6.8/10
107,762
448 user 143 critic

The Score (2001)

An aging thief hopes to retire and live off his ill-gotten wealth when a young kid convinces him into doing one last heist.

Director:

Writers:

(story), (story) | 3 more credits »
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Popularity
3,502 ( 227)

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ON DISC
1 win & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Max
...
...
Burt
Paul Soles ...
...
...
Laurent
Jean-René Ouellet ...
André (as Jean Rene Ouellet)
...
Jean-Claude
Claude Despins ...
Albert
...
Sapperstein
...
Sapperstein's Cousin
...
Woman in Study (as Marie-Josee D'Amours)
Gavin Svensson ...
Man in Study
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Storyline

Nick Wells, a professional criminal, decides to leave the business for good, since he nearly got caught on his last job. His plan is to live in peace with his girl Diane, running his Montreal jazz club. Soon afterward, Max, his good friend and financial partner, comes along with an offer Nick can't refuse: A historical and priceless French scepter has been discovered while being smuggled into the country. It is now under massive surveillance in the Montreal Customs House, and soon to be returned to France. Nick has to team up with Max's man inside, the young, talented and aggressive thief Jack Teller to get the precious item. Only one question remains: Who will trick whom out of their share? Written by JungleBunny

Plot Summary | Plot Synopsis

Taglines:

There are no partners in crime

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

13 July 2001 (USA)  »

Also Known As:

Cuenta final  »

Filming Locations:

 »

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Box Office

Budget:

$68,000,000 (estimated)

Opening Weekend USA:

$19,018,807, 15 July 2001, Wide Release

Gross USA:

$71,069,884, 14 October 2001

Cumulative Worldwide Gross:

$113,579,918, 31 December 2002
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

(DeLuxe)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Many of the scenes inside the Montreal Customs House were filmed inside the actual building. The filmmakers built some temporary additions and used some CGI to suit their purposes. For instance, there is no elevator that goes down from the ground floor to the basement. See more »

Goofs

When Nick opens the second valve to let the water flow, it should steam when it hits the freshly-cut steel, but it doesn't. See more »

Quotes

[Danny has just found Brian, or really Jack]
Jackie Teller: Make a move, make a sound and you're dead. Understand me?
Danny: [nods in shock]
Jackie Teller: Turn around.
Danny: [does and is shocked] Brian?
Jackie Teller: Shh! Be quiet.
[after a moment]
Jackie Teller: Danny... Danny... I wish you hadn't come down here.
[leads him towards closet]
Jackie Teller: Get over there. Turn around. Come on, let's go. Turn around. Walk over there. Open the door. Open it.
[...]
See more »

Connections

Referenced in Who Wants to Be a Millionaire: Episode #7.83 (2009) See more »

Soundtracks

I'll Make It Up As I Go
Words and Music by David Foster and Amy Foster-Gillies (as Amy Gillies)
Performed by Diana Krall
Courtesy of The Verve Music Group
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Not bad, but...
22 December 2001 | by See all my reviews

First of all, I didn't hate this movie. The acting was good, the locations were colorful and interesting, and I wasn't bored. (Even though the plot of the movie moved slowly, each scene was interesting for one thing or another.) But we've all seen this basic plot many times. Sometimes seeing a formula once again can be fun, if it's filled with energy or a different perspective. But this movie just seemed content to present what we've seen before, and add nothing new to them. If you're bored this movie will do, but I don't think it's one to go out of your way for.

(P.S. - Fans of Brando and Bassett will be disappointed; not only are their roles very small, but their parts could easily have been written out with no real consequence to the story.)


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