A psychic housewife and her husband become burdened with a kidnapped girl who escaped her assailant. Junko will not let her husband call the hospital or the police for purely selfish ... See full summary »
Kiyoshi is a brooding young man who treats women solely as objects. Makoto is a young woman who is just reaching her sexual awakening. She and her friends accept car rides from middle aged ... See full summary »
John Blandish is worth $100 million. His heiress daughter is soon to be wed to Foster Harvey, who believes she's a cold, unfeeling woman, despite loving her. Her cold emotional state is in ... See full summary »
St. John Legh Clowes
Jack La Rue,
This was the first film I had seen by Nomura and constituted a major disappointment. Nomura appears to belong to the static variety of Japanese directors, preferring lingering and beautiful black and white shots over the bravura editing of contemporaries such as Seijun Suzuki or early Kurosawa. This approach really does not fit the material which is a stultifyingly dull and procedural mystery story that at no point rises above the generic, or generates any palpable tension or danger.
A point of comparison would be Rebecca by Hitchcock, mostly because of its focus on coastal scenery and echoes of the past affecting a hurried marriage. But this movie lacks any of the sexual or psychological aspects that make Rebecca so interesting. Some of the dialogue and minor performances are appalling. At one point a coastguard turns to a distraught bereaved wife and advises, straightfaced, "Why don't you walk to Noto cliff, It is very beautiful and a common spot to commit suicide." How did that ever get beyond the editing suite? Even the final exposition is ridiculously forced and overlong that I was tempted to fast forward to the end of the ending. One to miss
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