Bo is a transexual prostitute in Brussels who left home after being abused by her father. She's now in an abusive relationship with a neighbor and suspected by the police in a series of ... See full summary »
Joaquin (Polo Ravales), an unassuming fisherman, is forced to confront his homosexuality when his sex-starved wife Cynthia (Althea Vega) returns from her overseas job eager to get pregnant.... See full summary »
Sebastien is a small town boy who moves to Paris and begins to explore the gay night life there. When a friend from back home calls to announce he's coming to Paris, Sebastien confronts some unrequited feelings.
Fifteen-year-old Beni falls in love with Fögi, a singer in a Rock band. As Fögi seduces him, Beni is willing to follow him where ever he takes him. But Fögi is a drug addict and pulls Beni ... See full summary »
Urs Peter Halter
A married, Orthodox, Jerusalem butcher and Jewish father of four falls in love with his handsome, 22-year-old male apprentice, triggering the suspicions of his wife and the disapproval of his Orthodox community.
Fernando, a.k.a. Fernanda, a 19-year-old Brazilian transvestite, travels to Milan and becomes a prostitute to finance sex-change surgery. Fernanda dreams of becoming a "real" woman, but in ... See full summary »
Ingrid de Souza,
Lonely teenager Marc is secretly in love with Olaf, the cool boy-next-door. He dreams about a relationship with him, and when the two go camping, this dream seems to become reality for Marc... See full summary »
Felix is secretly in love with Ralph. This doesn't seem to be the biggest problem. But Felix is 15 and Ralph his 34 years old soccer coach. They meet every day in an ambush. One day Felix ... See full summary »
Khoi, a naive twenty-year-old, travels to Ho Chi Minh City from the countryside to begin a new life. It's his first time in the big city and he's looking for a place to live. He befriends ... See full summary »
Ngoc Dang Vu
Manh Hai Luong,
Vinh Khoa Ho,
Linh Son Nguyen
Burnt Money, is set in Argentina in 1965. This true story follows the tumultuous relationship between two men who became lovers and ultimately ruthless bank robbers in a notoriously famous footnote in the annals of Argentinian crime history. Nene, Angel and Cuervo are bank robbers who flee from Argentina across the border to Uruguay after a large-scale hold-up that turns bloody. Angel is hurt and the three must lay low until Angel recovers. Nene and Angel are known to everyone they know as "the twins" because of their resemblance, but the two are not brothers at all - they are involved in a steamy homosexual relationship. To get back to Argentina, the group must first wait for Fontana, the brains behind the robbery, to arrange for passports. Anxious from hiding, Cuervo decides to break curfew and go party. After Nene and Angel also decide to take off, Nene meets a prostitute named Giselle and Angel ends up getting in a fight. The group is forced to abandon their refuge and Angel and ... Written by
Strand Releasing <www.strandreleasing.com>
I won't rehash the details again, as so many previous comments have done wonderful jobs on discussing the plot and technical aspects of this film.
I want to commend the leads on their brilliant job. Often when (male) actors are asked to "play gay" you get an overly sexualized relationship - as though they feel the only way to portray the connection between men is through overt lust.
The director and actors here, have instead sought out a more subtle, but infinitely more honest portrayal. Every touch and sidelong glance between Nene and Angel just burns with intimacy. They might have the least on-screen sex, but this is the relationship that you really believe. The actors truly seem comfortable with their bodies, with touching one another, and so whether they are touching or just looking at each other - you can feel that familiarity they share and the intimacy translates beautifully onto the screen. Really an amazing performance of body-language.
My one complaint about "Plate quemada" is the rather shoddy subtitles. I can understand enough of the language to be able to pick up when the sub's aren't direct, or are leaving out dialogue. I HATE that. In a film such as this, when so much of the plot depends on the characters and their relationships, it becomes agonizing not to know exactly what they're saying.
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