Matsu, known to the prisoners as Scorpion, is locked away in the bowels of the prison as revenge for disrupting the smooth operation of the prison and for her disfiguring attack on the ... See full summary »
After being cruelly set up and deceived by Sugimi (Natsuyagi Isao), a conniving and crooked detective she had whole-heartedly fallen in love with (and subsequently lost her virginity to...)... See full summary »
Nami Matsushima, The Scorpion, still on the run from Kodama, meets Yasuo. Together they try to exact revenge on the corrupt detective, but when things go awry, Nami is back in prison and has to find a way to escape before being hanged.
Mako and her girl friends enter a dispute with rival street gangsters The Eagles, a band of racist macho pigs led by the evil Baron, who hate half-breeds (descendents of afro-American and ... See full summary »
Ocho is accidentally captured by a drug trafficking cartel who use Chinese women to smuggle drugs into Japan by hiding it in their vaginas. She is tortured, and manages to escape, fighting ... See full summary »
Nami, a young woman, is released from the prison after serving 3 years for killing a man. She becomes a hostess to support a sick woman thanks to whom she was released before her term. ... See full summary »
Tough girl biker Ako (pop singer Akiko Wada) comes across Mei (Meiko Kaji) and her girl gang (the Alleycats/Stray Cats) as they are about to have a knife fight in Shinjuku, Tokyo with ... See full summary »
Matsu, known to the prisoners as Scorpion, is locked away in the bowels of the prison as revenge for disrupting the smooth operation of the prison and for her disfiguring attack on the warden. Granted a one day reprieve due to the visit of a dignitary, she takes advantage and attacks the warden again. This leads to more brutal punishment and humiliation. But the punishment gives her an opportunity to escape along with six other female prisoners. Their surreal flight from prison pits the convicts against the guards, the warden and each other. Written by
Tatantinoesque? This is from 1972: Tarantino is Joshuu sasori-esquire!
It is unfortunate, but nearly unavoidable, that what is innovative and successful will be copied until new viewers find the original unchallenging or even imitative of the successive work they have already viewed. Tarantino has been entirely forthright in acknowledging his debts to the innovators in this and other genres. The primary difference between the approaches of this film and Tarantino's "tributes" is that these intend very little irony or parody, while his work is hyper-aware of such things. I think it is important to view the Scorpion films in the proper context: They are excellently produced potboilers which are very pleasing, and their use of Meiko Kaji as an unapologetically aggressive and vengeful woman looking out for herself, while praiseworthy today, was particularly innovative 35 years ago.
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