Clay (as in the title) is a young man in a small town who witnesses his friend kill himself because of the ongoing affair that Clay was having with the man's wife. Feeling guilty, Clay now ... See full summary »
Alex, a hit man, tries to get out of the family business, but his father won't let him do so. While seeking the help of a therapist, he meets a sexually charged 23-year-old woman with whom he falls in love.
William H. Macy,
Bobby is a struggling boxer and bodyguard for his stripper girlfriend. But he hates his work and wants to move up. So he agrees to go to New York City for his boss to help in the delivery for a money laundering scheme. His partner in crime is his best friend Ricky, an obnoxious loudmouth who has seen one too many mafia movies. Bobby tries to keep it cool and get the job done, but Ricky's antics threaten to blow the entire situation. Written by
When Bobby goes to pick up Chloe, she is watching a news story on fires. Ricky started this fire at the beginning of the movie when he threw is matchbook out the window. There is a reference to Ricky (Vince Vaughn) shoving a shiv (knife) into someone's neck. This is a reference to his part in _Psycho_. See more »
During the scene at the zoo by the aquarium. See more »
Peter Falk? How can his acting be anything other than a perfect 10? Peter Falk is undeniably `money!' But, he does not make the whole movie, however. Nay, Peter Falk is only one part of what I would call `Swingers with Balls.' Swingers was a great movie, but Made was even better. `Made' is more in your face! Sure Vince Vaughn is more obnoxious in Made, and sure the characters are pretty close to the same as Swingers; nevertheless, I have this distinct feeling that if Made were released first, instead of Swingers, Made would have been the movie people were talking about, and not the other way around. Maybe it is just my personality and my love for the shock value in movies, but I just feel that this one was more on the `money.' Did I mention Peter Falk's great acting? Oh yeah, there is some real talent and dark humor in Jon Favreau's writing and directing. Jon cannot afford to make too many more movies like this one, and I hope he has some other creative colors in his pallet, but only time will tell, and I would love to see some more dark humor from this guy.
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