Matsu, known to the prisoners as Scorpion, is locked away in the bowels of the prison as revenge for disrupting the smooth operation of the prison and for her disfiguring attack on the ... See full summary »
After being cruelly set up and deceived by Sugimi (Natsuyagi Isao), a conniving and crooked detective she had whole-heartedly fallen in love with (and subsequently lost her virginity to...)... See full summary »
Ocho is accidentally captured by a drug trafficking cartel who use Chinese women to smuggle drugs into Japan by hiding it in their vaginas. She is tortured, and manages to escape, fighting ... See full summary »
Nami Matsushima, The Scorpion, still on the run from Kodama, meets Yasuo. Together they try to exact revenge on the corrupt detective, but when things go awry, Nami is back in prison and has to find a way to escape before being hanged.
Nami(played by Meiko Kaji) returns to Tokyo to find the man who killed her father 13 years ago. On the way she saves a young woman named Hanae who's father had sold her for prostitution. ... See full summary »
After the mysterious death of her mother, a young woman chooses to enter a convent to find out what happened. As soon as the door closes to the nunnery, the nuns start torturing the woman. ... See full summary »
Hanzo is an incorruptible and unorthodox officer in Edo, as famous for his self-discipline and his love shaft as his sword. Against the backdrop of his magistrate's occasional rounding up ... See full summary »
Repeatedly beat to a pulp by gamblers, cops, and gangsters, lone wolf Shoji Yamanaka (Kinya Kitaoji) finally finds a home as a Muraoka family hit man and falls in love with boss Muraoka's ... See full synopsis »
The first three "Female Convict Scorpion" movies, which are the only ones directed by Shunya Ito, are part of the same series but are entirely different entities structurally. The first one is a fairly straight-forward 'women in prison' flick, the second is a piece of great avant-garde film-making, and the third is a slow paced character study. In fact, for most of the movie it is pure Japanese drama, especially the first half, and most viewers would be hard pressed to pigeonhole the movie with just calling it an exploitation film.
Not to say it is completely separate from the other two. Matsu is still her usual quiet self, albeit with a few more lines than normal, and the men are still complete scumbags. She's still running from the cops and using any pointy object she can get her hands on, but she is also keeping a steady job sewing, which is a strange sight to see for any fan of Matsu's previous exploits. She soon finds herself in a situation defending herself and two prostitutes against a local gangs, and violence obviously ensues.
So is it actually any good? For most part, yes, yes it is. The pacing is definitely slower but works well with its new rhythm. It just that it really does not go anywhere with all its character development that fills the first half, and the carnage that ensues does not the fun spirit of its predecessors. Its still a very colorful and stylish film, with some really memorable scenes, but it leaves you wondering why such an otherwise energetic trilogy had to end on a period, and not the exclamation point that its avid fans had all been expecting.
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