At 24, Asima lives with her father and works as an office girl, watching men get promoted and having their pick of the young women in the steno pool. She appears removed from it all, but ...
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A young woman who is prone to romantic dreams involving her supervisor time-travels from 1986 to 2001 and becomes involved with a private investigator who is working on a divorce case and is having his own marital difficulties.
The elderly Senzô Tôyama (Nagatoshi Sakamoto) orders his employee, Makoto Katagiri (Yasunori Ishizu), to kidnap and train his wife Shizuko (Naomi Tani) in order to break her pride so that she will submit to his desires.
A shady male student transfers into a high school full of nubile young schoolgirls. He has his way with most of the female student body on his way to his real conquest--the sexy athletic ... See full summary »
At his working place, Kozo and his colleague gangrape the boss' teenage daughter. Then, on the highway, he picks up a red-haired woman walking on the road back to his home. She ends up ... See full summary »
At 24, Asima lives with her father and works as an office girl, watching men get promoted and having their pick of the young women in the steno pool. She appears removed from it all, but actually has a secret life she guards carefully. Her father arranges a marriage meeting with a friend who has an unmarried son. Asima may have a choice: an illicit relationship with a married boss or marriage to a dull family friend. A sidewalk vendor she meets one evening may offer something else. Does a young woman in her position have choices? Written by
Generally less explicit than films of this genre made outside of Japan owing to restrictions at the time, this is a pink (x rated) film about Asami (the pretty Asami Ogawa) who works in an office and is having an sexual relationship with her boss. She lives with her father, who is looking for her to get married. She doesn't seem averse to the idea and meets someone. The reason this film is watchable is that the plot is pretty good. Also, Asami Ogawa is good in her role. Of course, some of this film is fairly explicit, and a few of the sex scenes are more violent than sensual, but the production values are good and the direction, by legendary pink film director Masaru Konuma, is spot on. Of course, this is not for everyone, but if your tastes gravitate to these films, you can certainly do a lot worse. The fact that it has a good lead character makes it stronger and watchable.
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