Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American Northeast Bronx neighborhood who live in fear and distrust of one another.
Staten Island Cab-driver, Bipin Raj, picks up a passenger, mistakes her for a movie star, but tells her that his brother, Vikram Raj, is a very well-known Bollywood mega-star with millions ... See full summary »
In New York's storied Chelsea Hotel, a novelist, a dancer, a painter, a poet, an aged jazz singer, and a young troubadour sort out their personal and artistic lives within walls haunted by the likes of Dylan Thomas, O. Henry, and Sarah Bernhardt. A boozy novelist balances wife, mistress, and stories. A dancer who's a waitress in the basement club chooses between a Hollywood jerk and a local painter. A youth from Minnesota who composes and sings may be the next Bob Dylan. A poet decides to give her feckless boyfriend another chance, even as her eyes tell us she knows what's ahead. An old jazz artist wants to place a bet and share his love for Lady Day. These walls do seem to talk. Written by
The young poet Audrey is shown writing an epic love ode to her boyfriend. Montage of her on her bare-roomed floor with voice over ("I want to be your wristwatch band so that every pulse throb will subtly remind you of my eternal love", etc.), images of this young Romeo, a spoiled-looking kid with all the depth of a ham sandwich. More poetic verbal images and then the [unintentional] comic moment, seen in a silent image: Romeo and Juliet on the balcony of the Chelsea Hotel where in a Romantic Moment that justifies all her deathless love and poetry....he spits, intentionally, on a sidewalk passerby many feet below. Yes, what Musedom he provides for the piss-elegant poetry of her young being. Priceless! (And, oh yes, a few lines must be dedicated to the usual Kris Kristoferson tired, substance abused, world weary artiste performance: would you want to spend 15 minutes with this drunken dope at a party?)
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