A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player -- a drugged out rock 'n' roller presumed to be dead but very much alive -- has a multi-million dollar prize fall into... See full summary »
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
Eight years after the Joker's reign of anarchy, the Dark Knight must return to defend Gotham City against the enigmatic jewel thief Catwoman and the ruthless mercenary Bane as the city teeters on the brink of complete annihilation.
Nick Wells, a professional criminal, decides to leave the business for good, since he nearly got caught on his last job. His plan is to live in peace with his girl Diane, running his Montreal jazz club. Soon afterward, Max, his good friend and financial partner, comes along with an offer Nick can't refuse: A historical and priceless French scepter has been discovered while being smuggled into the country. It is now under massive surveillance in the Montreal Customs House, and soon to be returned to France. Nick has to team up with Max's man inside, the young, talented and aggressive thief Jack Teller to get the precious item. Only one question remains: Who will trick whom out of their share? Written by
Many of the scenes inside the Montreal Customs House were filmed inside the actual building. The filmmakers built some temporary additions and used some CGI to suit their purposes. For instance, there is no elevator that goes down from the ground floor to the basement. See more »
When Max writes the location for Nick to exchange the scepter for the money, he doesn't give it to Nick. As Nick leaves, his hands are empty and we didn't see him put it in his pocket. A long shot of Max shows that the paper is no where in sight. See more »
[Danny has just found Brian, or really Jack]
Make a move, make a sound and you're dead. Understand me?
[nods in shock]
[does and is shocked]
Shh! Be quiet.
[after a moment]
Danny... Danny... I wish you hadn't come down here.
[leads him towards closet]
Get over there. Turn around. Come on, let's go. Turn around. Walk over there. Open the door. Open it.
[...] See more »
I found The Score a very rare treat in the era of Kill Bill 2 and Die Hard 9. In The Score there is plenty of suspense but very little violence. If I explain this too much, I will spoil.
Except for lots of swear words, this is clearly PG-13, and provides a strong lesson in how to craft an action movie without a lot of explosions and gunfights. Plus: three generations of Method actors is a real treat, with Brando playful and seemingly content, DeNiro cool beyond cool, and Norton riffing away the whole movie. [Regarding DeNiro: what's cooler than a) managing a sleek jazz club, in b) sleek Montreal, with c) Angela Bassett as your sleek flight attendant girlfriend?!] Rent it soon >> it's a sleeper.
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