IMDb > Zero no shôten (1961)

Zero no shôten (1961) More at IMDbPro »


Overview

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6.7/10   181 votes »
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Up 15% in popularity this week. See why on IMDbPro.
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Release Date:
19 March 1961 (Japan) See more »
Genre:
Awards:
1 win See more »
NewsDesk:
(6 articles)
This week's new film events
 (From The Guardian - Film News. 25 January 2013, 10:00 PM, PST)

Japan Cuts 2010: Zero Focus Review
 (From Twitch. 11 July 2010, 7:00 AM, PDT)

Japan Cuts 2010 films announced
 (From Nippon Cinema. 28 May 2010, 2:10 PM, PDT)

User Reviews:
Well photographed monotony See more (5 total) »

Cast

  (in credits order)

Yoshiko Kuga ... Teiko Uhara
Hizuru Takachiho ... Sachiko Murota / Emmy
Ineko Arima ... Hisako Tanuma
Kôji Nanbara ... Kenichi Uhara
Kô Nishimura ... Sotaro Uhara
Sadako Sawamura ... Sotaro's wife
Yoshi Katô ... Mr. Murota
Tatsuo Nagai ... Lt. Kitamura
Mutsuko Sakura
Takanobu Hozumi ... Mr. Honda
Hisao Toake ... Saeki
Masao Oda
Takamaru Sasaki
Toyo Takahashi ... Teiko's mother
rest of cast listed alphabetically:
Zenichi Inagawa
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Directed by
Yoshitaro Nomura 
 
Writing credits
(in alphabetical order)
Shinobu Hashimoto 
Seichô Matsumoto  novel
Yôji Yamada 

Produced by
Ichinosuke Hozumi .... producer
Shigeru Wakatsuki .... planner
 
Original Music by
Yasushi Akutagawa 
 
Cinematography by
Takashi Kawamata 
 
Art Direction by
Kôji Uno 
 

Production CompaniesDistributors
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Additional Details

Also Known As:
"Zero Focus" - USA (DVD title)
See more »
Runtime:
Japan:95 min
Country:
Language:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:

Did You Know?

Goofs:
Crew or equipment visible: Reflected in the car windows when Mrs. Matsura drives away near the end.See more »

FAQ

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2 out of 10 people found the following review useful.
Well photographed monotony, 16 March 2008
Author: josephbleazard from United Kingdom

This was the first film I had seen by Nomura and constituted a major disappointment. Nomura appears to belong to the static variety of Japanese directors, preferring lingering and beautiful black and white shots over the bravura editing of contemporaries such as Seijun Suzuki or early Kurosawa. This approach really does not fit the material which is a stultifyingly dull and procedural mystery story that at no point rises above the generic, or generates any palpable tension or danger.

A point of comparison would be Rebecca by Hitchcock, mostly because of its focus on coastal scenery and echoes of the past affecting a hurried marriage. But this movie lacks any of the sexual or psychological aspects that make Rebecca so interesting. Some of the dialogue and minor performances are appalling. At one point a coastguard turns to a distraught bereaved wife and advises, straightfaced, "Why don't you walk to Noto cliff, It is very beautiful and a common spot to commit suicide." How did that ever get beyond the editing suite? Even the final exposition is ridiculously forced and overlong that I was tempted to fast forward to the end of the ending. One to miss

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