer: Framestore CFC (uncredited) | |
Casting Department | |||
| Louis Elman | .... | adr voice casting | |
| Tamara Gillon | .... | casting assistant | |
Editorial Department | |||
| Randy L. Anderson | .... | color timer | |
| Clare Bambrough | .... | assistant editor | |
| Andrew Coutts | .... | assistant editor | |
| Michele Francis | .... | assistant editor | |
| Chad Glastonbury | .... | negative cutter | |
| Valerie Laurie | .... | post-production assistant | |
| Ricardo Olivero | .... | color timer | |
| Catherine Rankin | .... | negative cutter | |
| Paul Rubenstein | .... | first assistant editor: avid | |
| Dawn M. Stoliar | .... | first assistant editor | |
| Deanna Strong | .... | post-production coordinator | |
| Paul Whitehead | .... | assistant editor | |
Music Department | |||
| Martin Bell | .... | music editor | |
| Abi Leland | .... | music supervisor | |
| Barney Quinton | .... | composer: additional music | |
| Dan Rose | .... | music supervisor | |
Transportation Department | |||
| Guy Bostock | .... | action vehicle coordinator | |
| Ian Clarke | .... | vehicle technician | |
| John Kennedy | .... | driver: Mr. Jackson | |
| Martin Lavelle | .... | driver: Mr. Carlyle | |
| Paul Pearson | .... | driver: Ms. Mortimer | |
| Steve Royfee | .... | action vehicle coordinator | |
| Sean Thornton | .... | picture vehicle technician | |
Other crew | |||
| Vicki Allen | .... | floor runner | |
| Victoria Allen | .... | floor runner | |
| Donald Ayres | .... | continuity | |
| Claire Berrie | .... | assistant: Mr. Carlyle | |
| Sarah Best | .... | assistant: Mr. Debin | |
| Early Boyd | .... | executive assistant: Mr. Hamori | |
| Laurie Boyle | .... | key production accountant | |
| Jennifer Brooks | .... | stand-in: Ms. Mortimer | |
| Jackie Callon | .... | utility stand-in | |
| Sue Clarke | .... | animal wrangler | |
| Sean Crotty | .... | assistant: Mr. Yu (as Sean Paul Crotty) | |
| Steven Cummings | .... | stand-in: Mr. Carlyle | |
| Rob Delp | .... | assistant: Ms. Selden | |
| Dale Dreher | .... | location manager | |
| Dale Dreher | .... | location scout | |
| Sammy Duplay | .... | stand-in: Mr. Jackson | |
| Ava DuVernay | .... | publicity consultant | |
| Anna Graham | .... | production assistant | |
| Alice Greenland | .... | contact: London | |
| Nicole Gregory | .... | unit publicist | |
| David Grout | .... | assistant to director: post-production | |
| Andy Holt | .... | location manager | |
| Julia Jones | .... | unit publicist | |
| Rob Jones | .... | creative director: titles | |
| Andrea Mann | .... | executive assistant: Mr. McLean | |
| Jaynie Miller | .... | production secretary | |
| Michelle Morton-Banks | .... | assistant: Mr. Hamori | |
| Andrew Rosen | .... | production executive: Alliance Atlantis | |
| Dug Rotstein | .... | script supervisor | |
| Donald Sabourin | .... | production coordinator: second unit | |
| Janice Schumm | .... | script supervisor: second unit | |
| Mark Shelley | .... | weapons armorer | |
| Boyan Stergulc | .... | title designer | |
| Graham Taylor | .... | assistant: Mr. Yu | |
| Leonard L. Thomas | .... | assistant: Mr. Jackson (as Leonard Thomas) | |
| Luis Torres | .... | title designer | |
| Lucinda Van Rie | .... | assistant: Mr. Pupkewitz and Mr. Kohll | |
| Winnie Wishart | .... | production coordinator | |
| Chris Judd | .... | floor runner: second unit (uncredited) | |
| Jonathan Taylor | .... | assistant to head of production: The Film Consortium (uncredited) | |
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I remember this being a film I wanted to watch when it was released in the cinemas but I never got a chance to see it. It didn't help when Mum raved about it after watching it on Sky. So last night, Channel 4 gave me the perfect excuse for being late for work today - by showing this film and "Hard Boiled", I'll be a few minutes late after writing the reviews. Yay!
Back to "The 51st State" which revolves around Samuel L Jackson, a master chemist and drug producer who flies to Liverpool to secure the final "big deal" before his imminent retirement. The always fantastic Robert Carlyle is Felix, his contact and unwitting accomplice when things go wrong - as they always do in these sort of circumstances. Haven't they played GTA: Vice City? Anyway, the film is a stylish and comical action thriller with it's unusual setting, eccentric characters and unexpected comic twists. Jackson is, without a doubt, the coolest actor in moviedom at the moment. Only he could pull off wearing a kilt in a movie without looking a moron. Carlyle is perhaps a little excessive on the language (both in volume and content) but plays the Scouse stereotype perfectly. One thing this film does very well: almost every Scouse stereotype you can think of is there - car thief, misguided support for Liverpool, skin heads, every third word an expletive. The only unbelievable segment was the car chase which would never have reached the speeds it did in an actual Liverpool street.
Despite this, "The 51st State" is a fast-paced and well-made film which deserves more credit than it currently gets. I approached this film thinking that its gimmick was its setting - Liverpool is a million miles from downtown LA or New York, let's face it. But not so - there are so many oddball characters to make the film interesting that Sean Pertwee's straight-faced turn as a dirty cop seems out of place. Everyone else has their tongue firmly in their cheek. The sight of Jackson in a mammoth Seventies afro haircut signals this movie's intentions right from the start (and finish).
I have no hesitation in recommending this film. It will undoubtedly appeal to British viewers more than Americans but who cares - it's so refreshing to see that we can make movies like this with a largely British cast at such a standard. Jackson is so cool, it's like he's walking on dry ice and steals every scene he is in. "The 51st State" really does have something for everyone and I'm finding it very hard to find something not to like about this film. It's no "Face/Off" but it's still an enjoyable and exciting film, one which you really should see. Shame you missed it at the cinema, though.