IMDb > Joshuu sasori: Dai-41 zakkyo-bô (1972)

Joshuu sasori: Dai-41 zakkyo-bô (1972) More at IMDbPro »


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Overview

User Rating:
7.1/10   742 votes
MOVIEmeter: ?

Down 20% in popularity this week. See why on IMDbPro.

Director:

Shunya Ito

Writer:

Tooru Shinohara (comic)

Contact:

View company contact information for Female Convict Scorpion Jailhouse 41 on IMDbPro.

Release Date:

30 December 1972 (Japan) more

Genre:

Drama | Thriller | Crime more

Plot:

Matsu, known to the prisoners as Scorpian, is locked away in the bowels of the prison as revenge for... more | add synopsis

Plot Keywords:

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User Comments:

A beautiful assault on the senses in both story and images more (17 total)


Cast

  (Credited cast)
Meiko Kaji ... Matsu (Sasori)
Fumio Watanabe ... Inspector Goda
Kayoko Shiraishi ... Oba
rest of cast listed alphabetically:
Yuki Arasa (as Yuki Aresa)
Hiroko Isayama
Yukie Kagawa ... Haru
Hôsei Komatsu
Gôzô Sôma (as Gôzô Sôma)
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Additional Details

Also Known As:

Female Convict Scorpion Jailhouse 41 (USA)
Scorpion: Female Prisoner Cage #41 (USA) (video catalogue title)
more

Runtime:

90 min

Country:

Japan

Language:

Japanese

Color:

Color

Aspect Ratio:

2.35 : 1 more

Sound Mix:

Mono

Certification:

Germany:18 (SPIO/JK)

Company:

Toei Company more


Fun Stuff

Movie Connections:

Followed by Joshuu sasori: Kemono-beya (1973) more


FAQ

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8 out of 8 people found the following comment useful.
A beautiful assault on the senses in both story and images, 19 January 2001
9/10
Author: freakus from San Francisco, CA

I think the substance of the story has been well described by others already but the look of the film has only been hinted at. It's a wonderfully psychotic vision, I often sat there thinking "Where the heck is the camera? How did they get that angle?". The opening shots of Matsu and the warden in her cell were simply incredible. Throughout the film there are surreal interruptions of the narrative in a "Theatrical" style where the location turns into an obvious backdrop and the lighting becomes more intrusive. These scenes usually highlight what's happening behind the eyes of the silent Matsu.

I won't give it away, but near the end of the movie there is a transition between shots that is so incredible and unexpected that the audience broke out into applause just for a TRANSITION! If you are a fan of surreal film or 60's/70's psycho-cinema you owe it to yourself to seek out this film. It is available on DVD now as well.

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