A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
Kids show host Rainbow Randolph is fired in disgrace while his replacement, Sheldon Mopes, aka Smoochy the Rhino, finds himself a rising star. Unfortunately for Sheldon, the kid's TV business isn't all child's play.
Walrus-like warden, Sven "Swede" Sorenson, a cross between Bluto and Wimpy, runs the prison, murders convicts who escape, and has the FBI on his trail in the form of agent Karen Polarski, ... See full summary »
Thomas Haden Church
Nick Wells, a professional criminal, decides to leave the business for good, since he nearly got caught on his last job. His plan is to live in peace with his girl Diane, running his Montreal jazz club. Soon afterward, Max, his good friend and financial partner, comes along with an offer Nick can't refuse: A historical and priceless French scepter has been discovered while being smuggled into the country. It is now under massive surveillance in the Montreal Customs House, and soon to be returned to France. Nick has to team up with Max's man inside, the young, talented and aggressive thief Jack Teller to get the precious item. Only one question remains: Who will trick whom out of their share? Written by
When Nick uses water from the fire sprinkler system to fill the safe, that should have triggered a water flow alarm. There is a detection switch that sounds an alarm if water begins flowing through the system (as this is typically caused by a sprinkler head discharging water to put out a fire), which would summon the Fire Department. In addition the water flowing out of the pipe should have been a dark brown color, not crystal clear as shown in the movie. The stagnant water in fire sprinkler systems always contains high amounts of rust, pipe oil, pipe sealant, and other sediment. See more »
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`The Score' is a fun, stylish return to the `Rififi,' `Topkapi' school of crime drama. The object of this particular heist is a 17th Century royal scepter from France that happens to be languishing in the basement of the Montreal customhouse just asking to be taken. One of the would-be takers is Nick Wells (Robert De Niro), a seasoned heister dreaming of the quiet life of retirement but compelled to do this one last job as a favor to Max (Marlon Brando), an old buddy in hock to some pretty dangerous mob figures. Completing the triangle is Jack Teller (Edward Norton), a brilliant but brash young criminal mastermind whose high-risk temperament is placed in direct counterpoint to Nick's cool, levelheaded demeanor.
Perhaps the most amazing triumph for director Frank Oz is his success at pulling together this impressive cast of stellar heavyweights who cut across three generations of movie acting. Of course, one might wish to see them in roles more demanding of their thespian talents, but we moviegoers will take these three superstars any way we can get them. And `The Score' is certainly very entertaining on its own terms. The technical elements involved in the planning of the heist are beautifully detailed from start to finish. And Oz generates genuinely nail-biting suspense in many sequences involving close quarters and close calls. In addition, the Montreal setting is novel and fresh and it is enhanced by some very impressive wide screen photography.
A film like `The Score' lives or dies based on the intricacy of its plotting and the expertise of its craft. In both cases, `The Score' excels as an outstanding example of this noble and time-honored genre. And watching these three acting giants doing their thing in a movie together is OUR well-earned reward.
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