5.1/10
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49 user 23 critic

Chelsea Walls (2001)

This movie tells five stories set in a single day at the famed Chelsea Hotel in New York City, involving an ensemble cast of some 30-35 characters.

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2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Bianca Hunter ...
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Girl (as Paz De La Huerta)
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Kid
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Paul D. Failla ...
Cop (as Paul Failla)
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Bud
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Jimmy Scott ...
John Seitz ...
Mark Strand ...
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Storyline

In New York's storied Chelsea Hotel, a novelist, a dancer, a painter, a poet, an aged jazz singer, and a young troubadour sort out their personal and artistic lives within walls haunted by the likes of Dylan Thomas, O. Henry, and Sarah Bernhardt. A boozy novelist balances wife, mistress, and stories. A dancer who's a waitress in the basement club chooses between a Hollywood jerk and a local painter. A youth from Minnesota who composes and sings may be the next Bob Dylan. A poet decides to give her feckless boyfriend another chance, even as her eyes tell us she knows what's ahead. An old jazz artist wants to place a bet and share his love for Lady Day. These walls do seem to talk. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

painter | novelist | dancer | poet | hotel | See All (98) »

Taglines:

a million stories tall

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

21 September 2001 (USA)  »

Also Known As:

Last Word on Paradise  »

Box Office

Budget:

$100,000 (estimated)

Opening Weekend:

$10,003 (USA) (19 April 2002)

Gross:

$59,675 (USA) (14 June 2002)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Quotes

Terry Olsen: Why do they call you Lorna Doone? Ain't that a cookie?
Lorna Doone: You can call me whatever you want.
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Connections

Version of Under Milk Wood (1992) See more »

Soundtracks

Under Milk Wood
Written by Dylan Thomas
(Published 1954)
Performed by John Seitz
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User Reviews

A Hundred Stories and a hundred differrent stories
10 December 2002 | by (The Firelands, Ohio, USA) – See all my reviews

Chelsea Walls is not the usual film, that somehow all of the characters and their stories are inter-related. In 'Walls', none of the characters and their stories touch one another. This is what makes it more life-like, because all of us know that this is reality and not the movies. This film requires the participation of the audience in viewing it, there are many fascinating characters who are telling fascinating stories, just watch and listen. Finally, it is about Americans who are still 'On the Road' for that career in the arts and the experiences that they have and the people that enter their lives while they are on that journey. It is somewhat in the genre of Jack Kerouac, the difference being that this is a group of total strangers who never connect with each other, just with life.


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