5.7/10
897
11 user 6 critic

Chica de Río (2001)

Discovering your wife is sleeping with your boss can make a man do strange things. For a Samba-obsessed London clerk, robbing a bank and boarding the first flight to Rio are just the beginning.

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(idea), (screenplay) (as Julian Ibañez) | 2 more credits »
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Cast

Cast overview, first billed only:
...
Vanessa Nunes ...
Orlinda
...
Paulo
Patrick Barlow ...
Strothers
...
Cathy
...
Bichero
Hugh Lloyd ...
Albert
...
Mr. Bigelow
Julio Levy ...
Copacabana Concierge (as Julio Levi)
Paul Jerricho ...
Inspector
...
Sales Assistant
Glynis Brooks ...
Mrs. Grace
Arthur Cox ...
Bank Customer
Ann Morrish ...
Bank Customer
Paul Mari ...
Larry
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Storyline

Raymond is a bank clerk that dream on Rio de Janeiro and the beautiful and exotic samba dancer Orlinda. He has a secret class of samba at night, where he teaches the rhythm and how to dance samba to British persons. One day, he finds that his wife is cheating him with his boss and he decides to rob the bank and go to Rio de Janeiro to meet his passion. In the arrival, he meets the cab driver Paulo, an authentic 'malandro carioca' (smart guy born in Rio) and he crosses the way of the powerful 'bicheiro' (owner of an illegal and popular Brazilian lottery, called 'jogo de bicho' - translating, would be animal lottery), getting into trouble. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

When in doubt...Samba! See more »

Genres:

Comedy

Certificate:

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Details

Country:

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Language:

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Release Date:

13 July 2001 (Spain)  »

Also Known As:

A Garota do Rio  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Quotes

Raymond: Well I can positively say... THINGS CANNOT GET ANY WORSE
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Crazy Credits

At the end of the credits we see the last of said crime lords cash being blown out of the vault and into the ventilation system See more »

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User Reviews

The "S" Word
19 July 2003 | by (Siesta Key, FL) – See all my reviews

It's hard for me not to like a movie that: A) takes place in an exotic tropical country B) has the protagonist sleeping with his dream girl after knowing her an hour, and C) has a happy ending. These qualities nearly compensate for the weaknesses of The Girl From Rio.

The plot of this Hollywood Film Festival winner is pedestrian and slack. You gotta like this Raymond guy, though.

Raymond (Hugh Laurie) is a bank clerk with a thoroughly unlikable boss, a cuckolding wife, and an endearing passion for Salsa dancing. Laurie's is the film's only real nuanced performance. No matter what he's saying or doing, his eyes betray him. His ubiquitous fear that the world is a dangerous and scary place has become his reality. It's clear, however, that beneath his pitifully polite and feckless British demeanor is a simmering frustration. Whatever you do, don't confuse Salsa with Bossa Nova. That makes Raymond really angry.

Raymond quietly endures his mostly comfortable life until, quite suddenly, the machinations of his wife and boss render him alone and disconsolate. A coworker commiserates, `It could be worse,' and Rodney does his best to prove his friend right by filling a duffle bag with all the bank's cash on Christmas Eve and hopping a flight to Rio de Janeiro.

Enter The Girl. `S' words come to mind. Sultry. Sensual. Sizzling. Steamy. Vanessa Nunes's Orlinda is a famous Brazilian Samba dancer whose mere picture fuels Raymond's first-class flight from sanity. Then it's this pesky plot stuff again. Paulo, the taxi driver (Raymond's seedy, hapless Sancho Panza) just happens to know Orlinda. They meet, they dance down a Brazilian calle accompanied by a thousand musicians and acolytes, they go to his room, they make love. As much as I was rooting for old Raymond, I felt vaguely ripped off.

Not nearly as ripped off as Raymond, however.

Everyone in this film has a secret. Raymond. Olinda. (`You're just a thief like me,' she tells him.) His boss. His wife. Paulo. Even the painfully anachronistic villain.

As I mentioned, everything turns out just fine. Even the obscene economic disparity of Rio (better portrayed in 1999's Orfeu) is corrected in authentic Robin Hood fashion.

Did I mention the villain? They made him carry a little dog.


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